“Reading is my favourite occupation, when I have leisure for it and books to read,” as quoted from Anne Brontë.
Novel writing is daunting — at least it is for me. If, like Anne Brontë, I’d been born youngest into a dynasty of superstar writers, would I have begun the two novels I’m currently working on? Hmmm… Do you have ultra-successful family members, and if so, how do they influence your work?
To celebrate Anne’s 200th birthday here’s “The Brilliant Bronte Sisters,” a documentary about all the sisters…
Today is the 200th Anniversary
of Anne Brontë’s birth, January 17, 1820!
A very special day as
she is subject of my novel …
Above all, through the well-measured words of Denton, a young Anne emerges more and more. She frees from the web of religiosity with which she traditionally is painted, [and] tries to leave something good in the world through her measured but deliberately targeted writing. A different Anne at the beginning of the book, timidly in love; then resigned to accept her own death with dignity and fortitude. A meaningful homage to the memory of Anne Brontë.
How do you deal with rejection? Whether you’re a fellow novelist — or you adore reading fiction as much as I do — or simply you too are human — at some point we all experience disappointment and frustration.
Here, while I take time off to complete my upcoming novel, “Flamenco & the Sitting Cat,” Lynn Love opens her heart to us. This is how she keeps rejection from getting the better of her novel writing…
Writing novels is a strange way to spend your life.
You take months (in my case, years) working alone on a project then there comes a point – if you want your baby to develop, to grow and not remain swaddled to your over-protective breast forever – when you must push what you’ve made into the world and watch from a safe distance to see if it will fall on its face or walk, perhaps even run.
But what if it manages to both face plant and saunter cockily round the block on the same day?
A few weeks ago, I learned I’d come second in a Writing Magazine competition (more on that nearer publication day). My prize was either a modest amount of cash or a critique of 9,000 words.
Now, as I’m a writer with heaps of artistic integrity and a yearning to polish my craft…
In the developing world two-thirds of the livestock keepers, that is a total of approximately 400 million, are WOMEN
The Brooke, a charity that focuses on working equines,(horses, donkeys and mules) is a major supporter of the women and of their working equines. The Brooke works in Asia, Africa, Latin America and the Middle East reaching over two million working horses donkeys and mules. The Brooke is not a rescue organization but with vets, animal welfare specialists as well as advocacy and development specialists works to improve the lives of working equines and to educate and support their owners.
Here is what the Brooke has to say about their work with women.
Owning and caring for equines, alongside earning income from their work, raises women’s social status and recognition in the community. Equines help with household chores, which frees up time for women to participate in…
85-year-old Lillian Boxfish is out for a stroll — of over 10-miles! New York City!! New Year’s Eve, 1984!!! Alone!!!! In the middle of the night!!!!!
Wondering and worrying how the best-seller historical fiction novel would end was plenty to keep me turning the pages of “Lillian Boxwood Takes a Walk.” All the more enticing is that author Kathleen Rooney modeled Boxwood after the country’s real-life highest-paid advertising woman of the 1930s, Margaret Fishback.
Here, with Rooney’s permission for Happiness Between Tails to re-publish her article from this site, she describes the inspiration behind her book…
The Margaret Fishback Papers by Kathleen Rooney
Back in May of 2007, thanks to a tip from my best-friend-from-high-school Angela Ossar, I got to be the first scholar ever to work with the newly acquired papers of the poet and advertising copywriter Margaret Fishback at Duke University’s Hartman Center for Sales, Advertising and Marketing History in Durham, North Carolina. I didn’t know it at the time, but Fishback would end up being the model on which I based the protagonist, Lillian Boxfish, of my second novel, Lillian Boxfish Takes a Walk, which would end up coming out just slightly less than 10 years after my visit to Fishback’s archive.
Through an internship she held as part of her Library Science degree program, Angela got to be one of the first archivists to process and organize the Fishback materials. As she did so, she quickly realized that Fishback — a proto-feminist who was, at one point, the highest-paid advertising copywoman in the world, as well as a successful and well-published author of light verse — was a figure after my own heart. I love re-examining and rediscovering unjustly obscure figures, so getting a travel-to-collections grant from the university to check out the Fishback material was pretty much a dream come true.
While I was there, I connected with Fishback — her joy in her job and the identity and satisfaction she clearly found from her employment, as well as how she balanced creative pursuits and family demands with monetary ones — immediately. But it took me a long time to figure out what to do with my newfound encyclopedic knowledge of her life and times. In that spirit of not-quite-procrastination, here’s one of the poems from her 1932 collection I Feel Better Now, called “Getting Down to Work”:
Now, almost exactly a decade after I first worked with her archive, my novel Lillian Boxfish Takes a Walk — based loosely on what I learned at Duke back in 2007 — is coming out from St. Martin’s Press. I hope that it will call more attention to this overlooked person and her role in shaping advertising as we know it. As the divisional copywriter at Macy’s, where she first worked in 1926, she revolutionized the house style and the style of advertising generally by adding humor to her ads. The humor of the ads is present in the poetry as well, even as it tends to take a slightly more world-weary and melancholy bent, like in this poem “Here Today and Gone Tomorrow,” also from I Feel Better Now:
Fishback’s books, as one can probably see by the fact that these are photographs of photocopies, are sadly long out of print and almost impossible to get a hold of.
