Kolkata: Eco Park + Red State Birth Control by V. Tarico + Podcast

Cutout photo of da-AL next to golden statues of a woman walking a small dog at Kolkata's Eco Park.
You too can strike gold at Kolkata’s Eco Park!
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Not counting getting to Los Angeles International Airport, then futzing around there, the journey to Kolkata took 23 hours. Ignorant that a young boy with lungs strong enough to keep us awake the first 16-hour leg of the flight, we were fresh-faced when we checked in at the ticket counter. The second leg was a restless blur, as were the first couple of days of settling in.

Photo of da-AL and Khashayar at Los Angeles International Airport airline counter.
We’re ready and set to go from LAX!

Was it one — or two days? — after we landed that we visited New Town’s Eco Park? New Town is the suburb of Kolkata where we stayed at (more blog posts about that here and here and here and here), a whirlwind of pardon-our-dust burgeoning growth that includes new indoor malls, hotels, condos, and more.

My fave vacations involve lots of walking to look at amazing things between tasty meals. India is a heaven for vegetarians, which I am (more about the food here). We decided to walk the mile or so to Eco Park.

Photo of cows on sidewalk of New Town, Kolkata.
Pedestrians sometimes share the walkway with cows in New Town, Kolkata.

Strolling the highway there, we shared the sidewalk with a couple of cows. Someone explained they probably belonged to a nearby farmer. Later, another local discussed how difficult it is to relocate economically challenged people into subsidized apartment buildings when they and their livestock live off the land.

On the subject of where people live, New Town owes much of its current rebirth to co-ops. Families, friends, and co-workers pool monies to build condos. Construction crews live on-site. We passed one building that housed former airport co-workers, which they proudly announced on their signage.

Photo of a condo building in New Town, Kolkata. Placard notes it's owned and built by airport co-workers.
Family, friends, and co-workers invest together in condos.

Good thing most apartments and condos feature balconies. The impressive saris that all types of women wear run anywhere from four to six yards long. I don’t know how anyone washes that much fabric, but I do know that many people dry them by hanging them over their balconies, the cloth draping clear past the balcony below them.

Look closely at :52 and 1:11 to see what I mean…

Once we got to Eco Park, we were in for one surprise after another. With a name like that, I’m not sure what I expected. All I know is that it wasn’t a sculpture of a golden woman walking her golden dog, a historical recreation of a Bengali village…

Photo of statues at historical village representation, Eco Park, Kolkata.

Hergé’s Tin-Tin and his dog, Snowy… 

Photo of Khashayar at Eco Park, Kolkata, with statues of Tintin and his dog Snowy, by Hergé.

A mock Japanese forest guarded by mythical lions…Photo of fronts of lion statues at Japanese forest representation in Eco Park, Kolkata.

Photo of anatomically correct rears of lion statues at Japanese forest representation in Eco Park, Kolkata.

And a mini Eiffel Tower…

Photo of da-AL and Khashayar at Eiffel Tower representation in Eco Park, Kolkata.

Next week, we’ll go shopping for Indian wedding clothes!

Photo of psychologist/author/blogger/activist Valerie Tarico.
Psychologist/author/blogger/activist Valerie Tarico.

Closer to where I live, today’s guest is psychologist and writer Valerie Tarico of Seattle, Washington. In addition to her blog and her books, Trusting Doubt: A Former Evangelical Looks at Old Beliefs in a New Light, and Deas and Other Imaginings, she writes about religion, reproductive health, and the role of women in society for The Huffington Post, Salon, and a slew of other impressive publications.

Here’s her valuable encouragement and information for those who live in Red States (overwhelmingly Republican states that are inhospitable to women’s reproductive rights). Please share it with anyone and everyone…

What Every Red State Resident Should Know about Birth Control Options by Valerie Tarico

Some birth control options are 100 times more reliable than others. 

Unexpected pregnancy? Wrong time? Wrong partner? Wrong circumstances? Too bad. That’s the attitude of Christian Right fundamentalists, and conservative politicians who think that sucking up to fundamentalists will get them reelected. 

Most people—including religious people—including Christians—don’t think this way. But fundamentalists and their lackeys are doing their damnedest to make pregnancy the price of sex by outlawing abortion while also driving down birth control knowledge and access. If they wanted to, they could make abortion almost obsolete by broadcasting information about the most reliable birth control methods and making them cheap and easy to get. They could also fund research on even better methods, including options for men. Instead, they spread misinformation about modern birth control options, shout about risks while being zipper-lips about bonus health benefits, and falsely claim that the most reliable methods work by turning your body into an abortion factory. What does that tell you?

One thing it tells me is that this isn’t just about abortion. (See: Children as Chattel–The Common Root of Religious Child Abuse and the Pro-Life Movement.) Another is this: Spreading accurate information about birth control options is an act of defiance.

So here goes the list. It’s organized from most trustworthy to least, because some methods are literally 100 times more reliable than others. But first, some quick comments:  

  • With regular unprotected sex, 85 out of 100 couples will get pregnant within a year. Unless you are trying to make a baby, unprotected sex is pregnancy roulette. 
  • Bedsider.org has the most accurate, up-to-date birth control chooser on the web.   
  • No one method fits (or works) for all of us, and none is perfect. 
  • How often contraception fails depends a lot on how much effort it takes, how often. 
  • Lastly, apologies in advance, guys: Your non-permanent options stink; you deserve better. In the meantime, if you have sex with females you should know what they are using and what options they have. 

Implant (3-5 years) —The implant is a flexible rod the size of a matchstick that goes in the underside of a female arm. From there, it slow-releases hormones that prevent eggs from developing. It is the most reliable method currently available, with a 1 in 1000 annual failure rate. Another way to say this: If you used an implant for 1000 years, you could expect one pregnancy. That is because long-acting contraceptive devices like the implant or IUD flip the default setting on fertility to off making pregnancy “opt-in” instead of “opt-out.” Downsides: Costly up front if not covered by insurance. May cause irregular periods or hormonal side effects like headaches or sore breasts, especially at first. Upsides: Quick outpatient insertion. Get it and forget it for up to five years; quick return to normal fertility whenever removed. Safe for smokers, people with hypertension, and diabetics. Ok while breastfeeding. Bonus health benefits: May reduce PMS, depression, or endometriosis symptoms. 

