Quick question and get your ears ready for another Happiness Between Tails podcast soon:
Have you checked out the new podcasting integration between WordPress and Anchor? I’m getting ready to try it and wonder if you have thoughts to share regarding it. (Here’s a podcast I published some months ago.) According to WordPress’ recent email, “We’re excited to announce a new feature that automatically converts the text of any page or post into a podcast on Anchor, the world’s largest podcast platform. If you’re already blogging on WordPress.com, there’s a good chance it’s podcast-ready—because our new integration with Anchor means you can now turn your words into audio in a few steps. The blog-to-podcast process is simple, and it opens up your work to new possibilities and listeners.”
COVID-19, staying-at-home included, is plenty hate-worthy. (I’ve griped about it here and here and here.) But not everything, i.e., I’m writing my novel, “Flamenco & the Sitting Cat” at a far better clip. (I elaborated on some COVID silver linings here and here and here and here and here and here and here and here, as did author Alice Renaud here.)
Nonetheless, there are those among us who love, loooooove, luuuurrrve COVID-19. Indulge me for how tickled I am by the “sound effects” of one such COVID fan…
Our fluffed, furred, feathered, slippery, scaled, and whatever else creature-family who can’t get enough of us — those guys are overjoyed! In their unique ways, they broadcast, “Hurray! Our people are home!”
At the start of quarantine, I heard a radio item about a doggie who needed a vet’s attention because she’d sprained her tail from wagging it so much!
People I know average an extra three hours to their days thanks to working from home. Here in Los Angeles County, “driving’ is a euphemism for “fuming in stand-still traffic.” Think of all the heart attacks fended off if we didn’t have to waste hours fuming behind the wheel. Just the other day, road rage triggered (pardon the sad but irresistible pun) a shooting in Long Beach.
His TED talk describes how his first parkway (what divides sidewalk from street) orchard-ette turned eco-lutionary…
When we moved into our home, my dear husband, Khashayar, applied his engineer’s practicality to our front and backyards. “If we’re going to work it, we’re going to eat it,” he said. Or something to that effect.
Which is why we’ve got several fruit trees crammed onto our bit of green. We (okay, he did the grunt work as our soil is basically clay) spent Sunday laying the groundwork for this year’s tomatoes and herbs.
Do you know a pet who’s celebrating COVID-19?
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As we begin to emerge from our third lockdown in a year (and boy was this one painful – over four months, and in winter) I’m reflecting on what I learned during this extraordinary year.
One thing I’ve discovered is that animals and nature are even more essential for my well-being than I thought. I’ve always loved the natural world, but during the lockdowns it has proved a lifeline. Admiring fresh flowers, lying on the grass on a sunny day, and watching birds, have injected pleasure into otherwise drab days. I’ve realized that even insects are fascinating. I’ve enjoyed observing the butterflies, ladybirds and bees as they emerge from hibernation and launch themselves into the world (which is a little bit how I feel right now as I learn to go to the shops again and dare to have a coffee at a terrace.)
I’m not the only one. Many people in the UK have discovered the joys of nature during the lockdown. Long may it last! Many have also adopted animals. My favorite pet is the cat, or The Cat as I’m always tempted to write, because The Cat is an animal that would definitely write its name in capitals if it could write (and maybe they can but are hiding it from us). We don’t have a Cat at the moment, since our last pet went to the great basket in the sky, so I content myself with the neighbours and family’s Cats, like Tabitha, my aunt’s tabby, shown here staring at the neighbour’s feline.
Animals and the natural world are a big source of inspiration for me and play a big part in all my stories. My Sea of Love series, which won its category in the Paranormal Romance Guild Reviewer’s Choice Award, follows the lives and loves of shape shifting mermen and mermaids. In their aquatic form my merfolk have a tail but not a fish tail. They’re mammals and look quite a bit like dolphins or porpoises. I grew up by the sea and love all marine creatures. I’ll never forget the day I saw a porpoise for the first time. I was amazed by the power and grace of that big animal, and the ease and speed with which it swam through the waters. I’m also fond of seabirds, even seagulls which a lot of people in the UK don’t like. They can make a nuisance of themselves by stealing chips and cakes, but they’re sociable, tough, highly adaptable, and fantastic airborne acrobats.
My books feature both real animals and fantastical ones. In my latest release Mermaids Marry in Green (also a winner in the Paranormal Romance Guild Reviewer’s Choice Award) there is a shifter mermaid, a warlock who can change into a cat, and also a mythical Welsh water monster, an afanc. Part beaver, part crocodile, he possesses magical powers and brings the hero and heroine together. Welsh legends are full of marvellous creatures and I enjoy putting them in my stories. As well as the afanc, there is the Ceffyl Dwr, the Water Horse, and the Giant Cat of Anglesey. Now that’s a feline I’d like to meet!
Wherever you are, I hope you are keeping well in these strange times, and I hope that like me you will find comfort in the company of furry (or not so furry) friends and in the beauty of the natural world.
