Tragic times, including this COVID-19 era of death, illness, fear, misconception, and bigotry — can bring out the worst in us — and the best. The shadowed and the illuminated, the ugly and the beautiful, the narrow-minded and the caring…
The devastation of COVID-19 inspired artist Connie D.K. Lane to create an installation where viewers are coaxed to feel and think. Amid the sad emptiness of the quarantined Glendale Central Library, she invited volunteers to help her fill the space with color and movement to honor Los Angeles County residents who’ve passed away from the virus.
Connie’s “15,000 and More: A Plethora of Light and Darkness” employs over 15,000 Chinese joss paper ingots. Hanging from the ceiling, the ingots form a constellation evoking the overwhelming number of Angelenos who’ve passed away from COVID-19. Watch multi-media journalist Aziza Shuler report on it for Spectrum News1…
Does Connie look familiar? I featured one of her art shows here and a sneak preview to another here that I took part in, and that show here with a video, and a video of another I also participated in here.
Has Covid-19 inspired you in a surprising way?
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“A thousand roads lead men forever to Rome.” (Believed by some to have been penned by Alain de Lille in 1175.)
Bunches writers of stacks novels borrow and twist that proverb. The way it relates to this dilemma is — have you ever returned home from a trip and waited so long to sort your photos that you no longer remember where you saw what? Worse, did a pandemic come along and toss your blog posting plans to the winds? Those, my friend, are my excuses for this post.
Do you, like me, find yourself measuring time as ‘pre-pandemic,’ ‘early pandemic,’ etc.?
Not all that very long ago, in pre-pandemic Scotland, I was pleasantly reacquainted with a couple of fellow Americans, both of them artists. Remember Cabbage Patch Kids (o-m-g!!! I just Googled them — they’re still manufactured!?)? The dolls, IMHO vomitous as they are, remind me of Duane Hanson’s art, who respect tremendously. He started as overtly political. Later he segued into depictions of sorely neglects folks and subjects, this way and this way. His life-casts here are portrayed as a couple, yet in real life they never met. Incorrigibly Floridian, they stand out in Edinburgh…
Tourists 1970, by Duane Hanson 1925-1996, constructed of polyester resin, fiberglass, and mixed media.
“The subject matter that I like best deals with the familiar lower and middle-class American types of today. To me, the resignation, emptiness, and loneliness of their existence capture the true reality of life.” (Artist Duane Hanson)
Rain and more rain; that’s what we got in Scotland. Wetness and all, it was marvelous! The people were kind and down-to-earth, the food was good… a welcome change from the So Cal droughts! There was so much to see that I’m forced to must split Scotland into more than one post. We’d landed in London and had fun at the British Museum here and here and here. Then we drove to Bath, then admired Avebury and a bit of Wales on the route to Stokesay Castle. Later, the Kelpies of Scotland were amazing! Scotland alone had so much wonderfulness that I’m forced to split it into more than one post!
Now this same Edinburgh gallery (or maybe it was at another place, perhaps in Glasgow?) also featured work by my fave modern artist, he of the Campbell’s soup cans and he who may or may not have said that thing about everyone getting fifteen minutes of fame, Andy Warhol…
Shoe and Handbag, 1960, by Andy Warhol (1928-1987) Graphite and gouache on paper. In the 1950s, before Andy became a pop art icon, he was a mega-successful commercial artist. By the note on the bottom right, even he had probs with picky bosses like this one who hated this purse.
A Field of Blue Children, 1951-52, by Andy Warhol (1928-1987) Ink and dye on paper. Andy and I agree that Truman Capote was an amazing writer. This is the only surviving piece from Andy’s solo exhibition of fifteen drawings based on Truman’s work.
Here Lies the Heart, 1957, by Andy Warhol (1928-1987) Ink and graphite (a.k.a. pencil) on paper. Only later was this used for the autobiography of Mercedes de Acosta (1893-1968). Of Spanish/Cuban descent, she was known for her poems, plays, and novels. And also for romancing the likes of Great Garbo, Isadora Duncan, and Marlene Dietrich, to name but a few!
Foot with Cat, 1955-57, by Andy Warhol (1928-1987) Ink on paper. A page from one of many books Andy made, some for himself, some to showcase his talent to clients.
Here’s Landform by Charles Jencks beyond rainy windows (rain-less view here) of the Scottish National Gallery of Modern Art in Edinburgh…
Landform, 2002, by Charles Jencks (b. 1939)
Have you ever mixed up vacation pix? Or completely lost them? Ulp, I have… And do you, like me, find yourself measuring time as ‘pre-pandemic,’ ‘early pandemic,’ etc.?
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What do books mean to you? For me, the sight of pages bound together conjures adventure, romance, learning and joy. A book suggests what a heaven-on-earth it would be to occupy the most epic reading room ever! In such a place, librarians would work to honor the greatness of fiction (like my soon-to-be-published “Flamenco and the Sitting Cat” novel), as well as non-fiction. Once published, every book in that magnificent reading place would live forever.
Artist Cecilia Levy resides in the small Swedish village of Sigtuna, between Stockholm and the university town of Uppsala. Her art ensures printed pages are neither discarded nor forgotten. In her hands, they are reincarnated, afforded three-dimensional lives as exciting as their first ones!…
Cecilia Levy, artist, working in her studio, Ateljéföreningen Hospitalet in Uppsala, 2019. Photographer: Stewen Quigley.
I am Cecilia Levy and I create sculptural objects in paper, using old book pages, wheat starch paste, and papier maché technique.