Hormonal IUD (3-8 years) —An IUD is a T-shaped bit of plastic that fits into the uterus; it is the birth control method most preferred by gynecologists for themselves and their partners. (Some people even turn samples into earrings.) This IUD releases a local micro-dose of progestin; and the female body responds by sealing off the cervix like it would during pregnancy, an internal barrier. Like the implant, it has a 1-in-1000 yearly failure rate. Downsides: Insertion, though brief, can be painful. May cause cramps at first. Some bodies spit that puppy right back out. Upsides: Get it and forget it. Lighter periods or none at all, so good for athletes or people who suffer from anemia or strong menstrual cramps and bleeding. Can reduce endometriosis. Quick return to normal fertility. Good while breastfeeding. 

Vasectomy or Tubal Ligation (permanent) —A vasectomy is the only truly dependable method that lets a man control his own fertility. As in a tubal ligation for women, a tiny tube in the body is snipped so that gametes (sperm for males, eggs for females) can’t travel to the place they would meet. Both methods are almost as reliable as the implant or hormonal IUD. Downsides: Requires a medical procedure, and you can’t count on reversing it if you later change your mind. Upsides: One and done. No medications, no potential side effects, no repeat medical visits. 

Copper IUD (10+ years) —Thin wires wrapped around the arms of this IUD release copper ions that make it so sperm can’t swim. The amount needed is so small that a copper IUD can work for a decade or more as an internal, hormone-free spermicide. (I had mine for 23 years.) Once settled into place, it has a 1-in-100 annual failure rate. Downsides: Insertion, though brief, can be painful. May cause cramps or backaches. Usually causes heavier periods during the first few months, so not good for women with anemia. Upsides: Get it and forget it till you want to get pregnant or menopause kicks in. Hormone-free for those who don’t do well on estrogen or progestin. Immediate return to normal fertility upon removal. Normal periods for those who want them. Good while breastfeeding. 

The Shot (3 months) —The Depo-Provera shot suppresses ovulation–no eggs released to meet up with sperm. The annual pregnancy rate is 4 in 100—almost twice as good as the pill but a lot worse than IUDs and implants. Downsides: This is the only method with documented weight gain for some users. May cause irregular spotting. Can cause hormonal side effects like headaches or depression. Requires quarterly medical appointments. Upsides: Effort free for 3 months. Shorter, lighter periods. Works for people who don’t tolerate estrogen in birth control pills. (Note: Self-administered and six-month versions of the Depo shot are in the works.) 

The Ring (1 month) —A soft, flexible ring around the cervix delivers the same estrogen-progestin combination as some birth control pills. Out of 100 users, 7 will get pregnant in any given year. Downsides: Must be changed out every 3 or 4 weeks. Same side effects as similar pills. User needs to be comfortable inserting and removing the ring with their fingers. Upsides: Benefits of pills without having to remember every day. Lighter, less crampy periods, less acne. Monthly periods can be skipped if desired. Some protection against bone thinning, ovarian and endometrial cancers, anemia, and some infections.   

The Patch (1 week) —Similar in look to a nicotine patch, an estrogen-progestin patch works pretty much like birth control pills except you only have to remember once a week rather than every day. Like the shot, ring and pill, it keeps eggs from being released. Out of 100 users, 7 will get pregnant in a year. Downsides: Need to swap out weekly. Potential hormonal side effects. Upsides: Lighter, less crampy periods, less acne. Monthly periods optional. Some protection against bone thinning, ovarian and endometrial cancers, anemia, and some infections.   

The Pill (every day) —A variety of birth control pills offer different combinations of estrogen and progestin, or just progestin (called the mini-pill), which let people try out which formulas work best for them. Out of 100 users, 7 will get pregnant in a year. Downsides: Hard to remember—85 percent of women miss three or more doses each month. Potential hormonal side effects. Upsides: Lighter, less crampy periods. Monthly periods can be skipped if desired. Estrogen-containing pills reduce acne and protect slightly against bone thinning, ovarian or endometrial cancers, anemia, and some infections.   

Condoms (every time) —The condom is the only nonpermanent option for men who want to manage their own fertility, and it is the only method that protects against sexually transmitted infections. But as birth control goes, condoms aren’t very reliable: Thirteen out of 100 couples relying on condoms will face a pregnancy within a year. Downsides: Can reduce sexual pleasure, high effort, easy to get it wrong. Upsides: inexpensive, no prescription required, no side effects, protection against STIs. 

Periodic abstinence (one week every month) — Some couples, for religious or other reasons, prefer simply to avoid sex during the female partner’s fertile days. Periodic abstinence has been used to avoid pregnancy for generations; now a variety of tools can help to track monthly cycles or even detect signs of ovulation. On average, these methods result in pregnancy each year for about 15 in 100 couples, but tracking tools are getting better. Downsides: Requires careful monitoring, effort, discipline, and a certain kind of couple. Substantial pregnancy risk. Upsides: Inexpensive, no prescription or side effects.   

Diaphragm, female condom (every time) — Diaphragms and female condoms are barriers made from silicone or rubber. Inserted before intercourse, they block sperm from reaching the uterus. Around 1 in 5 couples relying on these methods will get pregnant each year, half again as many as those using male condoms. (My mom had five diaphragm babies.) That said, the female condom is the one female-controlled method that protects against STIs. Downsides: Substantial risk of pregnancy. Takes practice to insert consistently and correctly. Can irritate the vagina. Upsides: No side effects, condom offers STI protection, diaphragm reduces pelvic infections. 

No one method works for all people. Some, like me, have medical conditions that mean they shouldn’t take hormones (in my case migraines). Some have personal or ancestral trauma and don’t feel ready to have a healthcare provider put something inside them. Some trust shots; others hate them. Some can remember to take a pill at the same time every day for years on end, while most of us can’t. Some want lighter, less-frequent periods while others like their monthly cycle. For any given person, one or more of these considerations may be worth a higher degree of pregnancy risk. We all make trade-offs. 

