Traditional publishing, the kind that engages literary agents and monolithic publishing companies, has always been a challenge for writers. In my quest to find either for my soon-to-be-released novels, “Flamenco & the Sitting Cat” and “Tango & the Sitting Cat,” it feels akin to winning the lottery. Fortunately, self-publishing is rapidly becoming a mainstream empowering alternative. What’s your experience with either buying or publishing self-published novels?
I belong to aMuslim community from the coastal state of Kerala in South India. We are said to have been winnowed out from the rest of the Kerala populace by the inter-marriages that took place between the Arab traders and the local women. Most of the cultural aspects continued to be picked up from the customs prevalent in Kerala, with some changes to create a distinct identity.But there was a marked Arab influence as well.
During the years I grew up, there were many changes that were happening which were, in fact, slowly erasing the differences in dress and lingo and the social mores of confining women indoors, etc. A female like me, therefore, got the benefit of education, which was a rare thing during my mother’s generation and almost non-existent before that.
Then, there was aturn towards more strict observance of the religious customs although there was no going back on the education, fortunately.In part, this had to do with the political changes that saw an upsurge of right-wing sentiments and the political events that they ushered in, as also with the influx of the Wahabian influence brought in by those who had found a livelihood in the Gulf countries. These attempts at aggressively establishing religious, political, and cultural identities between the Hindus and the Muslims, is now gradually bringing in a subtle divide and disturbing the harmony that had existed for thousands of years.
My novel has been woven through this backdrop, but it is in no way discourse on any of those aspects. It creeps in through the different characters, of course, but not stridently so.
The story is told from a woman’s perspective for the most part.
I am sixty-two now, and I have always cherished the idea of getting something that I wrote published. After finishing this novel, I did tentatively explore the regular publishing route. I realized that it would take a very long time and that there was no certainty of any of the established publishers taking it up. So I decided to look for self-publishing platforms. My children offered to bear the cost.
Notionpress, who I approached, came across as very professional, with a good team who managed the different aspects of the publication process.I chose the minimum package which would take care of the formatting,the cover design, the copyrights, and the online listing on their online store as well as on Flipkart and Amazon India. The editing is a facility available with a higher package. So I did the editing myself. They did allow for post-publication correction of the grammatical and spelling errors and a couple of errors in the names, etc. The whole process was completed in two weeks.
They do not do any promotion with this package, nor will the books be available in the bookshops.
But I’m happy.
My friends were the ones who read the book first and gave me feedback. They have liked it and assure me that they can relate to it, that the flow is smooth, that it speaks to them of what I had wanted to convey and so on.
With the money I earned in the last two months, I decided to upgrade the package, which would make the book available outside India on Amazon.com
The pricing they suggested appeared to be almost the same as that of many well-established authors, and I expressed my doubts to them about that. I was told that my book would be printed only as per demand, which would hike up the production costs, as compared to the mass production of the books of established authors.
The royalty I get on the sale of one copy after they deduct the production costs and half of the profits (that was the agreement) is only about 2/5th of the MRP if purchased through the Notionpress store and much less (about 1/8th) if sold through Amazon and Flipkart.
But what’s more important to me is that more people get to read the book.
da-AL’s kind offer to let me put up a blog post here about it is therefore very much appreciated.
I do hope some of you will pick it up from Amazon.com and give me your feedback after you’ve read it. Go to Notionpress here. Go to Amazon here.
Thank you all very much for reading this ☺
What’s your experience with buying or publishing self-published novels?
Share + Like + Rate + Comment + Follow + Email me at ContactdaAL@gmail.com
Writing my first novel is hard work. Veteran writers have a lot to teach us. Take Jacqueline Diamond, for instance. She’s published — drumroll here — 102 (maybe more by the time you read this) books! It’s no wonder she won a Romantic Times Career Achievement Award and is a two-time Rita Award finalist. Her books range from mystery and non-fiction to romances for all ages (including some about couples over 50) that span the 1800s to present.
Characters in a novel take on a life of their own—and not always what the author expects. Animals are no exception!
There weren’t any furry creatures in sight when I began writing Really? At Your Age?, Book One of my Sisters, Lovers & Second Chances series. My heroine, Dr. Cody Matchett, has no pets. She’s too busy delivering babies, risking romance at the age of 52, and losing her heart to the possibility of finally having children of her own.
Then her older sister, Mandy, a resolutely single nurse, has to move in with her for a few weeks…bringing her cats. Beanie and Queenie arrive with attitude! For me, they added a lot to the fun.
Next, while searching out cover images for my next book, Don’t Be Silly! At My Age?, I came across a cat who looks just like Beanie, squaring off with a German Shepherd. And since I wanted Mandy and the new man in her life to (more or less) fight like cats and dogs, it was irresistible.
Suddenly, my hero—a mystery novelist—became the owner of an aging rescue dog. Throughout the story, the animals play a key role.
One of my favorite scenes occurs when the heroine’s ex-boyfriend worms his way into her house by bribing her cats. A furious Mandy tells him, “You are literally something the cat dragged in!”
How did I develop personalities for my cats? That was the easy part! I’ve been owned by several of them and, seriously, have you ever met a cat that didn’t have a distinctive personality?
My experience with dogs is spottier…literally. My family once owned a Dalmatian, a rather high-strung fellow. My hero’s German Shepherd, who gazed at me with soulful eyes from the photo, turned out to be mellower.
On reflection, I’m surprised animals haven’t figured into more of my novels. Perhaps that’s because many of the stories are set in hospitals, such as my Safe Harbor Medical series.
But I’ll be looking for more furry possibilities in the future. After all, they’re fun to read about and fun to write!
