Khashayar with Awilda and Irma, 2014, by Jaume Plensa.

Old/New, Out/In: North Carolina Museum of Art by da-AL

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North Carolina is far more than pine trees and the ‘pottery capital of the world.’ Noteworthy art fills the North Carolina Museum of Art’s two buildings — as well as its outdoors.

Khashayar with Awilda and Irma, 2014, by Jaume Plensa.
Intriguing from all angles, Khashayar with Awilda and Irma, 2014, by Jaume Plensa.

Over the single week that my husband and I visited a dear friend in North Carolina, we gravitated back to the fascinating museum. There was so much to see that we went back one, two, three, four days (plus we had fun here) and now…

Madonna and Child Sheltering Supplicants under her Cloak, 1470, by Peter Koellin.
Madonna and Child Sheltering Supplicants under her Cloak, 1470, by Peter Koellin.

 

Tippy Toes, 2007, by Alison Saar.
Tippy Toes, 2007, by Alison Saar.

 

Portrait of Madame X Dressed for the Matinée, 1877-1878, by Mary Stevenson Cassatt.
Portrait of Madame X Dressed for the Matinée, 1877-1878, by Mary Stevenson Cassatt.

 

Portrait of a Lady, circa 1610, British School.
Portrait of a Lady, circa 1610, British School.

 

The Kiss, modeled 1881-1882, cast at a later date, by Auguste Rodin.
The Kiss, modeled 1881-1882, cast at a later date, by Auguste Rodin.

When is the last time you took the time to admire a great work of art?…

 

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Published by da-AL

Happiness Between Tails speaks to and from the heart. It connects lovers — of pets, authors, books — and of my still-unreleased novels, “Flamenco + the Sitting Cat” and “Tango + the Sitting Cat.” The stories are my love letters to all who fear they're too odd, too damaged, too old, too whatever to find happiness. ContactdaAL@gmail.com • BuyMeACoffee.com/SupportHBT

39 thoughts on “Old/New, Out/In: North Carolina Museum of Art by da-AL”

  5. Thank you for the multiple posts about the North Carolina Museum of Art. So interesting to see women defined by their clothes, their personae peeking out from petticoats, hoods, and collars. Alison Saar’s sculpture is particularly revealing, and I apologize for the unavoidable pun.

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