My Publishing Journey
I started writing at the age of 14, but it’s not until many years later that I got my first short story published in a UK mass market magazine. I carried on writing and publishing romantic and family-themed short stories for several years before trying my hand at longer fiction. My first three romantic novels did not find a publisher, then I discovered that witches, mermen and angels were a lot more fun than sheikhs and billionaires. My first paranormal romance novella didn’t find a publisher either, but then I joined a writing group and met my wonderful tutor and editor, Laurie Sanders. She helped me whip another story into shape, and in 2019 A Merman’s Choice was published by an indie publisher, Black Velvet Seductions. Since then I have published two more novellas with them, and have contributed to several collections of short stories. I enjoy working with BVS very much. Ric Savage, my publisher, gives his authors plenty of freedom, I can write the story that I want to write without having to worry about conforming to strict pre-defined criteria. The other BVS authors are a great bunch and very supportive. Our anthologies are a great way to discover the writing of all these talented authors. The latest, Cowboy Desire, is out now in ebook and paperback.
It was my birthday a few days ago (COVID-19 style: quiet and sweet) and yesterday I received my second COVID immunization shot. For anyone like me and my husband who had COVID, the side effects of the vaccine can be worse than for most. Both shots have been a doozy for me. If the U.S. had taken the pandemic seriously from the start, countless lives would have been saved and fewer people would feel as horrible as I do after getting their shots. Which is to say, mask up and get your vaccine — side effects are way better to experience than wrangling COVID.
In my side-effect addled state, I’m announcing here that I’ve promised myself to complete my novel, “Flamenco & the Sitting Cat,” once and for all by my next birthday (and hopefully lots sooner). That said, I’ll keep this short so I can go back to bed. Thank goodness my dear doggie is more than happy to lie about with me.
Update: I wrote the above after a night and day of relentless nausea, severe headache, and fatigue. However, besides waking this morning with wringing wet pajamas and bedsheets, I slept pretty well. Fever and aches are gone, moreover I’m not nearly as light-headed, tired and nauseated. Fingers crossed, this time I’ll recover from Vax II way quicker than Vax I. Regardless — please, please, please get your vaccines. I’ll take Vax over actual COVID-19 any day. In Iran, where my dear in-laws live, they don’t even have the luxury of choosing whether to get vaccinated. Despite whatever outlandish “news” Fox News and their ilk tell us, Iranians continue to be hit extra hard.
Here to share book promotion know-how is Christoph Weigert, author of “Imagination: the Secret Nobody Talks About.” He’s from Bavaria and now lives in Berlin. To learn more about him and his book, check out his site.
Writing a book is one thing, publishing and pushing it out into the world is something quite different, yet they are inextricably entwined. Pictures of Dr. Jekyll and Mr. Hyde come to mind. Publishing — ignoring this often unloved and unasked for task would be a great disservice to ourselves as writers.
In the following I want to touch upon different efforts I currently deploy for my debut book Imagination: The Secret Nobody Talks About.
There is a company I admire and whose content on YouTube I cherish. One day one of their coaches remarked he creates his own audio version for books he likes, and he was the editor for a book the company’s CEO wrote. My instincts were on full alert and a few e-mails later, mixed up with weeks of waiting, he became the editor to my book. Eventually he also narrated the audio version, and I even included an interview with the CEO.
Soon my book will be offered as a free bonus to participants of an online course that Jon, editor to my book, will host. This adds to the book’s exposure to the public.
The question here is: can you cooperate with people and integrate them into your next book project, or at least write about them? Being part of a book project seems to be flattering, and it can open new doors for you as a writer.
Another of my publicity efforts is the creation of a so-called funnel. For a deep dive into this topic, I recommend Dotcom Secrets by Russel Brunson. A basic description of a funnel is that once someone is already interacting with your product, or is on your webpage, then you offer them other products. A waiter offering you dessert, or a automotive dealer selling you an insurance on top of your new car are examples from daily life for this type of business consideration.
What could be additional offers of an author, besides obvious ones like an e- or audio format that accompany the book’s physical version?
Maybe art has inspired your book? Or a bundle of interviews with experts that shine even more light onto the topics you love to elaborate on?
A basic theme of my book is the power of creativity and imagination, as well as how to connect with it and train it like a muscle. Hence I came up with the following additional offers for my funnel:
A guided imagination meditation and an audio that contains a wide range of additional imagination exercises.
As another step, I’m offering a training video that enhances physical power and flow, because a strong mind (an empowered imagination) needs a strong body.
These are my two cents on furthering the good cause of your book, making it work for you and getting rewarded in return. I hope you can get something out of it and I wish you happy creating and writing.
Do you make birthday resolutions?
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Her book, “Der Bibelkiller/The Bible Killer,” has a favorable opportunity to become a Netflix film. Here’s an interview with Valeska and director/actor/screen writer Nicolai Tegeler who will film it in Maastricht, Netherlands. If you, like me, don’t understand German, Google Translate does a terrific job.
In addition, her next book is set to published in less than a year. Already, Valeska is working to make it a Netflix miniseries. The historic novel features Anne of Brittany (1477-1514), the only woman who served twice as France’s queen consort (the most powerful sort of queen). Not just that, Anne was queen consort of Naples, and a duchess consort of Milan. All that and she died when she was only 34!