What’s your fiction right now? I’m in the middle of Ernest Hemingway’s “The Garden of Eden,” published posthumously. The protagonist is a writer much like Hemingway and apart from the main story, it’s interesting to read of his writing routine and philosophy. Also, I just finished “Erotic Stories for Punjabi Widows,” by Balli Kaur Jaswal, a fun yet thoughtful novel that wins beaucoup points for the title alone!
Share + Like + Rate + Comment + Follow + Email me at ContactdaAL@gmail.com
Even writers get hungry. When I hit a rough patch as I edit “Flamenco & the Sitting Cat,” my novel, it’s fortunate I’ve got my workmate who reminds me to break for lunch. Having her beside me as I eat on the steps of our front porch turns breezes into caresses. If she’s in the mood, she’ll serenade me when a siren inspires her…
These soft days of late spring are when Monarch butterflies make their way across Los Angeles. They’ve flown all the way from Canada and are headed for Mexico (here’s a wild PBS video of them). How arrogant humans are to use our supposed intelligence as a yard-stick against the know-how of earth’s other life forms, insects included.
During a recent walk with K-D, I accidentally shot these photos as I listened to an audiobook (the outstanding “How the One-Armed Sister Sweeps Her House” by Cherie Jones, btw)— what serendipity! They show the beautiful sky and our shadows. This morning we even enjoyed a smattering of rain, although it was hardly enough to slake SoCal’s ongoing tremendous thirst.
Tis the season of fresh leek harvests – this beautiful bounty is of the onion family and looks like a giant, flat green onion. Early spring and late fall leek varieties are quite sweet due to the plant concentrating the sugars when the weather turns cool. It is one of the earliest items to come out of the garden, especially if you have spread the seed just before snowfall. They don’t take much room in the garden, and they keep very well in the fridge.
These delicious, crunchy bundles make a wonderful side dish to almost anything, or served as an appetizer to enhance the appetite. The bundles can be frozen when raw; and taken directly out of the freezer and straight into the oven (do not thaw) whenever you are craving a few of these tasty tidbits.
1/3 c. olive oil, divided
2 c. chopped leeks
8 c. chopped mushrooms, dime-sized pieces
3/4 c. milk
1/2 tsp. nutmeg
1 tsp. salt
1/4 tsp. black pepper
16 oz. package phyllo pastry cut in 4” squares
Sauté the leeks and mushrooms in 1 Tbsp. oil for 3 minutes. Meanwhile combine the milk with salt, nutmeg and pepper, then add to the skillet and cook on low for 20 minutes, or until all of the liquid has evaporated. Grease 2 phyllo squares, and layer one on top of the other offsetting the top one. This creates 8 corners to draw into a bundle. Place 1 Tbsp. filling in the center of the phyllo squares. Grabbing all the corners of the dough in one hand, twist firmly to hold in place and set on a baking sheet. Cover both the unused phyllo and the bundles with a clean damp towel while you work to prevent drying out. When you’ve made this dish a few times you’ll get faster at it and probably will only need one damp towel to cover the phyllo sheets. Bake at 350˚ for 15-20 minutes, or until golden brown.
What are you hungry for these days?
Share + Like + Rate + Comment + Follow + Email me at ContactdaAL@gmail.com
Marketing, building a platform as a writer… There’s more to being a novelist than most people assume.
I’m no expert on how to market fiction writing. Although I’ve produced video documentaries, radio news, published non-fiction articles and a short story or two, I’m still editing my novels. However, what I know for certain is I’m having fun here — meeting you! Who knew I’d encounter so many friendly people from all over the world, who would open my ridiculously sheltered eyes?
In my hugely romanticized imaginings, I picture an Author with a capital “A.” On virtue of their talent, they only needed to work a little hard to attract a super-star literary agent and publisher. For this reason, they never have to lift a finger to sell their books. The Author sits at an incredible desk in a gorgeous office with a spectacular view. After a walk with their dog, a shower, and a scrumptious breakfast, they begin their day writing. Until they get hungry, that is. That’s when they enjoy a tea or a hot chocolate or an espresso with sweets such as the madeleines that writer Marcel Proust used as analyze memory.
Next, said Author does some more writing, takes a stroll for inspiration, writes a tad, then shares dinner with famed thinkers and creatives. The Author’s day ends with a blissful night of rest. The next day, they joyfully wake to do it all over again. Oh, no — I forgot to mention their lunch — well, you get the picture…
Alas, that day dream is akin to figuring that all the fab painters of bygone days did nothing but dab at their canvases between tasting the displays of sumptuous meals they depicted, and doing whatever with their human models. They might chat brilliantly with their clothed subjects who were always famed and genius, or they could indulge in a tryst with their naked, perfectly gorgeous ones.
In my fantasies, nowhere does marketing rear its head. Certainly, in my dreams, the fame of great Authors never involves any of them setting aside part of their day to develop an author platform.
Now for Reality…
Most Authors, even ultra-talented ones, work hard — and that work includes getting people to know about them.
For instance, I don’t know how much of the day Charles Dickens , who wrote “A Christmas Carol,” and “Oliver Twist,” spent actually writing, but someone told me that each night he’d read his pages aloud to his family, so he could get their constructive input. For sure was a master of episodic, a.k.a. serial, storytelling. His episodes, which were featured in newspapers, garnered so much attention that he bound them into books that became the popular novels we know did quite well!
My idea is to eventually podcast bits of my novel and then get it into print. First, I started with this blog. Here I continue to do my best to create a larger and larger circle of friends interested in novels and arts, and who might be so kind as to spread the word about my writing.
Author Charles Sterling, who blogs from Russia, is here to show us the marketing/platforming side of writing may not be all that awful after all. He published his first novel when he was fifteen! Since then he’s put out at least eight novels and a bunch more sorts of writing. He’s also a digital artist. Read on for his book selling experience…
One day at age fifteen I walk into my father’s room and I ask him; ‘how difficult is it to write a book?’ He replies, ‘son, it’s the easiest thing in the world!’ Now, whether he was right or wrong, I believed him, and that belief allowed me to write my first ever 75k book at that young age.