My work is exhibited internationally and is included in private and permanent collections, including the Swedish National Museum.
In 2017, my public art commission, “In Fusion –- Contemplation Pieces,” was installed in the main entrance to Stockholm’s New Karolinska University Hospital, NKS, twenty plinths displaying over twenty-five of my unique paper sculptures.
My home is in Sigtuna, my studio is at Ateljéföreningen Hospitalet in Uppsala, and I’m a member of Konsthantverkarna in Stockholm, where my pieces are sold.
“Companion,” teacup and strainer, 2018.
I have a background in graphic design and bookbinding, and paper has always been my medium. I make sculptural objects in paper, using book pages. I only use old books, up until the 1960s. They have the paper quality, layout, and typography that I appreciate.
“Longing,” mocha set, 2020.
Old book paper is a fragile and delicate material. It carries several narratives at the same time, both in content and regarding the passage of time. My works reflect this, the fragility of life. The pieces reflect my personal stories and memories.
For instance, my a mocha set, called “Longing,” is a replica of a set given as an engagement gift from my grandfather to my grandmother…
“Chapter One,” thistle, 2015.
Visible traces from the passage of time, marks from previous owners and readers, paper quality, color and typography, holes in the binding, wrinkles and dog ears, olden expressions and spelling, and the (sometimes) odd content. All of these are characteristics I value and are what determine my choice of working material. Every single piece of paper is chosen with care.
My different pieces represent different sides of me. I often use everyday objects, those found at home, or in thrift shops. These Hobo Boots are special to me. They are appealing to the eye. They were fun and pleasing to make, yet they also have a serious underlying message about homelessness and poverty…
“Hobo – Homeward Bound,” boots, 2012.
My 2017 public art commission, “In Fusion – Contemplation Pieces,” was installed in the main entrance of Stockholm’s New Karolinska University Hospital, NKS. In all, twenty plinths held over twenty-five unique paper sculptures. I was inspired by folk medicine, especially plants and herbs that can be used for infusions, in other words, herbal teas…
“Coltsfoot and Artichoke,” medicinal plants for a public commission, 2017. Photographer: Alvaro Campo.
The title of the commission is a play on words that indicates a fusion between art and folk medicine. “Contemplation” is used, in a sense, to look at/be aware of/be exposed to. It’s an essential term within philosophy and theology. People coming to a hospital are often anxious and worried. My hope is for visitors to halt for a while, and to let their minds wander.
Having people stay over is the best time to get to know my sprawling Los Angeles better! This month we had the bonanza of double guests. I’m kicking myself (metaphorically) for botching photos of some family, so please envision cheery faces between all these shots…
Pasadena’s lovely Norton Simon Museum (of art), is modestly sized yet dense with treasures! Pablo Picasso apparently made the women in his life miserable, which may explain why this one finds sweet refuge in her book…
Woman with a Book, 1932, Pablo Picasso of Spain, oil on canvas.
I knew about Edgar Degas’ captivating ballerina sculptures (the Norton also features some of those), but not that he created atmospheric monotypes…
Autumn Landscape (L’Estérel),1890, Edgar Degas of France, monotype in oil colors on heavy cream-colored laid paper.
Unsung artists sing out! There’s a special place in my heart for ‘unknown’ artists, given my current status as a not-yet-published novelist. In this work by a lesser-known painter, this hat maker might be more content reading a book, no?…
The Milliner by Valere De Mari of the U.S., 1917, pastel on wove sketch pad paper.
Reading Donna Tartt’s Pulitzer-winner “The Goldfinch,” which sets an amazing portrait of a little bird at its core, put me in the mood for Dutch art. Unknown artist(s?) committed these masterly tulips to paper for a tulpenboek, a.k.a. a humble flower catalog…
Branson, c. 1640, gouache, watercolor, and pencil on paper. Root en Geel van Katolikn, c. 1640, gouache, watercolor, and pencil on paper.
Animal lovers, join me in a swoon at this visual paean to dogs! Note the proud master’s coat of arms on the collar, his ‘country house’ in the background…
Aldrovandi Dog, c. 1625, Giovanni Francesco Barbiere (a.k.a. Guercino) of Italy, oil on canvas.
Griffith Park is as wonderful for the park itself as it is for the views. You met this part of my family first here…
My year ‘round Valentine and moi in front, Angela and Kim in back, with the sun on our faces, the wind in our hair, and grand Los Angeles behind us.
Our doggie barely touched the ground, she had that much fun at Rosie’s Dog Beach in Long Beach. Thank you, Justin, for your many many good works, including getting the city to okay this canine paradise. As for dolphins, dear reader, your imagination is needed — every dang many times those amazing creatures surfaced only yards from us, they eluded my photography. All the same, they were breathtaking!!!!!…
See the joyous dog in flight, visualize the dolphins cavorting, ignore the oil rigs in the background…
What sight do you most wish you could have photographed?
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Bullets rain down on seekers of justice in Chile…Women had to be creative to get word out about the killings…“Children search trash cans for bread.” “Not everyone has running water.”
Books are burned…All are forced to worship the dictator…
Transcendent and political art by Argentine artist Matias Duville…
Award-winning animation was also on display — the alternative worlds created by Quique Rivera, a Puerto Rican animation artist, sculptor, photographer, and film director. His sculptures such as these…
Quique Rivera sees things differently…His underwater world is like no other…
…created videos such as these! Also, more about the Museum of Latin American Art is here and here and here.
Where’s your favorite place to take visitors?…
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Happiness Between Tails by da-AL 