But to do so, we need to know what we are and aren’t trading off. Everyone who doesn’t want to be pregnant right now deserves to know their options. How well does each birth control option stack the odds in favor of—birth control? The differences, as I’ve already said, can be huge: A couple relying on condoms is 100 times more likely to face an unsought pregnancy and a potential abortion quest than a couple relying on an implant or hormonal IUD. 

Abortion rights and sex ed and contraceptive access for young people are under siege in much of the United States. Some Christians and politicians think the price of sex should be pregnancy roulette and then parenthood, however unwanted or mistimed. Women are being treated like moral degenerates or criminals because they chose not to incubate an unsought or unhealthy pregnancy. In other words, the stakes are high, and spreading accurate information is an act of defiance. 

So do it.

What’s the best way you know to make the world a better place for women?

Nude Talk + Book n Vid Inspo + Abortion + Aithal on Writing

podcasting audiobook audio booth
Recording an audio book at home rocks! And it’s hot…
Happiness Between Tails has a podcast/audio version! Click the Spotify podcast link above. And please give it a follow.

Releasing my novel is taking longer than I’d like (understatement). At this stage, I’m recording an audiobook version of the first section, which is truly fun!

The audio booth I fashioned within our petite guest-bedroom walk-in closet is soundproofed with a mishmash of bedding held together with clothespins. Photos of me using it must wait for cooler temps. Without air conditioning, I recorded in my birthday suit, standing on a towel to sop up dripping sweat.

Once voicing and editing of the first chapter are done, the audio will become a promotion tool. The book version (yay! yay! yay! is finished!) needs a cover image and formatting. I’ll try again for a great traditional agent before I self-publish.

All this makes me stress that I’ll never finish — which is why I take great pleasure in discovering people who accomplished great things later in life, whether they’re real life or fiction.

Art goddess Beatrice Wood learned pottery throwing after age 40, then she really hit her stride many years later. A friend of hers was so touched by her that she photographed her for a book of her wisdom as she turned 100 in 1993! By the way, Wood penned her autobiography at 95. My review of the book below for Amazon and Goodreads: “Spectacular & Inspiring — absolutely wonderful in every way!”…

Cover of book: Playing Chess With Heart: Beatrice Wood at 100 Hardcover – February 1, 1994 by Beatrice Wood  (Author), Marlene Wallace (Photographer)

Here’s just one of many wonderful and timely quotes from within its pages, this one about abortion…

“Let us face it, it is not a question of whether the law is right or wrong where abortion is concerned. Any woman desperate enough will go to an abortionist regardless of whether there is a law against it. To speak of saving a fetus is to ignore the dangers facing a woman having an illegal abortion — which could mean the loss of two lives.” from the book, “Beatrice Wood at 100.”

Regarding wisdom gained through experience, I urge you to check out and share blogger Equinoxio21’s (who’s guested here before) post at his site, where he discusses abortion

Continuing on the subject of treating each other decently, I recently much enjoyed Ibram X. Kendi’s “How to Raise an Antiracist.” My review of it for Amazon and Goodreads: “Complete candor about a subject that’s scary to talk about. Kendi writes with needed honesty about how difficult raising an antiracist child is, but how essential it is.” …

 

Ibram X. Kendi’s “How to Raise an Antiracist."

Dreams are ageless! Art Carney well earned the Oscars he won starring alongside an orange stripey cat in the uber-inspiring and entertaining “Harry and Tonto.”

Today’s guest blog post is by Aithal, who’s guested here before. He’s published six books, the first book set in India. His latest is a USA-to-India thriller. Here’s his advice for novelists…

So You Think You Can Write by Aithal

So you want to be an author, huh? Join the queue. Millions of dreamers want to be one, and they are very talented writers with a repertoire of fancy and obscure words that are seldom used. Their grammar is perfect, and their statement construction is flawless. So it should be a no-brainer for them to write great books everyone wants to read. Right? Wrong.

Many elements make up a good book. The most critical aspect (at least in my opinion) is that the story should come from the heart. When I started to write my first book in January of 2010, it took me less than a week to pour my initial thoughts down. However, to expand on the idea, to read over and over again for typos, tighten the storyline, etc. — took me about fifteen months. Was it worth it? Absolutely. It was a journey down memory lane that I thoroughly enjoyed. If you decide to write a book, don’t hurry. I know you must think, “it’s easy for you to say.” But believe me, it’s worth it. I, too, was very impatient in the beginning as I was very eager to have my “masterpiece” out.

My thinking was straightforward. To make people read my book and let them decide if it was worth their time. Unlike seeing a movie (where one spends only 2–3 hours of their time), reading a book is at least a week of their time. So it better be worth it. Spend time upfront, and you’ll reap the rewards. Enjoy the journey. Don’t be in a hurry to reach your destination.

Kirkus Reviews aren’t free, but are highly effective. I recently got my last book reviewed on Kirkus Reviews. They are well-respected in the publishing industry. Your book will get more eyeballs where they matter…like bookstores, publishers, agents, librarians, etc.

What bolsters your confidence when your goals seem beyond reach?… 

Rushdie + Milck Video + Courage + Podcast: Creative Kolkata + Tagore

Want to listen to a podcast/audio version of Happiness Between Tails? Click the Spotify podcast link above. And please give it a follow.

Novelist Salman Rushdie is out of the woods, though it will take a while for him to heal. Recently, he was attacked and gravely injured right before he was to give a lecture. Thank goodness the controversial writer is a tough bird. For decades, he’s evaded assassination attempts by anti-free speech people.

He’s a light in the darkness. That’s what we do, we creatives. I’ve been criticized for being oversensitive, for making too much out of too little, and for overthinking things. Artists do all that and more. We allow the timid and repressed to see possibilities they wouldn’t otherwise allow themselves to dream.

Here’s the book Rushdie is best known for…

Cover of The Satanic Verses by Salman Rushdie.