When I started writing back in 1997, the world of literature was not like it is today. Self-publishing wasn’t yet invented, so you first had to find a publisher before the book could see the light of day. The Internet was still in its infancy in Germany, so you had to resort to traditional marketing strategies.
In 2012, after three non-fiction books on health and beauty, I took all my courage and wrote my autobiography, “Flowers for a Chameleon.” What happened next — I hadn’t expected that! Perhaps I should tell you that I was not born a woman, but had already worked as a model in Paris before the sex reassignment surgery. Always I was careful that nobody learned of my secret. 1985 was another time, and models like Andrej(a) Pejic and Lea T. did not exist. The reactions to my book were overwhelming, it sold very well, and a filmmaker contacted me to film it.
But above all, I became aware of one thing – as an author, you market yourself best when you are authentic. Due to my life story, I was suddenly in the focus of the German LBGT community, which I first had to deal with. Countless letters from my readers all had the same core message: “Thank you for giving us such courage with your book!”
Today #beyoubetrue is my favorite hashtag, and I use it not only on Instagram but also on my author portraits.
After that, I changed my genre to now writing thrillers –- and that’s when I had a new marketing idea. In my book, “Double Sacrifice,” the song, “J’aime tellement,” plays such an essential role that once I wrote the lyrics, I then found a singer/composer to set them to music. Finally, it was remixed and is now available for download –- a great compliment to the book.
My new thriller, “Walking on Sand,” is was rewritten into a stage play that premiered in Düsseldorf, December 2019. Another autobiographical story, this one is about the transsexual children’s book author Lea. After many years, she returns to her hometown to avenge the terrible things her classmates did to her. The children’s book mentioned within it, “Charlotte Inside,” is taken out of the crime plot and made into a book of its own. It is the first children‘s book ever to tell young readers about therapy with the inner child.
My greatest wish is for “Charlotte Inside” to appear internationally so it can bring joy and courage to children everywhere.
How many lives have you lived?
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Please note: From the bottom of my heart, thank you everyone for your kind wishes for my husband and me while we were sick with Covid. Fortunately we’re well now and hope you and yours are staying safe. For anyone who thinks Covid is a simple flu, this is absolutely not the case. While it may start off mildly, it can quickly take a terrible turn. Please get vaccinated if you have the opportunity. Our doctor advises us to be as careful as ever as no conclusive evidence confirms that having been ill with it has gives us one iota of immunity, especially against the newer versions arising.
Savaged by self-doubt? Dry spells getting between you and your goals, including ones for writing your novel? You and I have brilliant company!
Talk about paying off! She was the first science fiction author to receive the MacArthur Fellowship’s “Genius Grant”! And she was a multiple Hugo Award and Nebula Award winner!
All that and still she continued to work hard at bolstering herself. Proof is within her donation to The Huntington Library’s Art Collections in Los Angeles, a collection ranging from extensive drafts, notes, and research materials to more than a dozen novels, numerous short stories, essays, correspondence, ephemera, and assorted books.
Born in Pasadena, CA, on June 22, 1947, she grew up poor. She watched her single mom endure racism and classism while cleaning homes to raise her daughter. Octavia towered over her classmates and grappled with dyslexia.
Her peers bullied her for not being more like them. As an only child most comfortable among adults, she spent her time at the public library, reading, and writing. Later she attended writing classes and workshops. Check out this cool interactive link the Los Angeles Times created regarding her stomping grounds.
In a 2000 interview for the New York Times, she said, “When I began writing science fiction, when I began reading, heck, I wasn’t in any of this stuff I read. The only black people you found were occasional characters or characters who were so feeble-witted that they couldn’t manage anything, anyway. I wrote myself in, since I’m me and I’m here and I’m writing.”
In 1979, with the publishing of Kindred, she chartered fresh territory for how to relay history. The protagonist is an African American woman who vaporizes from the Los Angeles apartment she shares with her Anglo boyfriend. She careens between the pre-Civil War slave era and back, a harrowing ride to put it mildly. Did Octavia dream of the present, when these days mixed couples are common and now high school teachers assign Kindred to their students?
Octavia was taken from us in 2006, at a far too young 58. She was staving off depression and writer’s block to finish a trilogy that remains incomplete. Her fans continue to grow.
Her advice to writers: Keep writing, no matter how you feel about your work.
Reading… writing… listening! Hey, if “seeing is believing,” why doesn’t the same go for tasting and feeling and smelling — and hearing too?
When’s the last time you tuned into your fave radio show? Same as radio shows, podcasts are story readings, performances, interviews, and monologues. Radio shows are often repackaged into podcasts that allow you to dictate when to tune in.
Creatives who want to control their work and keep 100% of their profits must become their own promoters. Podcasts are one way to get the word out. First, though, people need to know you have a podcast.
Here to clue us in on how to do that is London-based Fiona Livingston. She blogs about marketing and podcasting on Medium, and produces The Culture Bar, anarts and culture-related podcast…
“15 Tips on Promoting Your Podcast Series” by Fiona Livingston
You’ve poured your heart and soul into creating and recording your podcast series on a subject you are knowledgeable about. Now you need to get your podcast in front of audiences who are as passionate about the subject as you are.