Had I asked him ‘how difficult is it to sell a book?’ perhaps the answer would have been different. Selling a book is a whole other world. When you’re writing, you’re an artist. When you’re marketing, you’re in the business sphere. That’s where book marketing and the author platform comes in!
How to market your book
Having been marketing since 2011, when I made my first thousand dollars I used methods that would never work anymore! As times change, so does marketing. But luckily I adapted my approach and saw a steady improvement and increase in sales. The wonderful thing is, it’s like a snowball that goes down a hill and keeps getting bigger. The more books you sell, the more Amazon recommends your books!
Here’s what I did for my past few books.
Set your book for free and do some promotion stacking through “free book promotion” websites. This will give you thousands of downloads and some much needed reviews.
Pin your book with an inviting image to the top of your Twitter.
Promote it in forums like Reddit and GoodReads.
Have an incredible book cover.
We eat with our eyes first! And we do judge books by their covers. I guarantee you that if you had the best book cover in the world, your need for marketing would be zero. The book cover would do the job for you all the way to the New York Times Best Seller list.
Often enough as writers, after we’re done writing and we get onto promoting we start looking for ways to get more viewers. We forget about what we’ve been working on so hard and begin relying websites and methods to get us where we want to be. I wish to reiterate on this extremely important point, a good book cover sells your books first! And the reviews sell your book second, so make sure your book is wonderful too.
Personally, I design my covers myself because I’ve been graphic designing as long as I’ve been writing. Essentially one must look at the top selling book covers in your niche create something thematically similar. The reason being that, readers out there already know what they’re looking for, so it’s your book cover’s job to accurately portray that.
Now, I chose to market my ebooks exclusively through Amazon for its KDP program allowing you to set discount prices as well as put your book out for free. The free book part is important to get some reviews going early on. Amazon is also a good focus point because by putting all your effort into your book, the algorithm helps push your book forward by placing it in the “Recommended Books” section of your potential readers, which is what allows you to sell books even when you haven’t marketed for months.
I’ve tried publishing in Barnes & Nobles and SmashWords, but so far really enjoyed focusing on purely Amazon.
The Author Platform
It’s super easy, but super important to have! Once you have an author platform you’ll be proud of yourself and even feel a little famous when you appear in Google searches.
I believe Twitter is perfect for a few reasons; most authors and readers are either on Twitter or Facebook. Instagram is an image based platform, I tried it for a while and didn’t quite like it.
On Twitter the hashtag game is a lot stronger than on Facebook, making it easier to fit into a specific niche and target specific groups of people. The retweet function is nifty as well, as others retweet your stuff for more people to see!
So if you do decide on Twitter, get a photogenic picture of yourself and write a short and sweet bio. No need to be too long. Pin your book to the top of your page, and spend the rest of your social media rants about yourself, things you find funny and your opinions on things. If your Twitter is filled with nothing but your book, people will turn away.
Your book will already be pinned on top, so every single person that comes onto your profile is forced to see it before they see the rest. “The rest” should be inviting things and things that people can relate to and understand you better as a person. You want them to say “wow, I like this person. I’ll follow them and take a look at their book.”
To get followers is really easy; go around your niche and comment and put likes on people’s stuff. Thirty minutes of twittering a day and you’ll have a thousand followers in two weeks. I did just that with no complications!
Get either a Wix or a WordPress website going, use a free template to make it look nice, and fill it up with your stuff. Have a page for your books, have a page for your author bio, a page for your short stories or poetry, or even a page for pictures of your pet.
Images you use on your website will appear in Google Images, so make sure to keyword them with your name.
Words that you use in “Heading” format will appear in Google Search, so make sure they’re your book titles or your name. Then add your website to your Twitter and you’re basically set! A website might seem like the hardest part, but once you did it, you no longer need to worry about it.
My own website charlesimagines.com is as easy as that, yet has all my work neatly laid out for people to see, and it took me just about two days to fully complete.
Aha! An Amazon page is an author platform too! Make sure all your books are listed in your Author Central. If you have a blog, you can link it to your Author Central as well. Then in your GoodReads account make sure all your books are linked to your Amazon page, because often people write reviews and comment there.
This part is not difficult, and if you have some problems (like I did) just write them an email and they fix everything for you.
It’s a good time to mention that, Amazon has over 3000 different categories for your books, but you only get to see around 250 when you’re actually publishing. If there’s a specific category that you need (like mine was Young & Adult Pirate Adventure eBooks) then you’ll have to contact Amazon and they change it for you.
Reap the Benefits!
As a few final thoughts, I’ve only started using Twitter and adding things onto my website about five or six months ago and the benefits that came with it were enormous.I was discovered by authors and readers, invited to do podcasts, got free book reviews on other people’s websites and most importantly… I emerged from the shadows and began connecting with people!
Book marketing is usually a slow and steady process that gets faster and faster the more you do it. I started off with numbers like 2, 5, 13 and some months later they turned into 900, 1500, 3000, and are still on their way up.
At first things might seem like they’re not working out, or you’ll get tired or you might feel like it’s a waste of time, but the longer you go on, the more the puzzle pieces start fitting together, and the more the grind seemed worth it.
My final tiny advice that I wish to share applies to anything and is based around the principal of ‘compound effect’. Much like going to the gym or eating healthy, it’s about doing something small every day. This gets multiplied by hundreds of days, and the effects become massive.
This was the case with me; my first books back in 2011-2012 kept bringing me paychecks (despite the books being clearly written by a teenager) and then the books that followed were stranded in a desert with no activity. I was left wondering what was going on and what I had to do to make it work again, and ended up committing a huge portion of my time to learning on promoting and marketing.