Buy it, read it, and give copies away — to show your support of not merely Rushdie, but of all creators brave enough to stick their necks out.

Check out this video, “We Won’t Go Back,” by singer/songwriter/activist Milck. It’s her reaction to the Supreme Court’s decision to overturn Roe v. Wade. According to her YouTube channel, the song celebrates, “the power of bodily autonomy. Trusting people to make their own choices, and keeping the state out of our bodies…”

 

What do you think about free speech and the value of artists?

COVID-19 Art: Connie D.K. Lane’s Light + Darkness

Artist Connie D.K. Lane honors lives lost to COVID-19 with her installation for Glendale Central Public Library.

Tragic times, including this COVID-19 era of death, illness, fear, misconception, and bigotry — can bring out the worst in us — and the best. The shadowed and the illuminated, the ugly and the beautiful, the narrow-minded and the caring…

The devastation of COVID-19 inspired artist Connie D.K. Lane to create an installation where viewers are coaxed to feel and think. Amid the sad emptiness of the quarantined Glendale Central Library, she invited volunteers to help her fill the space with color and movement to honor Los Angeles County residents who’ve passed away from the virus.

The project was funded by the City of Glendale Arts & Culture Commission’s Art Happens Anywhere COVID-19 relief initiative, an organization which also funds an impressive urban art program. They call it, “…both a beautiful and poignant reminder that while numbers of new cases are currently on the decline, daily case counts are still three times higher than they were in October 2020, and County reports have identified new strains of the virus in the community.” The project was unveiled by Supervisor Kathryn Barger and included the help of Glendale Mayor Vrej Agajanian, Arts & Culture Commission Chairperson Caroline Tufenkian, and Director of Library Arts and Culture, Dr. Gary Shaffer.

Connie’s “15,000 and More: A Plethora of Light and Darkness” employs over 15,000 Chinese joss paper ingots. Hanging from the ceiling, the ingots form a constellation evoking the overwhelming number of Angelenos who’ve passed away from COVID-19. Watch multi-media journalist Aziza Shuler report on it for Spectrum News1

Does Connie look familiar? I featured one of her art shows here and a sneak preview to another here that I took part in, and that show here with a video, and a video of another I also participated in here.

Has Covid-19 inspired you in a surprising way?

 

Making Music Blind During Covid by Noé Socha: with videos

(Note: an audio/podcast version of this blog post is H-E-R-E.)

Musician Noé Socha.

“Even if my marriage is falling apart and my children are unhappy, there is still a part of me that says, ‘God, this is fascinating!’” — Ernest Hemingway

Noé Socha is a musician who’s life is absolutely not falling apart due to his being blind — and goddesses, his life is fascinating!

Got writing blues? Covid blues? The “when will the world learn that fear and hate aren’t the answers” blues? A couple of minutes with Noé’s guitar and harmonica will color them into rainbows.

CBS New York news interviewed him a couple of weeks ago.

I first learned of Noé thanks to Kenya Greaves, a friend I met through her work as an online writing tutor. She’s a great help with editing my novels. Watch Noé’s video below (one of many at his YouTube Blind Selfie channel) for Kenya’s appearance as a backup dancer.

Noé grew up in Carpi, Italy (a lovely place, which like my Los Angeles, knows earthquakes). Now he’s based out of Brooklyn, New York, where Covid first walloped the United States.

He’s released albums and garnered top awards from the Berklee College of Music and Billboard Magazine. In addition, he’s toured, performed, and recorded with artists including Nona Hendryx (Labelle), Vernon Reid (Living Color), and Grammy winners including Javier Limón and Paula Cole. Breedlove, an Oregon guitar manufacturer, added him to their stellar lineup of signature artists. The oldest harmonica manufacturer, Seydel, a German company founded in 1847, invited him to collaborate; here Noé demonstrates one of their harmonica holders on his Facebook page.

Even Mastercard has added him and his music to their “Something Priceless” roster.

Read on for his thoughts in his words about living creatively through Covid…

My Experience as a Blind Musician During Covid by Noé Socha

The beginning of Covid was very strange for me. I’m from Italy, so I saw all my friends going in full lockdown a couple of weeks before the states, but I still had performances every day until March 15. It was hard to stay focused, knowing how everything would have changed in a very short matter of time. I was questioning myself; I felt selfish taking all these chances, but I also felt like I couldn’t do any different.

I came back to NYC from PA on Monday, March 16, and I’ll never forget the feeling of seeing Times Square deserted at 9 PM. It didn’t seem real.

The next month or so was very challenging for me, I didn’t have any inspiration to play, people were dying and getting sick, it felt wrong to post music. All my musician friends were doing online streams, but nobody was making any money from them. Teaching guitar online was hard, I don’t feel I can help people very much without being able to touch their hands, and I can’t have close-up shots of myself. I also live alone, so I would go thirty plus days without seeing anyone. 

I decided to start posting again when I realized I was losing my chops on the instruments, I couldn’t let all the work I put into it go to waste, and I needed something to look forward to artistically. I take selfies with my phone. The shots may not be very good, but I thought it would be interesting and different to have a blind person videotaping himself. George Floyd’s homicide and all the people that spoke out and told their stories after that gave me even more motivation to use my artistry to stand in solidarity and support.

In the summer, the gigs came back, sort of. I was playing outside bars, on the sidewalks, for tips. It was very nice to see how eager people were for live music, but it was also stressful trying to respect social distancing. I found myself hesitating when I needed help getting places; I wasn’t sure how to get people’s attention without getting close to them, and I didn’t want to make anybody uncomfortable. I am fortunate to be able to use Access-A-Ride, so I didn’t have to take public transportation.

Now we’re back in lockdown, and it feels like we’re in March again. I keep posting my videos, hoping to increase my followers and inspire people. I’ve realized that it’s important to have something to keep us motivated, even if we don’t see many results. Persistence is key. If I get somewhere with the videos, I want to show that all the work and struggle we’re going through will be rewarded someday, in ways we didn’t necessarily predict.

Has Covid impacted your creativity?