But how do you get your podcast in front of listeners when there are 850,000 active podcasts out there in the world?
This article covers the best, easiest, and most effective podcast promotion ideas to help you build your audience and market your podcast.
First, let’s make sure you have some key podcast staples under your belt before you start promoting your podcast:
Podcast cover artwork. My top advice for creating cover artwork is to be clear. Once uploaded onto your podcast distributor, the size of your artwork will reduce a lot, so you want something bold, simple, and eye-catching. You can create your artwork by using templates on Canva, or if you have a mac you can use Keynote which is a very powerful design tool. Here are some great cover artwork examples to inspire you.
Episode titles. The way you title your episodes has a big impact on your total download numbers. My main tips for you are to NOT use a naming system such as ‘Episode 4’ or ‘XYZ Podcast: Episode 4’. You need to let your audiences know at a glance what the topic is so, your title should be as descriptive as possible.
Record 3-5 podcasts before your launch/start of your next season. This will ensure you have a regular schedule of events planned out and also gives you time to record future episodes. Make sure you have a launch schedule in place. For example, in the first week, you can release 2 or 3 podcasts to keep audiences hooked.
Create a dedicated podcast website. This can either be a section on an existing website or you can create a podcast website for free using providers such as WordPress, Wix, or Squarespace. These sites give you a valuable presence on search engines and act as a home for your podcast so audiences can find out more about you. This also gives you further opportunities to supplement your podcast with more content to show your expertise and passion.
Ok so now you have a great podcast recorded, fantastic eye-catching cover artwork, and launched a dedicated website. Let’s start promoting your series with these top tips (this list focusses on free marketing actions):
Add your podcast to a distribution platform. Upload your podcast MP3 file to distribution sites such as Podbean (free and priced programmes) and Anchor (free) and they will automatically send your podcast episodes to a variety of podcast sites such as Apple Podcasts, Spotify, Google Podcasts, and Amazon Alexa. Apple podcasts capture 32% of podcast listeners and downloads so your podcast must appear here.
Meta-tag your podcast. On your chosen distributor and website, make sure you complete the meta-tagging options. This is the place to add keywords relating to your podcast, so it shows up in search results and makes you discoverable.
Create a promotional trailer. This helps audiences understand what your podcast series is about, and you can embed this on your website and social media channels. Find tips on how to make a trailer here.
Add show notes and include hyperlinks for each podcast episode. It is good practice to give a short summary and overview of what is included in your podcast episode. This is also a great place to add links to your guest/s or any resources that you mention in the episode.
Leverage guest audiences. Make it easy for guests to share your podcast by creating audio snippets, quote cards, or prewritten tweets for them so they can easily use these on their social media channels.
Create podcast artwork for each episode. Using your main cover artwork template, adapt it to show the title of each episode, and change the imagery to give each episode an identity and theme.
Create a dedicated podcast social media channel. Set up a Twitter, Facebook, LinkedIn, or Instagram profile to promote your podcast.
Create quote cards in Canva or Pablo. Select attention-grabbing quotes from each episode. This gives listeners great insight into what’s to come.
Share rich media. Create extra content such as soundbites, audiograms (using tools such as GetAudiogram), behind-the-scenes photos, or teaser video clips to build excitement about your episode. Also, Twitter has an embed feature using Soundcloud so you can play the audio directly from a Twitter stream.
Tease the episode 24 hours ahead of time e.g. 3x on Twitter and 2x to Facebook/Instagram. Talk about behind-the-scenes content in Instagram Stories.
Create an audio-video to share on YouTube. If you use a provider such as Podbean they will automatically create a video for you and send it to your YouTube page. YouTube is a huge search engine for content and should be included in marketing your podcast. Or you can create a video using a tool such as Screenflow (free trial period) and use free video clip assets from Pexels.
Audio transcription. To ensure your podcast is accessible and aid SEO discovery, you can create an audio transcription and add it to your podcast website. You can use audio transcription tools such as Otter.ai (free for up to 40 minutes, otherwise it’s $9.99 per month) to help you do this.
Include your podcast in your e-newsletter. You can easily create your own e-newsletter using email service provider such as Mailchimp, Flodesk or Campaign Monitor to manage your subscribers and send them notifications about your latest podcast. Mailchimp and Flodesk have free basic tiers, and Campaign Monitor starts at $9/month.
Publish podcast-themed blog content on your website. A useful way to keep your website content fresh and to also include extra in-depth content on your podcast theme.
Be a guest on other people’s podcasts. A great way for you to showcase your knowledge and build awareness of your podcast.
Here is a list of other important Podcatcher sites your podcast should feature on to generate greater visibility:
“When’s the last time you read something unapologetically pro-choice — & that’s as empowering as it is romantic? Me? Never. Can’t wait for Joshi’s next book! Wish there were more novels that discuss pro-choice issues head-on. Enchanting story set in 1950s India from women’s point of view about the choices we’re given and how much we can make with them. Audiobook narrator Sneha Mathan is marvelous!”
~ My review of The Henna Artist by Alka Joshi for Amazon and Goodreads
I absolutely adore books (after all, I’m writing two)! Whenever I finish reading an exceptional novel, I review it on Goodreads and Amazon. Sure, not all stories resonate with me. As a tender-hearted author, I know too well the blood/sweat/tears that even a crappy book demands, so I don’t review those.