I had to change my old fashioned book covers, market in different places, create better keywords, and I started seeing my numbers grow again. As of recently, the author platform I built has greatly helped!
What are your thoughts on selling books?
Share + Like + Rate + Comment + Follow + Email me at ContactdaAL@gmail.com
Wait — let me start over — regardless of whether you’re a fiction writer, have you ever wondered what it’s like to complete a book and then see it made into a Hollywood production-type of film?
I met Gabriel Constans through Twitter, where he was working to promote his movie, The Last Conception. The trailer is so charming that it induced me to ask if he’d share his writing and filmmaking wisdom with us….
The guest blog post he emailed confused me because it wasn’t about The Last Conception — but it was interesting too, so I urge you to read to the end of this, where you’ll find it.
As for The Last Conception, here’s what he wrote back when I requested info on how he came to write it, whether someone hired him, or if he was somehow inspired, etc, and what did it feel like to see it on the big screen:
The book (The Last Conception) was written as a romance. I was inspired by both our daughters, and some friends lives, to write the story. It is also somewhat of a continuation of Buddha’s Wife, but set in a contemporary setting.
I decided to write the script from the book and found the producers myself. They turned the movie into a romantic comedy, with my input along the way, and changed and added a lot of the dialogue. They had me go over the movie in pre and post-production and let them know anything they missed or that needed correcting. The film turned out really well. Each of the actors/actresses were perfect for their part and it maintained the essence of my book as well. I am thrilled with the final product, and it seems many others who have watched the movie feel the same way.
Regarding his background, he replied:
I worked with hospice, hospitals and mental health centers as a grief and trauma counselor for many years; have been writing since I was sixteen (novels, articles, non-fiction, etc.); and written screenplays for the last twenty years. I live in the Bay Area in California and love getting together with friends to play our ukuleles and sing.
I’ve had two other screenplays produced — Stellina Blue and, most recently, The Last Conception (which is the one in the trailer above).
As for his guest post that follows, he explained:
It’s about another script I’ve written called Buddha’s Wife. After many years, it now has a director, production company and distributor. They are looking for funding to make the movie.
Book signings, promotions, connections and marketing for over two years (before and after novel is released).
Meet Navyo Ericsen at book signing. A musician, web designer and film and video producer who wants to bring Buddha’s Wife to the screen.
Work with Navyo for a year trying to find a screenwriter to write screenplay on spec, since we have no funds for film. Several possible, but all fall through.
Decide to write screenplay ourselves and change historical setting into a contemporary story. One of my previous screenplays (Stellina Blue) was made into a film.
Work on screenplay for a year, with wonderful feedback and suggestions from a famous screenwriter/director.
Workable, moving and entertaining screenplay completed.
Write up logline, summary of film and treatment.
Start approaching well-known actresses, executive producers, directors and production companies.
Write and develop estimated budget.
Elapsed time, from book being published to presenting screenplay to others for film is four years.
Presently (two years later), the film has been co-written with Shandra McDonald and optioned by her production company, Kiss the Limit Productions. It also won best screenplay at the FLOW Film Festival in 2020 and has worldwide distribution in place.
The challenge is to get the film financed without a name actress yet attached and vice-a-versa, to get a well-known actress attached without first having the picture funded.
This is a scene that thousands of novelists, screenwriters and filmmakers find themselves in, so we are not babes in the woods, but it has been an interesting situation with infinite possibilities for Buddha’s Wife to come into being as a movie.
To those in the film industry, this story will be anti-climatic and familiar, but I hope for those just starting out or venturing to put your toe in the water, it provides a little preparation and insight into the amount of patience, persistence and ordered chaos that can await many on the journey to bring their story to screen.
Do you have a project you’re mustering patience and persistence for?
Share + Like + Rate + Comment + Follow + Email me at ContactdaAL@gmail.com
Who knows what inspires someone to write a novel? Even authors don’t always truly until much later. My own literary-novel-in-progress, “Flamenco & the Sitting Cat,” seemed merely an experiment, a dive into fiction. Only as it progressed did I see it’s really a love letter to all who believe they’re too old, young, broken, lost, too whatever for love…
So when it comes to producing a novel, there’s deciding to write, then comes writing, and then it’s published. At that point, the author releases their words into the world for book lovers to make of them what they will. Every reader brings themself into the act of sitting with a story.
Here blogger/author Mark Bierman (click here for his site, to get his book, and to contact him) reveals what he’s learned about him writing process and his readers. Born and raised on a farm in Ontario, he merges country life with his adult experiences as a correctional officer and a story teller. You can find more of his guest posts for Happiness Between Tails here and here.
A few weeks ago, I was reading over some of the newer reviews and comments of my novel Vanished. I noticed some understandable trepidation among a few of those who hadn’t read the book. In response, I’ve decided to write this post, explaining the origins of the book, and why I wrote it.
First, though, I wish to thank all of those who took a chance on me, readers who cracked the pages, in spite of the subject matter. I really appreciate you, and I know it couldn’t have been easy to start.
Here’s a quick synopsis
Driven to despair by a shared loss, Americans John Webster and Tyler Montgomery try to self-medicate by embarking on a mission of goodwill to earthquake-ravaged Haiti. The reconstruction of an orphanage transforms into a nightmarish hunt after a young girl is kidnapped.
Unequipped, culturally illiterate, and alone, the pair are forced into alliances with shifty characters, as they delve deeper into the treacherous underbelly of the human trafficking world. Can they survive long enough to keep their promise to the child’s mother?
I want to clarify what is NOT in this book; rape, gore, excessive violence (yes, there is violence, but no more than any other action/thriller), injury or death to animals, pedophilia. You only need to ask someone who’s read the book, I’m confident they will attest to this.