Mythical Greek Inspo for Writers (Made Easy) by Dionysius

Victory of Samothrace ready for liftoff at the top of the Louvre’s entrance. By Lyokoï88 - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=39152792
Victory of Samothrace ready for liftoff at the top of the Louvre’s entrance. By Lyokoï88 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=39152792

Melodrama, romance, intrigue, mystery, mysticism, pragmatism — oh, wait, not the last one… If you’re looking for inspiration for writing or for reading excitement, check out Greek mythology!

Goddesses and gods, mortals, the blending of both — doesn’t that sound like Stan Lee comicbook territory? Surely he sorted through ancient myths to fashion superheroines and superheroes. Star Trek and Star Wars makers must’ve too.

Admittedly the Greek tales of olden times can be challenging. Every poetically written story is jam-packed with enough intrigue to rival a binge-watch of Days of Lives, a still-running daily soap opera that first aired in 1965 and I once upon a time worked as an extra for… but that’s another story.

South Carolina blogger Dionysius has the same monicker as the multi-cultural god/superhero who oversees everything from wine to fertility and ecstasy to madness. Some argue that Dionysus the god is really Jesus. Our guest, Dionysius, created his New Classical blog “to create a new contemporary literature deeply rooted in classic literary traditions… not to repeat old and dead literary traditions, but to rediscover what is living and vibrant in them today.”

Read on for a peek into how Dionysius sees classic literature… 

Bacchus by Charles Lucy (English, 1692 - 1767). Courtesy of Wikipedia. Bacchus by Charles Lucy (English, 1692 – 1767). Courtesy of Wikipedia.

A brief summary and analysis of Euripedes’s “The Bacchae” by Dionysius

Summary

Prior to the events of The Bacchae, Dionysus is born from the love affair of Zeus and the mortal Semele. When he is born, his mortal family denies that he is the son of Zeus and refuses to give him worship. Dionysus then leaves Thebes and journeys to the east, where he gathers his cult of female worshippers, the maenads. The Bacchae opens when he returns to Thebes with his maenads to take vengeance on his family. He starts by luring the Theban women, including his aunts, into the forest around Mt. Cithaeron, where they join the maenads. This angers Pentheus, the king and Agave’s (Semele’s sister) son. After Pentheus fails to arrest and subdue Dionysus and the maenads, he is lured into the forest by Dionysus’s offer to look at them. In order to watch the maenads without being noticed, Dionysus tells him that he must dress as a woman. Pentheus complies and imitates the image and mannerisms of the maenads. When he arrives, his body is torn apart by them and by his own mother. Under the spell of Dionysus, she carries his head through Thebes, parading it, thinking that it is the head of a lion she caught during a hunt. When she is made aware of what she has done and whose head she’s been carrying, she falls into grief. The drama ends with Dionysus casting her and the royal family out of Thebes.

Maenads – The Mystery of Woman

Pentheus being torn by maenads. Roman fresco from the northern wall of the triclinium in the Casa dei Vettii (VI 15,1) in Pompeii. Courtesy of Wiki: Marisa Ranieri Panetta (ed.): Pompeji. Geschichte, Kunst und Leben in der versunkenen Stadt. Belser, Stuttgart 2005, ISBN 3-7630-2266-X, p. 366 Pentheus being torn by maenads. Roman fresco from the northern wall of the triclinium in the Casa dei Vettii (VI 15,1) in Pompeii. Courtesy of Wiki: Marisa Ranieri Panetta (ed.): Pompeji. Geschichte, Kunst und Leben in der versunkenen Stadt. Belser, Stuttgart 2005, ISBN 3-7630-2266-X, p. 366

The Bacchae revolves around the mystery of difference. Particularly sexual difference and cultural difference. This is seen clearly by the depiction of Dionysus’s maenads. That they are a cult of women and that Dionysus gathered them in the east is of significance here. In The Bacchae, the feminine, or the idea of Woman, takes on the form of the unknown. Like a woman behind a veil, there is mystery, temptation, and fear associated with the maenads. This is portrayed most clearly by the way Pentheus relates to them. At first, it is with fear, responding to the maenads with force and violence. Then, when it proves that the feminine is impossible to control or subdue, when the captured maenads escape his prison and most definingly when Dionysus(posing as a young mortal priest) himself escapes, Pentheus gives in to temptation at Dionysus’s first request to take him to look at the maenads. He goes as far as to dress as a woman and imitate their dances and appearances.

The temptation that is displayed here is twofold. It is the temptation not only to satiate his desires by seeing the bodies of the women, but also and more fundamentally, to be one of the maenads and experience their enjoyment. While the first temptation fits into a traditional male standpoint of desire, what is significant about the second temptation is that he is not merely taking the maenads as an object of desire, rather his desire is to assume the subjective position of the maenads, of “Woman” and their feminine enjoyment. What is revealed here is that his anger at the maenads was all along based in his own envy of their enjoyment.

Pentheus never understood what the condition for this enjoyment was.

The very condition for the sublime bliss that Pentheus sought after is a primordial unity of being. An overflow of life and nature. It is because the maenads abandon their individual identities and place in the Theban social order, that they can participate in this primordial unity. Their individuality is suspended for the tribal enjoyment of dance, ritual, hunt, and fertility. They participate seamlessly with nature and become a part of the overflowing development of life. Beyond the enjoyment that Pentheus sought, the “[…] Sweet streams of honey dripping,” this condition, is also at the same time the condition for an inhuman terror. This is displayed most clearly when he is torn apart by his own mother and the other maenads.

Unseen Essence

Four Caryatids at Erechtheum Acropolis, Athens: Wikimedia Commons Four Caryatids at Erechtheum Acropolis, Athens: Wikimedia Commons

What must be remembered is that what appears as purely negative in tragedy also has a positive dimension. This is the pinnacle of Greek tragic wisdom. Why does Woman present itself as the apocalypse of man in this tragedy? It is because of an original betrayal of the feminine reality committed by the mortal family of Dionysus. By his entire family when they initially rejected him, and by Pentheus when he returned. This is what causes the breakdown of the Theban social order and the revenge of Woman.

