Literary Agents

Let’s Make Every Week Banned Books Week! by da-AL

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Persepolis is discussed by a UK teen on youtube video about Banned Book Week.

Does the threat of a book being banned ensure that it’s among the finest books written? Check out the fantastic examples cited by the smart folks in this 29-second video (and pat yourself on the back if you smile when “To Kill a Mockingbird” by Harper Lee is discussed — *see end of this post for why)…

Banned Book Week needs to be every week of the year! Started in the U.S., the now international event has been honored every last week of September since 1982.

* Whereas the girl in the video remembers the story as happening in South America during the 1920s, here’s how Wikipedia tells it: “The story takes place during three years (1933–35) of the Great Depression in the fictional “tired old town” of Maycomb, Alabama, the seat of Maycomb County.”

Once my novels-in-progress are published, I hope they’re not banned! How many potentially banned books have you read?

Guest Blog Post: My Road to Getting Published by Geoffrey Simpson

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The story of how author Geoffrey Simpson, who just released “The Three Hares,” got his first book published — in his own words…

Geoffrey Simpson, author of The Three Hares
Geoffrey Simpson, author of The Three Hares

On a gloomy January morning, the air was heavy and uninspired. I read an article about ancient symbols—a distraction from those about politics, rife with propaganda. One symbol, with three rabbits chasing one another in an infinite circle, struck a chord. A whirlwind flooded my conscience.

Although I’ve never written before, a few story ideas were tucked away for a rainy day. That same morning, I began to plot. That same gloomy day was the beginning of an adventurous journey to becoming an author. 

Three months later, manuscript in hand and an intent to self-publish, an author friend of the family strongly encouraged me to find an editor. I hadn’t planned on investing in this project, but I also never expected to write a novel. 

As an author, I’ve transitioned through two distinct phases. There was pre-Janet, and post-Janet. As you probably assumed, Janet Fix, owner of thewordverve inc., agreed to become my editor, mentor, and inspirer.

With a polished manuscript and newfound confidence, I changed course from self-publishing and sought an agent. A thrilling adventure began, but as the queries went out, the feedback was unanimous. “Unfortunately, I’m not the right agent for this project.” Not a single manuscript request came forth.

Discouraged and circling back toward self-publishing, I spoke to Janet the Inspirer. She, who wasn’t just an editor, was transitioning her business from hybrid to traditional publishing, asked me to join Team Verve.

Twelve months after that gloomy January morning, Janet became my publisher, and there’s no looking back. Today, Janet is editing the sequel to The Three Hares, and I am writing the third installment of this five-book YA adventure/mystery series. It is this partnership/friendship which has made all the difference.

Cover of Geoffrey Simpson's book, The Three Hares

I’ve got two novels I’m writing. What are your experiences with traditional publishing vs. self-publishing?

Guest Blog Post: “My Personal Path to Self-Publishing” by Lisa Kentgen, Ph.D.

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When it comes to publishing, deciding which route to take can be a challenge.

For the traditional route, once an author writes a book, they sign on with an agent or publishing house. The author shares a hefty percentage of the sales, in exchange for the agent doing everything involved in getting attention and sales.

A self-publisher keeps all the money — but does everything, including possible hiring of an editor and book designer, buying advertising, etc.

New York City psychologist, Lisa Kentgen, Ph.D., debuted, “An Intentional Life: Five Foundations of Authenticity and Purpose,” June 2018. Here how she went about it…

Cover of, "An Intentional Life" by Lisa Kentgen

Turning down a book contract was a painful decision. My book emphasizes listening to your internal voice. My voice told me I wouldn’t be happy signing a contract that didn’t feel mutual. The morning after making this decision the idea for my next book came to me. I then knew self-publishing was the right path.

Two things were clear. 1) I would create a publishing imprint to house this and future books. 2) I would be intimately part of the process.

Creating a publishing imprint meant establishing an LLC. Its mission is broad enough to cover other professional activities, like public speaking, so that my writing will be an essential part of my professional life.

Photo of author Lisa Kentgen by Todd Estrin Photography
Photo of author Lisa Kentgen by Todd Estrin Photography

There are reputable companies, like Girl Friday Productions, that help authors from concept to final production. I believe they quoted me $16,000. I chose not to go with this sort of company because I had a manuscript that already was far along and, also, it means not taking the lead in creating my team. Establishing my team meant spending hours finding a top quality editor, cover designer, and interior designer.

I was fortunate enough to find a developmental editor who is the vice president of a publishing company. She had me reduce my manuscript by 30%. She told me that while I don’t like telling people what to do (I am a psychologist) – as a writer I needed to be more directive. After a major edit, I hired another editor to polish the final manuscript.

For book design, I chose Reedsy, an online company that has wonderful professionals for hire. Inexpensive cover designs cost around $500. For an experienced, artistic designer it is closer to $1000. My cover designer was so good that I persuaded him to do my interior design which cost about $2000.

I learned the hard way that what makes for a beautiful physical book creates complications for the ebook. (Suggestion: Make a copy of the interior before getting fancy!) Creating the ebook to look like the physical copy proved difficult. I had no way to assess the actual skill level of designers. The first person misrepresented their experience, and I paid $450 for something I couldn’t use. The next person charged $500 and what I wanted took more time than estimated–so we negotiated a higher price.

My experience creating the audiobook with Brickshop Audio in Brooklyn was a pleasure. The audiobook, with production help, costs $250 per finished hour. My 55,000-word book (on ACX) cost $1650.

I recommend my path to authors who enjoy creating a business and who have the time and desire to address countless creative details. It means a lot more work upfront, but having finished products closer to your vision. I am excited to take what I have learned to new ventures!

Quote by Lisa Kentgen: Living with intention you understand that your interests are intimately bound to the well-being of others.

Dear readers, share your experiences below with self-publishing vs. traditional publishing…