But some of my most treasured acquisitions from my research that are now part of my own archive here at home include bound Xerox copies of every single one of her poetry collections, as well as her etiquette guide and guide to motherhood.
Her etiquette guide came out in 1938 and is called Safe Conduct: How to Behave and Why
And her guide to motherhood came out in 1945 and is called Look Who’s a Mother!
Both of these books, as well as each of her collections of witty verse, including her final one, Poems Made Up to Take Out, dating from 1963 —
— are delightful examples of Fishback’s voice.
Without the spirit and intelligence I found while doing my research in the papers of Margaret Fishback, I would never have been able to create Lillian. These photocopies — along with everything else I discovered in the Fishback archive roughly one decade ago — make me so happy to have gotten the chance to unearth her exceptional life and work thanks to Angela.
About Kathleen Rooney: she is a founding editor of Rose Metal Press, a nonprofit publisher of literary work in hybrid genres, as well as a founding member of Poems While You Wait, a team of poets and their typewriters who compose commissioned poetry on demand. She teaches in the English Department at DePaul University, and her most recent books include the national best-seller, Lillian Boxfish Takes a Walk (St. Martin’s Press, 2017) andThe Listening Room: A Novel of Georgette and Loulou Magritte (Spork Press, 2018). HerWorld War I novelCher Ami and Major Whittleseyis forthcoming from Penguin in August of 2020, and hercriticism appears in The New York Times Magazine, The Poetry Foundation website,The Chicago Tribune, The Los Angeles Review of Books,and elsewhere. She lives in Chicago with her spouse, the writer Martin Seay. Follow her at @KathleenMrooney
Do walk in your city for fun?…
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Visiting Birgit’s blog feels like a vacation, a respite from my crowded urban Los Angeles. If you’ve followed my site for a while, you first met Birgit at Happiness Between Tails here.
On her own site, sometimes she takes us with her when she travels. A native of Germany, she often invites us into her home in Denmark. If she’s cooking something delicious and healthy, she makes sure we’re there. When she and her husband make music, she lets us see them perform on a video. We’re invited to peer over her shoulder as she coaxes her flower garden to thrive in heat and frost. On some days, we bicycle beside her and her husband to glory in rolling green hills and rustic scenery populated with charming farm animals. Rain or shine, we can join her in strolls along beaches and marinas.
Do little folk live in your garden? In this short story, she describes some unique guests on the other side of her computer…
So, that’s it, I cannot do anything else for now. I will have to continue in spring.
The beginning is done: the fireplace, the ladder, the tiled path, the area for gatherings … the rest will have to wait. A pile of firewood is also ready …
What I am talking about is, of course, the elfin dwelling place in the birch stump. I have marked the places for the entrance door and the windows, but it is getting too cold to accomplish artistic wood carvings.
The following winter is comparatively mild, but grey, rainy, stormy, in short: not cosy at all! The spring bulbs are slowly coming our with their first green.
At the beginning of May, my husbands enters the kitchen and says enthousiastically that the door, which I have carved into the birch stump looks incredibly real, the windows as well. I rush into the garden…
“If I waited till I felt like writing, I’d never write at all.” Anne Tyler, novelist.
Anne Tyler is one of my favorite authors! Who is yours?
For those of you unfamiliar with Tyler’s novels, she won a Pulitzer Prize and has been nominated repeatedly for more. She’s remarkable for writing about life’s nuances that we might otherwise miss. Too often, we’re so busy “doing” that we miss “living.” We can miss ourselves and each other.
Enter Tyler to remind us that each day is happy and sad, selfish and loving, smart and goofy, and everything in between. Families might offer connection. When they make us feel unbearably isolated and misunderstood, we can find solace in friendships and in families of our own making. Now in her late 70s, Tyler writes as prolifically as ever. Several of her stories have been made into Hollywood films and TV movies. Her books and her deeds illustrate how each of us is as vibrant as we choose.
Born in Minnesota and raised by Quaker parents, she was socially and culturally thoughtful from the start. I’m a soon-to-be self-published novelist. Like me, she married a Persian man. They were together until his death and had two daughters, now both accomplished artists.
I try to be open to new writers and each year read a few debuts or authors I’m unfamiliar with, sometimes on other’s recommendations, sometimes at a writer’s or publisher’s request. Still, for me, there is a clear gold standard reserved for those writers who, over decades of wonderful books, always satisfy me, challenge or teach me, make me laugh, or bring me to tears.
I began reading Anne Tyler in the late 1980s, at the urging of my late dear friend Gerry. Incidentally, my then teen-aged daughter fell for her then, too. Anne Tyler persists today as one of our country’s great novelists. My list of favorites includes but isn’t limited to The Accidental Tourist, Breathing Lessons, Saint Maybe, Dinner at the Homesick Restaurant, Digging to America, Ladder of Years, The Beginner’s Goodbye, et cetera, et cetera, et cetera. My most recent…