Readers and writers alike, happy blogging! If you publish your blog from your phone, I hold you in the highest esteem — you’re one heck of a dedicated blogger!
As for me, I have the luxury of blogging from a desktop computer, a 2013 iMac. Which is to say that it’s super easy for me to stick with WordPress Classic editor because yes, I most definitely prefer it. In a recent blogging class I attended, even the teacher recommended a workaround for students to use Classic! Given how many folks read blogs from their phones, Guttenberg’s block-fanciness is worse than useless. When I read anything on my 5s iPhone, the simpler the layout, the better.
This is how I use WordPress Classic Editor on my desktop: in the admin page, I pull up a list of my posts. Then I hover my mouse pointer over a post title. Below that, a selection appears, which includes the choice to use Classic Editor.
If I wanted to write a post from my iPad, WordPress offers an abbreviated version Classic. To switch over to it, tap on the three dots in the screen’s upper right corner.
Using an iPhone works similar to an iPad.
For a more detailed explanation, but that doesn’t include the way I described that I do it from my desktop computer, WordPress has this link.
In another post with blogging tips (and here’s more of my blogging tips), the mention of WordPress’ newer editing system got people talking, so here I’m offering you a chance to comment below. Vent? Praise? Either way, when I let WordPress know about this post with your comments on it, maybe they’ll actually listen to us.
Again wishing you joy — and ease — whether you’re blogging, reading, writing — or are you traveling online?
How do you deal with computer annoyances?
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Grooming or the lack of it under our anti-COVID masks.
Words so special to a country that we borrow theirs, such as “Schadenfreude.”
What do they have in common? They’re among the activities that have unexpectedly cropped up since we’ve been sheltering-in-place.
Hair: Some friends are letting theirs grow. Others have shaved their scalps. A bunch are letting their color and texture go natural.
Authors are digging into writing and stats show that readers are reading for fun again. That’s how I discovered “Schadenfreude.” It’s an English noun borrowed from two German words, Schaden ‘harm’ and Freude ‘joy.’ Combined, they refer to pleasure derived by someone from another person’s misfortune.
Carol Snyder Jarvela: I prefer the southern belle term “mean bitch thrill.” It’s easier to spell and is self-explanatory.
Peter Basson: Me and my friend, Sigmund, were very hot so we stood in the schadenfreude.
Susan Sobon: Trump is a master of schadenfreude.
Lastly, people are doing more blogging, vlogging, and podcasting!
I listed some of what I’ve learned about blogging in a prior post. In no particular order, here are more tips I’ve gathered while working on my own blog and visiting other sites. Feel free to add your own insights in the comments section.
Nothing detracts from a post as much as poor writing. The software that comes with a word processor isn’t enough. Fortunately, lots of useful apps like Grammarly have decent free versions.
Reading aloud helps tremendously. Sometimes I even have my word processor read to me. That way, I can hear how my writing sounds without my own inflections.
Finding an empty ‘about’ page feels like maybe there isn’t a real person managing the site. And when there’s no photo, I hope the blogger isn’t worried that their looks will frighten people.
It doesn’t take much to keep a site’s background theme from looking cookie-cutter by adding photos and changing colors.
Composing a post: sometimes WordPress leaves important messages in the right column.
Ideas are precious. I capture mine by texting myself or jotting them into the notes section of my smartphone.
Before publishing a post, I check how it looks on a smartphone, desktop, and tablet. Sometimes I need to replace a photo and break up my text more.
Featured photos: a) make sure to select one, and b) lately, I’ve noticed that people who’re successful on social media add text to their main pictures. Canva’s free version does an adequate job.
My workspace: desk clutter saps my creativity and efficiency. I try to keep only what I’m working on in front of me, and every night I tidy up.
Sound: A fan, such as the one inside my compact space heater, is impressive at muting noise pollution.
SEO, a.k.a. “search engine optimization”: to help get at the top of internet searches, use keywords in post headings and first sentences.
Heading: again for SEO, keep them 70 characters or shorter.
