How I Got Published (Big Time) by Lance Akiyama – Happiness Between Tails
Apologies in advance to you, dear reader, if this post’s intro is choppy with the rawness of my jangled nerves. The writing that follows (by the way, here’s about my novels-in-progress) won’t involve names or pertinent exposing facts — it’s just me trying to eek some good out of something upsetting. Scant hours ago, right after I’d taken a shower, someone apologized for a terrible thing they did to me a long ago. Now I could use another shower.
How to give an apology in 3 easy steps:
- Don’t phone your victim… er hem person… to do it unless there’s plenty of time to converse. Don’t ask if they’ve got time to talk and if they only have ten minutes, just sob and blow through it. Not if you’re sincere about wanting to help the other person rather than merely unburden yourself.
- Stay humble and on-topic. Don’t tell them how terrible you feel for all the bad turns you assume resulted in their life from the bad thing you did. Neither inflate your importance, nor imply the person is living a messed up life — that’s not apologizing, it’s condescending.
- Remember you’re apologizing to help (or should be) the person you wronged. Don’t bother if your mind is on simply assuaging your own guilt.
7 more steps can show you mean it:
- Heed #1 above by listening to their response with an open heart and mind.
- Get to the point without the person having to dig for what you are referring to.
- You can ask them if there’s something they’d like from you.
- Better yet, say you wish you’d never done it and you’ll never (I hope) do it again to them or anyone else.
- Don’t get angry back if they get angry.
- Don’t later contradict your apology in any way, shape, or form.
I get that apologies are difficult and messy. Of course, I accepted this one and am grateful for it. Still, now I feel bad for feeling bad…
How have apologies made you feel?…
Today’s guest is award-winning contemporary romance writer Andrya Bailey. Since childhood, she yearned for the writing life. Years of writing later, she entered a manuscript contest. No, she didn’t win the actual competition. However, she won by having a novel she later self-published! A poetry book followed, and so did short stories, anthologies, journals, more contests, and a romance trilogy. Today she’s published by one of the 5th best publishing houses in Houston, and a press in Greece!
Researching Location for Contemporary Fiction Books by Andrya Bailey
When I started writing a romance trilogy, I knew that, since one character was Greek, the couple would eventually end up in Greece. I hadn’t been to Greece yet, even though it was a place I’d always dreamed of.
I knew I’d have to resort to internet research to describe the locations for the contemporary tale.
The primary location of the first book was Houston, TX, where I live.
As the book progressed, I recognized that being onsite gave me an advantage on how to describe the places. Instead of doing research on the internet, visiting a place you’re writing about brings forth senses you otherwise wouldn’t notice. For example: smells, sounds, sights and the total atmosphere which you can’t fully capture if you’re just looking at pictures. It also brings forth the emotions you feel and can instill in your characters. Thus, more “show” rather than “tell” in your story.
The primary location of the second book was Athens. When I took a trip to Greece, I had already finished the manuscript but it wasn’t published yet. It was a great opportunity to test the research I did online. I wanted to see if what I described was up to par with the actual places.
The research had been great. But seeing the places in person – it’s a cliché here – “it was priceless”. Did I change anything after the trip? Yes. Once I experienced firsthand the colors, sounds, tastes, the culture and personalities, it was easier to edit the story to reflect those senses. Not only that, but some details that may not be observable while researching online. For example, in one chapter, our Greek hero takes his beloved to a specific restaurant. She’s presented with a menu in Greek and, not being able to read Greek, she asks him to order whatever he thinks she’d like. When I went to that same restaurant, though, I noticed the menu was both in English and Greek. This is the case for most of the restaurants in big cities, such as Athens. So, I changed the narrative to reflect that. Since the choices on the menu overwhelmed her, she asked her hero to choose whatever he thought she’d like. The outcome was the same, but the detail was important enough to ensure she could read the menu in English. It all came to accuracy.
Here’s an excerpt of when the heroine arrives at the airport in Athens, according to my experience (from Olympian Heartbreak):
“As we stepped out of the airport terminal into the passenger pickup area to wait for our transportation to the hotel, smog and fumes from the hectic Athens’ traffic assaulted me. A hot, humid breeze carried along the sounds of car horns, police whistles, sirens, blasting radios, and tumultuous voices speaking a language I didn’t understand. Compact cars in the convoluted traffic and harried pedestrians smoking and talking on their cells completed this assault on my senses. Not what I had expected Athens to be like. It was overwhelming in an exotic way. I inhaled and took in the myriad of colors, sounds, and smells as a welcome change which would only enrich my life. And I hoped to have my god waiting for me at the other side of this archaeologically modern rainbow.”
I was fortunate to travel before the book publication. According to my travel experience, I edited the location details to make them more accurate. And I’m thankful we can resort to online research and books to find out more about the subject we’re writing about when traveling is not possible.
There’s another valuable and important resource to ensure accuracy while describing places we haven’t been to or can’t travel to. You can ask a person from the country for their feedback when in doubt about the cultural and local traditions. Finding a reliable local source can be of utmost importance to understand how their behavior can be exhibited in certain settings. I looked for local Greek teachers and historians to proofread the manuscripts. It ensured an accurate portrayal not only of their country and culture but also of their people. As a result, a Greek publisher accepted the trilogy for publication. Their editors were very pleased with the way I represented their country and culture in the story.
Although it can be costly and time-consuming, onsite and in person research can greatly enhance your perception of the place you’re writing about, and you’ll also have wonderful memories of a great vacation (and an excuse to travel more!).
Do you have a fave locale for fiction? And how have apologies made you feel?…