In the same way that Woman is a constitutive element of the reality of sex, including the reality of man. The Dionysian rituals that the maenads take part in, that return to a primordial being and oneness, are constitutive of the Theban social order. It is even the root of the Theban social order. The unconscious reality of Thebes exists as the basis for its conscious and institutional realities.

It is precisely because the rituals of Dionysus exist outside of Thebes, in the rituals of the maenads on Mt. Cithaeron, that it is the base of Theban society. It is precisely because the maenads are all women whose rituals are constitutive of the male Theban social order. And it is precisely because the maenads come from the east that they constitute the western social order of Thebes. Dionysus and his cult are the external essences of Theban society. Essence, unlike appearance, is always unseen.

Dionysus of the Night

Bacchus and Ariadne by Carlo Maratta: Wikimedia Commons Bacchus and Ariadne by Carlo Maratta: Wikimedia Commons

The place that Dionysus dwells in is the contradiction between appearance and essence.

Dionysus embodies this contradiction. He is returning from the east, and yet he was born in the west. He leads a cult of women, and yet he is a man. He is divine, and yet his mother is mortal. This contradiction is like the black of night, where one thousand stars shine. The failure of his mortal family to respect it, and to respect their own essence, is what leads to the breakdown of Thebes.

Visit Dionysius at his New Classical blog, his Twitter page, and his Facebook page.

I’ve always wanted to put on a cape, stretch out my arms, take a running jump, and whoosh! — feel the wind in my face, inhale the fragrance of treetops as I soar high into the clouds. Picture me Super-da-AL or Winged Victory of Samothrace ready for liftoff at the top of the Louver’s entrance.

What superpower would you want?

Edinburgh Art: U.S. + Notorious Lesbian Book + U.K. Landform

Tourists 1970, by Duane Hanson 1925-1996, constructed of polyester resin, fiberglass, and mixed media.

“A thousand roads lead men forever to Rome.” (Believed by some to have been penned by Alain de Lille in 1175.)

Bunches writers of stacks novels borrow and twist that proverb. The way it relates to this dilemma is — have you ever returned home from a trip and waited so long to sort your photos that you no longer remember where you saw what? Worse, did a pandemic come along and toss your blog posting plans to the winds? Those, my friend, are my excuses for this post.

Do you, like me, find yourself measuring time as ‘pre-pandemic,’ ‘early pandemic,’ etc.?

Not all that very long ago, in pre-pandemic Scotland, I was pleasantly reacquainted with a couple of fellow Americans, both of them artists. Remember Cabbage Patch Kids (o-m-g!!! I just Googled them — they’re still manufactured!?)? The dolls, IMHO vomitous as they are, remind me of Duane Hanson’s art, who respect tremendously. He started as overtly political. Later he segued into depictions of sorely neglects folks and subjects, this way and this way. His life-casts here are portrayed as a couple, yet in real life they never met. Incorrigibly Floridian, they stand out in Edinburgh…

Tourists 1970, by Duane Hanson 1925-1996, constructed of polyester resin, fiberglass, and mixed media.
Tourists 1970, by Duane Hanson 1925-1996, constructed of polyester resin, fiberglass, and mixed media.

“The subject matter that I like best deals with the familiar lower and middle-class American types of today. To me, the resignation, emptiness, and loneliness of their existence capture the true reality of life.” (Artist Duane Hanson)

Rain and more rain; that’s what we got in Scotland. Wetness and all, it was marvelous! The people were kind and down-to-earth, the food was good… a welcome change from the So Cal droughts! There was so much to see that I’m forced to must split Scotland into more than one post. We’d landed in London and had fun at the British Museum here and here and here. Then we drove to Bath, then admired Avebury and a bit of Wales on the route to Stokesay Castle. Later, the Kelpies of Scotland were amazing! Scotland alone had so much wonderfulness that I’m forced to split it into more than one post!

Now this same Edinburgh gallery (or maybe it was at another place, perhaps in Glasgow?) also featured work by my fave modern artist, he of the Campbell’s soup cans and he who may or may not have said that thing about everyone getting fifteen minutes of fame, Andy Warhol

Shoe and Handbag, 1960, by Andy Warhol (1928-1987) Graphite and gouache on paper. In the 1950s, before Andy became a pop art icon, he was a mega-successful commercial artist. By the note on the bottom right, even he had probs with picky bosses like this one who hated this purse.
Shoe and Handbag, 1960, by Andy Warhol (1928-1987) Graphite and gouache on paper. In the 1950s, before Andy became a pop art icon, he was a mega-successful commercial artist. By the note on the bottom right, even he had probs with picky bosses like this one who hated this purse.

 

A Field of Blue Children, 1951-52, by Andy Warhol (1928-1987) Ink and dye on paper. Andy and I agree that Truman Capote was an amazing writer. This is the only surviving piece from Andy's solo exhibition of fifteen drawings based on Truman's work.
A Field of Blue Children, 1951-52, by Andy Warhol (1928-1987) Ink and dye on paper. Andy and I agree that Truman Capote was an amazing writer. This is the only surviving piece from Andy’s solo exhibition of fifteen drawings based on Truman’s work.

 

Here Lies the Heart, 1957, by Andy Warhol (1928-1987) Ink and graphite (a.k.a. pencil) on paper. Only later was this used for the autobiography of Mercedes de Acosta (1893-1968). Of Spanish/Cuban descent, she was known for her poems, plays, and novels. And also for romancing the likes of Great Garbo, Isadora Duncan, and Marlene Dietrich, to name but a few!
Here Lies the Heart, 1957, by Andy Warhol (1928-1987) Ink and graphite (a.k.a. pencil) on paper. Only later was this used for the autobiography of Mercedes de Acosta (1893-1968). Of Spanish/Cuban descent, she was known for her poems, plays, and novels. And also for romancing the likes of Great Garbo, Isadora Duncan, and Marlene Dietrich, to name but a few!