If you asked me, ten years ago, to write a book about human trafficking, I would have declared you insane. Times, and people, change.
The truth is, initially, there was no intention of broaching the subject. I wanted to write about Haiti.
You see, my father, upon whom one of the main characters, John Webster, is loosely based, would volunteer to help build homes, churches, and other projects. I remember well, the photos showing the difficult living conditions. There were also the stories, none of which included human trafficking. There are bits and pieces in the novel that were gleaned from his experiences.
The second main character, Tyler Montgomery, is loosely based on my brother-in-law. The pair actually did make a trip to post-earthquake Haiti, back in October of 2010. I asked if they’d be willing to make a journal of their experiences.
So, here we come to the reasons behind Vanished. Over the years, I’ve been understandably and justifiably questioned as to my choice of topic. In the early days, I always delivered a simple and pat answer about a desire to promote awareness. If a problem is ignored, what hope is there to solve it? At the time, I truly believed my answer to be complete. Cut and dried, no further explanation needed.
I often mention that 50% of the proceeds are donated to help victims of human trafficking, which they are, and I hope I don’t sound like I’m touting my own horn. That is not my intent.
Yes, all of this is true. However, and this may sound strange, I’ve only recently come to realize it’s not the whole truth. Please let me explain.
Those who are familiar with me, know that I’ve spent the last twenty-plus years working as a Correctional Officer in maximum and medium security prisons.
The last max. was Kingston Penitentiary, which opened in 1835 and closed in 2013. It’s now a tourist attraction. I was one of the last to work there. Shortly afterwards, I was transferred to a medium level prison.
This blog is not evolving into a prison tale. My career was mentioned because I want to help you understand where I’m coming from. I also want to emphasize that Hollywood and the news are entities that thrive on sensationalism, because it sells.
I’ve encountered many traumatic experiences and looked into the midnight eyes of those who looked through, rather than at you. We called them dead eyes.
Fortunately, these are not the majority of inmates. There are some who’ve led normal lives until something triggered them to act in uncharacteristic ways. What you also had were many cases of psychological and drug addiction issues. Oh, and yes, plenty of the inhabitants had committed unspeakable acts of evil. I’ll spare you the details.
Of course, it wasn’t all bad. I’ve worked with some great staff and have had my share of laughs. I appreciated the strong bonds that developed between my peers. It’s inevitable when you place your life in someone’s hands, and they put theirs in yours.
I apologize if I’m rambling, but it was necessary to give some background into what made my brain tick when I wrote this book.
It took a diagnosis of PTSD, months of treatment, support, and deep reflection, to unravel the ‘other’ reasons for the birth of Vanished.
I have come to grasp the fact that it was also a product of a mind that sought to survive and heal. To find a state of homeostasis and make sense of the tragic and unfathomable.
The famous line from the movie, Saving Private Ryan, often comes to mind. Captain Millar and the Sergeant are discussing the personal cost of getting Ryan home. One of them says: “Someday, we might look back on this, and decide that saving Private Ryan was the once decent thing we were able to pull out of this whole Godawful, shitty mess.”
I’m not comparing myself to these brave warriors, but these are my sentiments, exactly.
The brain is extremely powerful, and I believe that it sensed something was wrong all those years ago, though my conscious mind was oblivious. It’s the frog in a boiling pot analogy. I was being cooked alive, and I didn’t even realize.
The characters do represent, superficially, my family members. At a deeper level, they are avatars of my hope. Hope for something better, for this world, myself, and my loved ones.
Spoiler alert, Tyler struggles with mental health issues. The issue was approached from a Stephen King angle because I grew up reading his work.
At the time, I thought it was just a nod to the famous writer, but it’s become clear that my subconscious had put out a 911 call for help. In some ways, I’m Tyler.
Right now, more than ever, the world is hurting. I don’t know your personal stories, but I can sense from many of the comments, that anxiety and a sense of hopelessness rule the day.
Let me tell, there is always hope. I want to assure you that you are not alone. I, along with many others, have been where you are. I’m on the mend, and my family is getting there, too. I cannot reiterate this enough: there is always hope.
Whenever a crisis arises, there are always those who step up and perform selfless acts. I refer to those as helpers. Look around, you’ll find them everywhere. You know what? Look in the mirror and you’ll see one up close.
Don’t believe me? Listen, if you’ve ever retweeted a post, shared a kind word on a blog, shared a blog, hosted, bought a book, read, and reviewed, made someone laugh or provided information, beta read… you get the picture, then you are a helper.
Yes, those dedicated people who work in the healthcare industry certainly fall into this category. There are so many others, unsung, and unnoticed. They go about the business of helping.
John and Tyler are much more than characters in a book, and the plot is deeper and broader than human trafficking. There is an ugly side to it, just as there is in life, but there is also a positive message. It’s about becoming a helper, doing whatever is within your capacity to make a positive impact, even if it’s just one person.
Note: Earlier this week, my husband became feverish and unwell. Turns out he has COVID-19. He’s doing his best to get well while I feel healthy and am awaiting my test results. Throughout the pandemic, we’ve been super careful. I’m letting you know this as a reminder that one can never be too conscientious about avoiding this severe illness and about working civically to help contain it. (Here’s the follow-up, and here’s after that. and here’s the latest.)
Deciding on setting and histories and all that goes into storytelling is chancy no matter what an author chooses to create. There will always be fans and foes. To be a novelist requires enough passion to outrun the discouraging thoughts that can torment us.
Chris Hall has been wonderfully prolific over the last few years. She’s published three novels and a short story collection! Originally from the UK, she describes herself as “a compulsive story-teller, cat slave and hen keeper.” To sample her short fiction, fan fiction, mini-series, and poetry, as well as to follow her on her various social media, check out her website.