Then I email the novelist to thank them for making my life more thoughtful and maybe even fun. Ditto for any audiobook performer involved. Some thank me back, and on the days my stars are truly aligned, they agree to contribute to Happiness Between Tails.
Anyone who doesn’t read The Henna Artist is missing out. Clearly it’s written by a generous spirit. Just glance through Alka’s website and Youtube channel, where she lauds other authors to the extent that poses with their books! Here she is, holding Elizabeth Gilbert’s Big Magic as she says how grateful she is for it. Btw, I love that book too, so she’s got good taste to her credit as well lol 🙂
Allow me to digress a moment: Henna, oh, henna, you magical green powder! You enhance my hair, and you make lovely tattoos!…
They’re far more forgiving than the permanent ink ones, and brides aren’t allowed to do housework until they’ve worn off…
Dusting off my photos to show you these provided an excuse to reconnect with Chris Miller, the super-talented photographer (check out her Instagram too) who was beyond kind to gift them to my sweetie and me. Back when she shot them, we both worked for the Beach Reporter, a Manhattan Beach community weekly. I reported on Hermosa Beach and, In addition to her work as an event fotog, at the time she was the publication’s photojournalist.
Back to our esteemed guest: Alka was born in Jodhpur, Rajasthan, India. At the age of nine, she moved to the U.S. As a Stanford University grad, she’s worked in advertising and PR, and owned a marketing consultancy. On top of all that, she has a Creative Writing MFA from Cal Arts San Francisco. The Henna Artist is her first book. In way less than a year, it’s a huge success! The sequel, The Secret Keeper of Jaipur, is set for July, plus the third book in the trilogy for 2022. And — she’s an executive producer for the novel’s upcoming Miramax TV series!
Read on for her thoughts on women in India. Note that it’s not just India — unfortunately, I’ve met women architects in the U.S. who encounter discrimination here too…
“The Sari vs. Modern India” by Alka Joshi
In January 2019, the Architecture faculty at Ansal University in Gurgaon, just outside New Delhi, received an email from the registrar to attend a convocation.
It requested formal dress: “trouser, coat and tie for men” and “saris for women.”
This sparked a lively, funny, albeit very polite, conversation on WhatsApp among the female faculty, who normally wear trousers, Western blouses/tops, or salwar kameez (long tunics with legging-like bottoms) most days.
“I may not wear a sari…I don’t even own one!”
“I do not even know how to wear a sari.”
“[I’m] not against saris. But at 7:30 in the morning, especially when I’m not used to it is definitely a challenge.”
“Can’t tie one at 7am and drive…and get through the day!”
“No sari. Impossible to wear and report at 7:30 in the morning.”
“Why a sari at all?”
“If the women must wear a sari, wouldn’t a *dhoti be more in sync for the men?”
*(Now mostly worn by village men, a dhoti is a white cloth from five to seven yards in length, wrapped loosely around the legs and tied in a knot at the waist. While dhotis have gone out of fashion, saris are still a mainstay of female couture for weddings, special occasions and family gatherings.)
“We are all sensible enough to know what to wear. Most of us might even have worn saris to the event without being asked. But when you tell us exactly what to wear, we are going to have something to say,” laughs Monisha Sharma, associate professor. “Our Dean, who is female, told us to just look as smart as we do every day, so that’s what we’ll do.”
In addition to teaching in the Architecture school, these women are working architects. At construction sites they are often greeted with curious expressions: Can women really be architects? Are these women here to tell us what to do?
One professor told me that she had organized a site visit to a factory for her students. When they got to the site, the founder only responded to the junior male faculty who had accompanied her, choosing not to acknowledge her at all.
Similarly, a female architect who was managing a project for her father’s structural engineering firm was not being consulted by the construction team until her father ordered them to talk only to her. She was, after all, the project manager and the only one who could answer their questions.
To someone like me, who’s been raised in the West since the age of nine, it’s surprising that the women’s reaction is not anger (that would have been my response, along with bewilderment and confusion).
Instead, the Indian women laugh it off. “We have already made our mark in our profession,” they say. “We don’t need to hit them over the head with it.”
At the convocation, the female faculty wore Western trouser suits. Not a sari in sight.
There’s more than one way to make a statement.
Are dress codes unbiased where you work?…
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Melodrama, romance, intrigue, mystery, mysticism, pragmatism — oh, wait, not the last one… If you’re looking for inspiration for writing or for reading excitement, check out Greek mythology!
Goddesses and gods, mortals, the blending of both — doesn’t that sound like Stan Lee comicbook territory? Surely he sorted through ancient myths to fashion superheroines and superheroes. Star Trek and Star Wars makers must’ve too.
Admittedly the Greek tales of olden times can be challenging. Every poetically written story is jam-packed with enough intrigue to rival a binge-watch of Days of Lives, a still-running daily soap opera that first aired in 1965 and I once upon a time worked as an extra for… but that’s another story.