 

Foot with Cat, 1955-57, by Andy Warhol (1928-1987) Ink on paper. A page from one of many books Andy made, some for himself, some to showcase his talent to clients.
Foot with Cat, 1955-57, by Andy Warhol (1928-1987) Ink on paper. A page from one of many books Andy made, some for himself, some to showcase his talent to clients.

Here’s Landform by Charles Jencks beyond rainy windows (rain-less view here) of the Scottish National Gallery of Modern Art in Edinburgh…

Landform, 2002, by Charles Jencks (b. 1939)
Landform, 2002, by Charles Jencks (b. 1939)

Have you ever mixed up vacation pix? Or completely lost them? Ulp, I have… And do you, like me, find yourself measuring time as ‘pre-pandemic,’ ‘early pandemic,’ etc.?

When Life Gives You Oranges: Uzo Njoku artist chat w video

Books + Art = Happiness

Dear readers, that’s why, when I learned of Uzo Njoku through Bust Magazine (a lifestyle/feminist publication started in 1993), I thought of you. Many of you are novelists like me, most of you writers and creatives, and lovers of books.

"When Things Fall Apart," by Uzo Njoku: "My favorite book by Chinua Achebe."
“When Things Fall Apart,” by Uzo Njoku: “My favorite book by Chinua Achebe.”

Her self-published coloring book, “The Bluestocking Society,” launched the statistics-turned-art-major a couple of years ago when she was a 22-year-old college student. It’s filled with images and facts about all sorts of wonderful women throughout history. She also offers free printable coloring pages.

Uzo moved from Lagos, Nigeria, to the United States as a child. Here’s a writeup about her by the University of Virginia, and here’s another by their news magazine.

"When Life Gives You Oranges" by Uzo Njoku: "I created this when dancing the idea of me being an orange farmer if I was not an artist."
“When Life Gives You Oranges” by Uzo Njoku: “I created this when dancing the idea of me being an orange farmer if I was not an artist.”

Along with Uzo’s comments on these paintings, what follows are the answers she kindly emailed back to me…

Question: How does being bi-cultural play out in your day-to-day life and influence your art? And in terms of how you regard your own loveliness and potential?

Answer: Being in the middle of two worlds gives me more content to work with. My work addresses important issues such as identity, duality and spirituality, yet is approached with a particular openness snd beauty. The themes addressed in my work stem directly from my life experience as a female artist living and working between cultures, and yet the aim is to show how a single person’s ‘double vision’ can produce images that possess much wider social effects by collapsing racial and cultural borders.

"Stretch," by Uzo Njoku: "Exploring the limitations of the body with a simple leg stretch image against the stark contrast of a flower pattern."
“Stretch,” by Uzo Njoku: “Exploring the limitations of the body with a simple leg stretch image against the stark contrast of a flower pattern.”

Question: Many of my readers (myself included) are struggling creatives. How do you juggle making art, marketing, fulfilling orders, and attending university? How did you initially let people know about your amazing coloring book? How do you continue to expose people to your art?

Answer: Everything I have done starts from my friends supporting me. Constantly telling others about my work and word-of-mouth helping to spread the news. A lot of artists don’t have a business mindset, and I believe that is how a lot of them do get exploited initially. I took an arts administration class in college, and that really opened my eyes to what goes on behind the scenes. This helped me understand more what it takes for shows to happen and the right people to reach out to.

I studied Statistics in college before switching over to art, so by nature, I am a very technical person. I see numbers alongside art a lot and understood when it was time to pay a marketing personnel to run ads when I released a new product on my website. I don’t really know exactly what to advise people because everyone is different, but I learned everything from Google and YouTube videos. So a lot of research.

"Strangers," by Uzo Njoku: "I had a conversation at a bar with a man who essentially told me everything going on in my life, and then I went about my normal life the next day because we were still just strangers even though he told me everything."
“Strangers,” by Uzo Njoku: “I had a conversation at a bar with a man who essentially told me everything going on in my life, and then I went about my normal life the next day because we were still just strangers even though he told me everything.”

Question: How has the horrific politics of late as well as the pandemic affected you and your work?

Answer: I am not a social artist, so I do not create art based on political events. But in regards to Oluwatoyin passing away, I feel it was my duty to beautify her image because I know a lot of media outlets would try to show her in a negative light. A good amount of the sales during this period I have been able to donate out to small BLM groups and artists struggling during this pandemic.

Artist Uzo Njoku in her studio.
Uzo Njoku in her art studio.

Question: How do you find and choose your marketing personnel?

Answer: My marketing personnel reached out to me. He had been following me for years and felt that he could reach new customers for me. Basically, anyone who understands how to market on Social Media is an asset.

Question: What are one or more mistakes you see artists making business-wise most often?

Answer: I would say the biggest mistake is forgetting to follow up on business taxes when tax season comes by. It can bite you if you’re not careful. Also, you need to get into the habit of having a second pair of eyes look at contracts with you, whether they are those of a family member, a friend, or a professional.

Dear reader, if you didn’t do what you do now, what would farm oranges…or what?…

Want to Write a Book? Mr E Says Go for It

Soon-to-be-self-published novelist that I am, I’m always looking to see what other authors are doing. You too?

Or maybe you’d like a bit of inspiration to complete your book and to self-publish it? Mr E has done just that — twice. His most poignant advice for me is that he did it because he wanted to lighten the days of as many people as he could!

In his own words, here’s what the experience of writing and publishing The Stories of 1542: Mini prequel too 1642 (Stories of Trilogy Book 2)” and “The Stories of 1642 (Stories of Trilogy Book 1)” was like for him…

Mr E's signature for his books started with his original iPad artwork.
Mr E’s signature for his books started with his original iPad artwork.

“My Experience Writing Books, for Future Authors,” by Mr E

Myself

Hello, there. My name is Mr E. Now obviously, that’s just my pen name, as many authors tend to go by. I come from a little beach town in England where I write from on my good old MacBook. Originally not intending to become an author, I studied being a computer technician, obtaining a few degrees in my late teenage years.

Let’s Get Started

May I start off by saying that if you’re interested in writing your own books, go for it. You have absolutely nothing to lose but so much to gain. Let your passion run wide.