“Song of the Sea Goddess,” her most recent novel, is set where she lives now, the Western Cape of South Africa. Here she describes why she decided to depict a South Africa different from how it is in real life…
Writing a novel is not just about telling the story. There are other considerations that come into play. I’d like to share with you why I was motivated to write a book set in South Africa. In particular, why I chose to paint an idealised portrait of the place and why I drew on the overarching theme of environmental destruction, rather than dealing with the gritty issues of race and poverty in my latest novel, Song of the Sea Goddess.
When it came to writing this, my fourth novel, I was determined to set it in my adopted country, South Africa. I’d been living near Cape Town for almost ten years and the time had come to give voice to the people around me. I’d also decided it was time to transition from historical fiction. It was time to write in the moment, but at the same time include elements borrowed from the ancient lore of the African continent, which are written on cave walls and embedded in the landscape.
I knew I needed a setting to match the story I was about to tell, although the story hadn’t really even begun. Then, at the beginning of 2019, while staying in a small town on our very beautiful west coast, while I sat by the banks of the Berg River and watched the little boats going past on their way out to sea, I was moved to write a story about a fisherman with a little boat.
I’m a lazy novelist. I let my characters emerge and develop and play around in my mind. Even before they are fully formed, they are always desperate to run to centre stage and act out their parts.
But there has to be a starting point.
A few of my key characters are based on people I met when I first came to live in South Africa. People whose backgrounds were unfamiliar to me; people who come from what are euphemistically called ‘formerly disadvantaged communities’ (as if their communities are not still disadvantaged in this country, which has the most polarized society on the planet).
I could have written about some of their struggles, about the conditions in which they live, about the poverty and lack of opportunity that characterizes their communities, of how they’d suffered under apartheid, but as I got to them better, I realised that none of them wants to dwell on any of that.
So I decided I could give them better lives, locate them in a much more pleasant place and put a positive spin on this beautiful country.
I mixed them up a bit, taking a little bit of one and blending it with another, but their voices are true and their characteristics mirror real life in many respects. There’s a nod to some of the darker side of people’s lives with Sam’s flight from the Cape Flats’ gangland and in the history behind Jannie’s tattoos from the notorious ‘28s’ gang.
On the lighter side, several of the comical incidents, like when Auntie Rose loses her false teeth down her pants’ leg, are little events that actually happened. The food that the Aunties make and sell in the novel is based on recipes that I tasted and talked about with people. The love of food and the common ground we found over cookery has cemented several friendships in my new town.
Concern for the environment is a theme I continue to return to in the short fiction and poetry, which I write on my blogsite, and while watching a TV documentary about water pollution, an idea began to form in my mind for the backdrop to my novel’s narrative. Water is in short supply in our country anyway, but what if the rivers were threatened? And what would happen if the forces of nature were moved to fight back? Soon my emerging novel would take a new and interesting turn.
My love of the landscape and ancient lore of the country that I now call home will continue to feature in my work. I’m already embroiled in a sequel to Song of the Sea Goddess, where myth and magic will once again be awakened in the little coastal town where the great river flows from the purple mountains into the southern ocean.
Have you ever created a new world?
Share + Like + Rate + Comment + Follow + Email me at ContactdaAL@gmail.com
Reading… writing… listening! Hey, if “seeing is believing,” why doesn’t the same go for tasting and feeling and smelling — and hearing too?
When’s the last time you tuned into your fave radio show? Same as radio shows, podcasts are story readings, performances, interviews, and monologues. Radio shows are often repackaged into podcasts that allow you to dictate when to tune in.
Creatives who want to control their work and keep 100% of their profits must become their own promoters. Podcasts are one way to get the word out. First, though, people need to know you have a podcast.
Here to clue us in on how to do that is London-based Fiona Livingston. She blogs about marketing and podcasting on Medium, and produces The Culture Bar, anarts and culture-related podcast…
“15 Tips on Promoting Your Podcast Series” by Fiona Livingston
You’ve poured your heart and soul into creating and recording your podcast series on a subject you are knowledgeable about. Now you need to get your podcast in front of audiences who are as passionate about the subject as you are.
But how do you get your podcast in front of listeners when there are 850,000 active podcasts out there in the world?
This article covers the best, easiest, and most effective podcast promotion ideas to help you build your audience and market your podcast.
First, let’s make sure you have some key podcast staples under your belt before you start promoting your podcast:
Podcast cover artwork. My top advice for creating cover artwork is to be clear. Once uploaded onto your podcast distributor, the size of your artwork will reduce a lot, so you want something bold, simple, and eye-catching. You can create your artwork by using templates on Canva, or if you have a mac you can use Keynote which is a very powerful design tool. Here are some great cover artwork examples to inspire you.
Episode titles. The way you title your episodes has a big impact on your total download numbers. My main tips for you are to NOT use a naming system such as ‘Episode 4’ or ‘XYZ Podcast: Episode 4’. You need to let your audiences know at a glance what the topic is so, your title should be as descriptive as possible.
Record 3-5 podcasts before your launch/start of your next season. This will ensure you have a regular schedule of events planned out and also gives you time to record future episodes. Make sure you have a launch schedule in place. For example, in the first week, you can release 2 or 3 podcasts to keep audiences hooked.
Create a dedicated podcast website. This can either be a section on an existing website or you can create a podcast website for free using providers such as WordPress, Wix, or Squarespace. These sites give you a valuable presence on search engines and act as a home for your podcast so audiences can find out more about you. This also gives you further opportunities to supplement your podcast with more content to show your expertise and passion.
Ok so now you have a great podcast recorded, fantastic eye-catching cover artwork, and launched a dedicated website. Let’s start promoting your series with these top tips (this list focusses on free marketing actions):
Add your podcast to a distribution platform. Upload your podcast MP3 file to distribution sites such as Podbean (free and priced programmes) and Anchor (free) and they will automatically send your podcast episodes to a variety of podcast sites such as Apple Podcasts, Spotify, Google Podcasts, and Amazon Alexa. Apple podcasts capture 32% of podcast listeners and downloads so your podcast must appear here.