South Carolina blogger Dionysius has the same monicker as the multi-cultural god/superhero who oversees everything from wine to fertility and ecstasy to madness. Some argue that Dionysus the god is really Jesus. Our guest, Dionysius, created his New Classical blog “to create a new contemporary literature deeply rooted in classic literary traditions… not to repeat old and dead literary traditions, but to rediscover what is living and vibrant in them today.”
Read on for a peek into how Dionysius sees classic literature…
A brief summary and analysis of Euripedes’s “The Bacchae” by Dionysius
Prior to the events of The Bacchae, Dionysus is born from the love affair of Zeus and the mortal Semele. When he is born, his mortal family denies that he is the son of Zeus and refuses to give him worship. Dionysus then leaves Thebes and journeys to the east, where he gathers his cult of female worshippers, the maenads. The Bacchae opens when he returns to Thebes with his maenads to take vengeance on his family. He starts by luring the Theban women, including his aunts, into the forest around Mt. Cithaeron, where they join the maenads. This angers Pentheus, the king and Agave’s (Semele’s sister) son. After Pentheus fails to arrest and subdue Dionysus and the maenads, he is lured into the forest by Dionysus’s offer to look at them. In order to watch the maenads without being noticed, Dionysus tells him that he must dress as a woman. Pentheus complies and imitates the image and mannerisms of the maenads. When he arrives, his body is torn apart by them and by his own mother. Under the spell of Dionysus, she carries his head through Thebes, parading it, thinking that it is the head of a lion she caught during a hunt. When she is made aware of what she has done and whose head she’s been carrying, she falls into grief. The drama ends with Dionysus casting her and the royal family out of Thebes.
Maenads – The Mystery of Woman
The Bacchae revolves around the mystery of difference. Particularly sexual difference and cultural difference. This is seen clearly by the depiction of Dionysus’s maenads. That they are a cult of women and that Dionysus gathered them in the east is of significance here. In The Bacchae, the feminine, or the idea of Woman, takes on the form of the unknown. Like a woman behind a veil, there is mystery, temptation, and fear associated with the maenads. This is portrayed most clearly by the way Pentheus relates to them. At first, it is with fear, responding to the maenads with force and violence. Then, when it proves that the feminine is impossible to control or subdue, when the captured maenads escape his prison and most definingly when Dionysus(posing as a young mortal priest) himself escapes, Pentheus gives in to temptation at Dionysus’s first request to take him to look at the maenads. He goes as far as to dress as a woman and imitate their dances and appearances.
The temptation that is displayed here is twofold. It is the temptation not only to satiate his desires by seeing the bodies of the women, but also and more fundamentally, to be one of the maenads and experience their enjoyment. While the first temptation fits into a traditional male standpoint of desire, what is significant about the second temptation is that he is not merely taking the maenads as an object of desire, rather his desire is to assume the subjective position of the maenads, of “Woman” and their feminine enjoyment. What is revealed here is that his anger at the maenads was all along based in his own envy of their enjoyment.
Pentheus never understood what the condition for this enjoyment was.
The very condition for the sublime bliss that Pentheus sought after is a primordial unity of being. An overflow of life and nature. It is because the maenads abandon their individual identities and place in the Theban social order, that they can participate in this primordial unity. Their individuality is suspended for the tribal enjoyment of dance, ritual, hunt, and fertility. They participate seamlessly with nature and become a part of the overflowing development of life. Beyond the enjoyment that Pentheus sought, the “[…] Sweet streams of honey dripping,” this condition, is also at the same time the condition for an inhuman terror. This is displayed most clearly when he is torn apart by his own mother and the other maenads.
What must be remembered is that what appears as purely negative in tragedy also has a positive dimension. This is the pinnacle of Greek tragic wisdom. Why does Woman present itself as the apocalypse of man in this tragedy? It is because of an original betrayal of the feminine reality committed by the mortal family of Dionysus. By his entire family when they initially rejected him, and by Pentheus when he returned. This is what causes the breakdown of the Theban social order and the revenge of Woman.
In the same way that Woman is a constitutive element of the reality of sex, including the reality of man. The Dionysian rituals that the maenads take part in, that return to a primordial being and oneness, are constitutive of the Theban social order. It is even the root of the Theban social order. The unconscious reality of Thebes exists as the basis for its conscious and institutional realities.
It is precisely because the rituals of Dionysus exist outside of Thebes, in the rituals of the maenads on Mt. Cithaeron, that it is the base of Theban society. It is precisely because the maenads are all women whose rituals are constitutive of the male Theban social order. And it is precisely because the maenads come from the east that they constitute the western social order of Thebes. Dionysus and his cult are the external essences of Theban society. Essence, unlike appearance, is always unseen.
Dionysus of the Night
The place that Dionysus dwells in is the contradiction between appearance and essence.
Dionysus embodies this contradiction. He is returning from the east, and yet he was born in the west. He leads a cult of women, and yet he is a man. He is divine, and yet his mother is mortal. This contradiction is like the black of night, where one thousand stars shine. The failure of his mortal family to respect it, and to respect their own essence, is what leads to the breakdown of Thebes.