Even if you decide being an author isn’t for you, the amount you learn will stay with you forever."The Stories of 1642," by Mr E

Experience

I started off by making up silly short stories in my head and telling people about them, just to bring some smiles and laughs to our day-to-day lives. After a while, I ended up writing them down on the notes app on my iPhone. Accumulating quite a few, I wanted to share them with as many people as I could, remembering that one way of getting yourself out there is to release ebooks.

After learning about setting up my own publisher account on Amazon, I found my way forward. However, there are many more options out there, such as Apple Books, Google Play Books, and so on. All are relatively easy to get started with.

I thought with all these short stories, how could I put them all together? My answer was to create a narrative behind them, not only to make each story flow to the next but also to give them more personality.

Advice

Writing your first book will take quite a bit of time, but as you go through the motions, eventually, you will get the hang of it and form your own style.

Take this picture, for example. I simply made this on my iPad by continually adding more and more detail to it by using a free drawing app. This particular design ended up being a background for my signature on the fronts of my books.

Mr E's art before it became his signature.
Mr E’s art before it became his signature.

You want to write about things you enjoy in life. That could be horror, romance, comedy, and so on. If you’re solely going for the money, you’re in the wrong place. You won’t make a great book if your heart isn’t in it. But for the people whose hearts are, the amount of enjoyment that comes will be more worth it than any monetary gain.

You don’t have to be a master at photoshop to design a great front cover. Here’s the cover of my second book, “The Stories of 1542.” I believe it to be simple but effective.

Mr E's self-designed cover to his, "The Stories of 1542: Mini prequel to 1642 (Stories of Trilogy Book 2)"
Mr E’s self-designed cover to his, “The Stories of 1542: Mini prequel to 1642 (Stories of Trilogy Book 2)”

Thanks

A special thanks to da-AL For letting me guest blog on her site.

Writing community

If you have any questions or just would like some advice on writing, my Twitter DMs are open at @AuthorMrE where we have an amazing writing community.

“Have the courage to follow your heart and intuition.” Steve Jobs, co-founder of Apple This quote I share from someone who’s not with us anymore. Thank you for reading.

Are you writing a book?

Book Art and Video by Cecilia Levy

(Click here for an audio version of the post that follows…)

What do books mean to you? For me, the sight of pages bound together conjures adventure, romance, learning and joy. A book suggests what a heaven-on-earth it would be to occupy the most epic reading room ever! In such a place, librarians would work to honor the greatness of fiction (like my soon-to-be-published “Flamenco and the Sitting Cat” novel), as well as non-fiction. Once published, every book in that magnificent reading place would live forever.

Artist Cecilia Levy resides in the small Swedish village of Sigtuna, between Stockholm and the university town of Uppsala. Her art ensures printed pages are neither discarded nor forgotten. In her hands, they are reincarnated, afforded three-dimensional lives as exciting as their first ones!…

Cecilia Levy, artist, working in her studio, Ateljéföreningen Hospitalet in Uppsala, 2019. Photographer: Stewen Quigley.
Cecilia Levy, artist, working in her studio, Ateljéföreningen Hospitalet in Uppsala, 2019. Photographer: Stewen Quigley.

“Paper Art” by Cecilia Levy

I am Cecilia Levy and I create sculptural objects in paper, using old book pages, wheat starch paste, and papier maché technique.

My work is exhibited internationally and is included in private and permanent collections, including the Swedish National Museum.

In 2017, my public art commission, “In Fusion –- Contemplation Pieces,” was installed in the main entrance to Stockholm’s New Karolinska University Hospital, NKS, twenty plinths displaying over twenty-five of my unique paper sculptures.

My home is in Sigtuna, my studio is at Ateljéföreningen Hospitalet in Uppsala, and I’m a member of Konsthantverkarna in Stockholm, where my pieces are sold.

"Companion," teacup and strainer, 2018.
“Companion,” teacup and strainer, 2018.

I have a background in graphic design and bookbinding, and paper has always been my medium. I make sculptural objects in paper, using book pages. I only use old books, up until the 1960s. They have the paper quality, layout, and typography that I appreciate.

"Longing," mocha set, 2020.
“Longing,” mocha set, 2020.

Old book paper is a fragile and delicate material. It carries several narratives at the same time, both in content and regarding the passage of time. My works reflect this, the fragility of life. The pieces reflect my personal stories and memories.

For instance, my a mocha set, called “Longing,” is a replica of a set given as an engagement gift from my grandfather to my grandmother…

"Chapter One," thistle, 2015.
“Chapter One,” thistle, 2015.

Visible traces from the passage of time, marks from previous owners and readers, paper quality, color and typography, holes in the binding, wrinkles and dog ears, olden expressions and spelling, and the (sometimes) odd content. All of these are characteristics I value and are what determine my choice of working material. Every single piece of paper is chosen with care.

My different pieces represent different sides of me. I often use everyday objects, those found at home, or in thrift shops. These Hobo Boots are special to me. They are appealing to the eye. They were fun and pleasing to make, yet they also have a serious underlying message about homelessness and poverty…

"Hobo – Homeward Bound," boots, 2012.
“Hobo – Homeward Bound,” boots, 2012.

My 2017 public art commission, “In Fusion – Contemplation Pieces,” was installed in the main entrance of Stockholm’s New Karolinska University Hospital, NKS. In all, twenty plinths held over twenty-five unique paper sculptures. I was inspired by folk medicine, especially plants and herbs that can be used for infusions, in other words, herbal teas…

"Coltsfoot and Artichoke," medicinal plants for a public commission, 2017. Photographer: Alvaro Campo.
“Coltsfoot and Artichoke,” medicinal plants for a public commission, 2017. Photographer: Alvaro Campo.

The title of the commission is a play on words that indicates a fusion between art and folk medicine. “Contemplation” is used, in a sense, to look at/be aware of/be exposed to. It’s an essential term within philosophy and theology. People coming to a hospital are often anxious and worried. My hope is for visitors to halt for a while, and to let their minds wander.

Here’s a video of Cecilia at work.

What do books mean to you?…