Meta-tag your podcast. On your chosen distributor and website, make sure you complete the meta-tagging options. This is the place to add keywords relating to your podcast, so it shows up in search results and makes you discoverable.
Create a promotional trailer. This helps audiences understand what your podcast series is about, and you can embed this on your website and social media channels. Find tips on how to make a trailer here.
Add show notes and include hyperlinks for each podcast episode. It is good practice to give a short summary and overview of what is included in your podcast episode. This is also a great place to add links to your guest/s or any resources that you mention in the episode.
Leverage guest audiences. Make it easy for guests to share your podcast by creating audio snippets, quote cards, or prewritten tweets for them so they can easily use these on their social media channels.
Create podcast artwork for each episode. Using your main cover artwork template, adapt it to show the title of each episode, and change the imagery to give each episode an identity and theme.
Create a dedicated podcast social media channel. Set up a Twitter, Facebook, LinkedIn, or Instagram profile to promote your podcast.
Create quote cards in Canva or Pablo. Select attention-grabbing quotes from each episode. This gives listeners great insight into what’s to come.
Share rich media. Create extra content such as soundbites, audiograms (using tools such as GetAudiogram), behind-the-scenes photos, or teaser video clips to build excitement about your episode. Also, Twitter has an embed feature using Soundcloud so you can play the audio directly from a Twitter stream.
Tease the episode 24 hours ahead of time e.g. 3x on Twitter and 2x to Facebook/Instagram. Talk about behind-the-scenes content in Instagram Stories.
Create an audio-video to share on YouTube. If you use a provider such as Podbean they will automatically create a video for you and send it to your YouTube page. YouTube is a huge search engine for content and should be included in marketing your podcast. Or you can create a video using a tool such as Screenflow (free trial period) and use free video clip assets from Pexels.
Audio transcription. To ensure your podcast is accessible and aid SEO discovery, you can create an audio transcription and add it to your podcast website. You can use audio transcription tools such as Otter.ai (free for up to 40 minutes, otherwise it’s $9.99 per month) to help you do this.
Include your podcast in your e-newsletter. You can easily create your own e-newsletter using email service provider such as Mailchimp, Flodesk or Campaign Monitor to manage your subscribers and send them notifications about your latest podcast. Mailchimp and Flodesk have free basic tiers, and Campaign Monitor starts at $9/month.
Publish podcast-themed blog content on your website. A useful way to keep your website content fresh and to also include extra in-depth content on your podcast theme.
Be a guest on other people’s podcasts. A great way for you to showcase your knowledge and build awareness of your podcast.
Here is a list of other important Podcatcher sites your podcast should feature on to generate greater visibility:
My inner jerks specialize in novel writing. Inner criticizing is just the beginning — they’re outer and everywhere.
A tongue-twisting ditty to be sung to whatever tune strikes your fancy:
“Here a critic… There a critic… Everywhere a crit, critty, critical critic…”
Moreover, mine barge in with droves of friends.
Have you got any? If not, how the heck do you pull that off?
I could list mine for days and days: Why you takin’ so long with them books you keep talkin’ ‘bout? Ya really gotta do that instead of this or those things or them stuff right now? Lookie here, there’s this to do that’s way more pressing and tons more fun! You’re wasting your time, so scrap that durned project already, just quit it. What in tarnation gave you the notion you could write anything of interest to anyone but you? People are just being polite when they compliment your work, don’t you know that? Who in their right mind will want to read your novels, much less spend hard-earned cash-ola on them? Seriously, if they do, they won’t finish them. And if they finish them, they won’t talk about them. For sure, if they talk about them, they won’t say anything nice. And promotion — you gotta be kidding me! — what do you know about that?
Some days, those are the nicer things I tell myself.
Read on, and you’ll see how Annie, a blogger from the United States east coast, makes perfect sense when she encourages us to name our inner critics.
Like my own name of da-AL, mine has a hyphenated moniker. “Them” goes by “A-Holes.”
How about you? What’s your inner demon(s) named? Maybe yours and mine could meet for drinks, get really plastered together, and meantime leave us alone for a spell?
More about today’s guest: Annie is a writer of many things, including poetry. In the past, she has even earned some real money from her writing! Here’s her advice — and a question for which I have no answer but send her lots of good wishes in solving it — for all of us. She blogs about whatever she pleases, including stuff that makes her and maybe us laugh…
“My Attempts to Play Nice With My Inner Critic” by Annie
Whether or not you practice mindfulness meditation, as I have for several years, you are probably familiar with the voice known as the Inner Critic. It’s that part of us that says: “I’m such a dope!” “I’ll never be what I hope to be.” “How could I have done that?” “I just don’t measure up!” “My father/mother was right/wrong about me.” “Sure, I’m doing fine, but that’s because people really don’t know that I’m winging it.” “I’m not bright enough, attractive enough, witty enough, kind enough, tall enough, thin enough, tough enough, strong enough, sensitive enough, thoughtful enough…”
You get the picture. That negative voice has long been with us, often from childhood, from societal messages, maybe from a single cruel teacher, and on and on. I was raised by two loving parents. My mother felt I could do no wrong, but I still recall my father casting a questioning eye on my report card and asking: “What’s this A-minus?”
The origins of the Inner Critic form a complex topic that I’m barely touching on here. But I know that I’m still the A student who goes nuts when autocorrect incorrectly changes “well” to “we’ll”—and I fail to catch it! Is that worth an iota of energy or distress? Of course not.