I’ve always wanted to put on a cape, stretch out my arms, take a running jump, and whoosh! — feel the wind in my face, inhale the fragrance of treetops as I soar high into the clouds. Picture me Super-da-AL or Winged Victory of Samothrace ready for liftoff at the top of the Louver’s entrance.
What superpower would you want?
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My inner jerks specialize in novel writing. Inner criticizing is just the beginning — they’re outer and everywhere.
A tongue-twisting ditty to be sung to whatever tune strikes your fancy:
“Here a critic… There a critic… Everywhere a crit, critty, critical critic…”
Moreover, mine barge in with droves of friends.
Have you got any? If not, how the heck do you pull that off?
I could list mine for days and days: Why you takin’ so long with them books you keep talkin’ ‘bout? Ya really gotta do that instead of this or those things or them stuff right now? Lookie here, there’s this to do that’s way more pressing and tons more fun! You’re wasting your time, so scrap that durned project already, just quit it. What in tarnation gave you the notion you could write anything of interest to anyone but you? People are just being polite when they compliment your work, don’t you know that? Who in their right mind will want to read your novels, much less spend hard-earned cash-ola on them? Seriously, if they do, they won’t finish them. And if they finish them, they won’t talk about them. For sure, if they talk about them, they won’t say anything nice. And promotion — you gotta be kidding me! — what do you know about that?
Some days, those are the nicer things I tell myself.
Read on, and you’ll see how Annie, a blogger from the United States east coast, makes perfect sense when she encourages us to name our inner critics.
Like my own name of da-AL, mine has a hyphenated moniker. “Them” goes by “A-Holes.”
How about you? What’s your inner demon(s) named? Maybe yours and mine could meet for drinks, get really plastered together, and meantime leave us alone for a spell?
More about today’s guest: Annie is a writer of many things, including poetry. In the past, she has even earned some real money from her writing! Here’s her advice — and a question for which I have no answer but send her lots of good wishes in solving it — for all of us. She blogs about whatever she pleases, including stuff that makes her and maybe us laugh…
“My Attempts to Play Nice With My Inner Critic” by Annie
Whether or not you practice mindfulness meditation, as I have for several years, you are probably familiar with the voice known as the Inner Critic. It’s that part of us that says: “I’m such a dope!” “I’ll never be what I hope to be.” “How could I have done that?” “I just don’t measure up!” “My father/mother was right/wrong about me.” “Sure, I’m doing fine, but that’s because people really don’t know that I’m winging it.” “I’m not bright enough, attractive enough, witty enough, kind enough, tall enough, thin enough, tough enough, strong enough, sensitive enough, thoughtful enough…”
You get the picture. That negative voice has long been with us, often from childhood, from societal messages, maybe from a single cruel teacher, and on and on. I was raised by two loving parents. My mother felt I could do no wrong, but I still recall my father casting a questioning eye on my report card and asking: “What’s this A-minus?”
The origins of the Inner Critic form a complex topic that I’m barely touching on here. But I know that I’m still the A student who goes nuts when autocorrect incorrectly changes “well” to “we’ll”—and I fail to catch it! Is that worth an iota of energy or distress? Of course not.
The Inner Critic certainly interferes with the goal of mindfulness coined by Jon Kabat-Zinn: “the awareness that arises from paying attention, on purpose, in the present moment and non-judgmentally.” Nonjudgmentally, indeed!
Several years ago, I wrote an article about mindfulness for an online women’s magazine. One of my interviewees was Sharon Salzberg, a renowned mindfulness educator and author who cofounded the highly regarded Insight Meditation Society at Barre, Massachusetts with two other giants in the field.
Salzberg’s special area of interest is lovingkindness, which begins with one’s self and then extends outward in ever larger circles to loved ones, friends, acquaintances, and the entire world.
Salzberg, who has written that her childhood troubles started her on a path that led to Buddhism in India decades ago, said she is constantly aware of her Inner Critic. How to deal with this negativity? She suggests giving your Inner Critic a name.
She named hers Lucy, after the famous Charles Schulz comic character who tells her hapless friend: “The problem with you, Charlie Brown, is that you’re you.” I asked her if I could adopt Lucy, and she agreed.
But I soon realized that borrowing someone else’s inner critic doesn’t work. I needed my own. I named her “Flibberty,” which is short for “flibbertigibbet.” That’s a Middle English term for a flighty, excessively talkative person, a gossip.
One of the reasons I’m happy with Flibberty is that although she’s a pain in the gut (that’s where I experience stress), her name includes the word “liberty.” I know I must free myself from the heavy burdens that Flibberty sometimes bestows upon me.
Mindfulness practitioners learn that you never try to fight with these negative forces; doing so simply enlarges their impact. Rather, you seek peaceful coexistence. When Flibberty rears her officious head, I say, “Oh, there you are, Flibberty. How ya doing?” That’s generally enough to move my mind into a better place.
Lately, however, perhaps because I’m essentially housebound due to COVID-19, Flibberty has been flitting about in my vicinity quite a bit. I’d call her a “FlitBit” who’s gauging my absence of activity, rather than the reverse, but then I’d be exposing my propensity for bad puns. I’d never want to do that!
Flibberty covets my desk. She tells me I’m being ridiculous, working in such a messy space. She laughs knowingly when my TV remote won’t work because the old New Yorker magazines are piled so high on the table in front of my couch that they block the signal.
Now here’s the tricky part, and I welcome your suggestions. I often write blog posts that require research, and I type them on my computer before cutting and pasting them into my blog. I then add the printouts of my collected newspaper and magazine articles—and my printed out computer entries—to the piles of previous papers that surround me.
The piles are increasing in both numbers and height. Some are approaching the tottering stage.
Have you heard of the Collyer brothers, who hoarded books, newspapers, and other items to such an extent that when their bodies were found, they were surrounded by 140 tons of stuff?
I haven’t reached that level, but I do wonder whether my Inner Critic’s reminders about what I’m failing to do with my papers might actually be positive after all. So I say, “OK, Flibberty, let’s attack this pile.”
I pick up a bunch of papers, look through them, wonder what to do with them, and set them aside. And then I tell Flibberty that I appreciate her concern, I really do, and I will get to them in good time.
I feel so much better. Flibberty is quiet.
But the piles are flourishing—testimony to my diligent work. And still…
If we weren’t in the middle of a pandemic, I might hire an organizer to help me through this mini-crisis. If I were bolder, I could just throw all the papers into the shredder and move on. (Never mind, Flibberty; forget what I said about being bolder.)
And thereby hangs my dilemma. Can you, kind readers, presumably some of whom are better organized than I, provide some common-sense suggestions concerning what I do and do not need to keep for posterity? I want to ensure that the contents of my blog are intact as a legacy for my family.
Or will you encourage me to just say, “Screw it, Flibberty. We’re doing fine. We can both relax.”
In other words, am I using Flibberty as a balm—or an excuse?
Flibberty and disorder notwithstanding, my wish is that you, we, and the entire world be filled with lovingkindness…
“The greatness of a nation and its moral progress can be judged by the way its animals are treated.” — supposedly Mahatma Gandhi said that. (Isn’t this picture of him great? He’s drafting a document at Birla House, Mumbai, August 1942. My novel-writer side can’t help but wonder if he knew that writing longhand enhances creativity — and I bet intelligence!) First off, he didn’t….
Second off, if anyone said it, is it true? I love animals and have followed a vegetarian diet for years. All the same, I’m definitely nowhere near a saint, particularly given my now-and-again deviations into the hypocracy of eating fish. My father was wicked to his family, yet tears rolled down his cheeks when he heard that local geese were slaughtered. Hitler and was a vegetarian for the last part of his life. And he adored his dog, Blondi…
What I know for sure is that when I see someone acting kindly toward an animal, it makes me feel like there’s a soul somewhere within their despicableness…
Scratch the last paragraph — that was just my lazy brain leaning on clichés to please you with niceties, gentle reader. It was my typing falling into well-worn grooves of platitudes. Really, if someone is mean and shows neither remorse nor interest in reforming themselves, if people around them erect the scaffolding to sustain their meanness… well… Delving into morality is too lengthy to weave into this post.
Here, look! My fingers have switched gears to copy this for you: a paragraph from wise and poetic Kathleen Rooney’s latest novel. She was a Happiness Between Tails guest to tell about her amazing Lillian Boxfish Takes a Walk, and then to tell us about her newest tale, Cher Ami and Major Whittlesey. Her Cher Ami book is written in the style of first-person characterizations of various humans and Cher Ami, a true-life heroic pigeon who saved many World War I soldiers’ lives.
The most dazzling chapters are those through Cher Ami’s eyes. I’m about halfway through the book and am most recently awed by this bit of feathered philosophizing. Cher Ami thinks this about the soldiers:
“Sometimes they renamed animals as different animals. They called the canned corned beef in their rations “monkey meat” and referred to their body lice as “shirt rabbis.” They’d pick the insects off one another, comparing themselves to apes grooming in some great gray zoo. I could tell that many of the men felt terribly lonely, helpless and estranged from their fellow soldiers, but they were never alone and never powerless thanks to all the life that depended on them, the lice and the rats and the mice. Each man was the miserable monarch of a kingdom that squirmed with vermin, one that consisted of the dirt and the bit of sky each one could see from the dirt of their feet in their boots, of their boots in the mud — a kingdom all but indistinguishable from a grave.” An excerpt from Cher Ami and Major Whittlesey, by Kathleen Rooney, who also wrote marvelous Lillian Boxfish Takes a Walk.
So okay, I’m not one to dwell on whether ”God,” the kind with a capital “G,” exists. But the fact that Dog spells God backwards in English — isn’t that an interesting metaphor for how even the worst dirtbags among us can experience the love of a dog? (Here’s a post where I dip another toe into that conversation.)
Dogs… their lives are far far too short!!!! They get better and better with age, more perceptive of our needs, more adoring of us, and ready to kiss us for our slightest kindness. Just the other night, my husband mistakenly called our current dear doggie by the name of one of our two dogs who passed away — when? yesterday? two years ago? — either feels not much different at times (a bit about that here and more on it here). My heart goes out to a good friend who sweet Bambi-faced furry girl passed away recently… In these times of the COVID pandemic especially, our pets do so much for us. It’s no wonder that more folks are adopting furry family lately.