The Inner Critic certainly interferes with the goal of mindfulness coined by Jon Kabat-Zinn: “the awareness that arises from paying attention, on purpose, in the present moment and non-judgmentally.” Nonjudgmentally, indeed!
Several years ago, I wrote an article about mindfulness for an online women’s magazine. One of my interviewees was Sharon Salzberg, a renowned mindfulness educator and author who cofounded the highly regarded Insight Meditation Society at Barre, Massachusetts with two other giants in the field.
Salzberg’s special area of interest is lovingkindness, which begins with one’s self and then extends outward in ever larger circles to loved ones, friends, acquaintances, and the entire world.
Salzberg, who has written that her childhood troubles started her on a path that led to Buddhism in India decades ago, said she is constantly aware of her Inner Critic. How to deal with this negativity? She suggests giving your Inner Critic a name.
She named hers Lucy, after the famous Charles Schulz comic character who tells her hapless friend: “The problem with you, Charlie Brown, is that you’re you.” I asked her if I could adopt Lucy, and she agreed.
But I soon realized that borrowing someone else’s inner critic doesn’t work. I needed my own. I named her “Flibberty,” which is short for “flibbertigibbet.” That’s a Middle English term for a flighty, excessively talkative person, a gossip.
One of the reasons I’m happy with Flibberty is that although she’s a pain in the gut (that’s where I experience stress), her name includes the word “liberty.” I know I must free myself from the heavy burdens that Flibberty sometimes bestows upon me.
Mindfulness practitioners learn that you never try to fight with these negative forces; doing so simply enlarges their impact. Rather, you seek peaceful coexistence. When Flibberty rears her officious head, I say, “Oh, there you are, Flibberty. How ya doing?” That’s generally enough to move my mind into a better place.
Lately, however, perhaps because I’m essentially housebound due to COVID-19, Flibberty has been flitting about in my vicinity quite a bit. I’d call her a “FlitBit” who’s gauging my absence of activity, rather than the reverse, but then I’d be exposing my propensity for bad puns. I’d never want to do that!
Flibberty covets my desk. She tells me I’m being ridiculous, working in such a messy space. She laughs knowingly when my TV remote won’t work because the old New Yorker magazines are piled so high on the table in front of my couch that they block the signal.
Now here’s the tricky part, and I welcome your suggestions. I often write blog posts that require research, and I type them on my computer before cutting and pasting them into my blog. I then add the printouts of my collected newspaper and magazine articles—and my printed out computer entries—to the piles of previous papers that surround me.
The piles are increasing in both numbers and height. Some are approaching the tottering stage.
Have you heard of the Collyer brothers, who hoarded books, newspapers, and other items to such an extent that when their bodies were found, they were surrounded by 140 tons of stuff?
I haven’t reached that level, but I do wonder whether my Inner Critic’s reminders about what I’m failing to do with my papers might actually be positive after all. So I say, “OK, Flibberty, let’s attack this pile.”
I pick up a bunch of papers, look through them, wonder what to do with them, and set them aside. And then I tell Flibberty that I appreciate her concern, I really do, and I will get to them in good time.
I feel so much better. Flibberty is quiet.
But the piles are flourishing—testimony to my diligent work. And still…
If we weren’t in the middle of a pandemic, I might hire an organizer to help me through this mini-crisis. If I were bolder, I could just throw all the papers into the shredder and move on. (Never mind, Flibberty; forget what I said about being bolder.)
And thereby hangs my dilemma. Can you, kind readers, presumably some of whom are better organized than I, provide some common-sense suggestions concerning what I do and do not need to keep for posterity? I want to ensure that the contents of my blog are intact as a legacy for my family.
Or will you encourage me to just say, “Screw it, Flibberty. We’re doing fine. We can both relax.”
In other words, am I using Flibberty as a balm—or an excuse?
Flibberty and disorder notwithstanding, my wish is that you, we, and the entire world be filled with lovingkindness…
Gentle and cruel, personal and universal — writer / novelist / artist / actor / personality Truman Capote captured the holiday season to a “T”-ruman in his “A Christmas Memory.”
A lifelong bestie of another of my beloved authors, Harper Lee of “To Kill a Mockingbird” renown, Truman grew up queer during times when that wasn’t allowed. Hell, it’s still not allowed, not really despite the two-steps-forward/one-step-back strides that humanity has been making lately.
I happened upon Truman’s “A Christmas Memory” by chance. It’s part of his book, “Breakfast at Tiffany’s: a Short Novel and Three Short Stories,” the whole volume of which is mind-blowing. His print version of “Breakfast at Tiffany’s” is nothing less than enchanting for how it captures the heartbreaking nuances of love and friendship, particularly between a gay man and a straight woman. (Incidentally, another book I adore along those same lines is “The Object of My Affection,” by Stephen McCauley. That novel as well is much more profound in print than in the film.)
Please don’t judge “Breakfast at Tiffany’s” by its movie version. It’s stunning because of Audrey Hepburn, her iconic dress by Hubert de Givenchy, and so forth — but its racism toward Asians is deplorable. Moreover, it’s nowhere near as deep as the fabulous book. Unfortunately, Truman seems to have actively prostituted his masterpiece novella to Hollywood. Why? Was it due to his tragic and increasingly alcoholic life?
The story in its p.r.i.n.t.e.d. form reminds me of how this whole pandemic situation has upended our holiday season, yet in some ways “righted” them. This year I’m extra thrilled that my dear ones are in good health. I’m happier for the smaller gestures. Living “sheltered-in-place,” I’m reminded that even though we can feel alone, we never really are.
No matter how poorly we feel and badly we are treated, one kindred face can make all the difference. Here in this vintage video, Truman doesn’t tell us this — his story enables us to feel it…
How are your holidays unique this year?
Share + Like + Rate + Comment + Follow + Email me at ContactdaAL@gmail.com