Categories: select less than ten.
Tags: five is plenty.
Visitors enjoy interacting with their fave bloggers. Ask readers to subscribe and share. End posts with something they can comment on.
Invite visitors to look around your site by linking posts to other posts.
Images: only use ones you have legal rights for (royalty-free is fab) and always credit where you got them from.
Befriend other sites like yours — visit, comment, link, and meet their fans.
Reblogs are lovely—and even nicer when introduced with comments of your own. Add your thoughts when you click “reblog” or later within your site’s editor.
Composing Posts: Begin them with a sense of where you’re going, and conclude them with a quick review.
It takes time and care (a.k.a. love) to compose a blog post that’s worth reading.
Good writing is all about rewriting. Let a post sit, then review it a couple of hours later or the next day.
Continually study how to use social media more effectively.
Hosting: Self-hosting works for some. In my case, I use WordPress dot com and find that having them host my site is inexpensive and easy. Also, most of my followers come to me via the WordPress Reader, which I don’t think is available on self-hosted.
It’s never too early to start collecting an email list — ugh! — in my case, I’m learning this far too late, so I’m now researching how best to start mine.
WordPress Editor: Frustrated by WordPress’ block editor? I still mostly use Classic.
Let me know how you like my first attempt at adding a poll…
What tips have you learned? If you’re using self-hosted WordPress dot org, do you have a way to get your posts listed on the WordPress Reader?
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Stories let me soar when I have neither wings nor airfare. Made up or personal, and whether I’m reading or novel-writing, words heal my spirit and body. When I think I’m merely seeking amusement, they teach me. They expand my compassion for others and for myself.
Author/poet Jenny Irene Gunnarsson blogs and tweets and emails from Sweden. There she tends her trees and communes with the gorgeous outdoors. One day she’ll make a living as an author. In the meantime, she’s a teacher who’s done a bit of everything, from working as a guard to caring for all sorts of people. When life overwhelmed her, she self-published Burnout, which she describes as, “a small book about something big, twenty-five poems about burning out and moving on.”
Happiness between tales by Jenny Irene Gunnarsson
Picking the sweet fruits
all the morsels of inspiration
all the lush treasures of fallen words.
My garden will be
filled with endless beauty.
Every story known to man
my sky and sparkling fountain.
on every emerald leaf.
will ring there too.
When I first read this blog, I read the title wrong and thought it said Happiness between tales. Even after I got it right, I couldn’t stop thinking about this. Any person who enjoys reading knows that there is, indeed, such a thing as happiness between tales. This happiness is not only about the enjoyment of having read a good story. Tales open our eyes to details around us and make our imagination bloom like a garden in spring, enhancing the world in the process. Every story that makes any impression on us at all also affects the lives we lead when we are not reading.
For me, the love of tales began before I could even talk properly. As a three-year-old, I was brought along to a house my mother wanted to buy and as she wandered the rooms; I went off to explore on my own. This turned into a panicky situation for her later on, when it was time to go and she could not find me. When she finally thought to check the closets, I was sitting in one of them, in a cardboard box containing fairytale comics, so enthralled that I had not heard her scream my name. Even today, over forty years later, I can still remember how I was caught by the magic of those pages filled with pictures and signs I could not decipher, so different from the books I had previously been shown. It was love, no, obsession, at first sight. My mother had to carry me away from there, kicking and screaming because I could not take my treasure with me.
I spent the next year pestering everyone in my environment to teach me how to read. They all said that I was too young, which only made me pester them more until they finally relented. When I was four, I finally got to crack the mystery of letters and every bookcase I saw became my treasury, quickly looted of its contents by my hungry mind. The world has never been the same after that, especially since I have always had the ability to open any book and fall right into it and, on top of that, have a very vivid imagination. All at once, the world became so much more exciting than it had ever been before and I was its explorer, its Neil Armstrong and its Sherlock Holmes. When I was not reading, I wandered the woods around our house, searching for fairies, trolls and Baba Yaga among pines and blue anemones I was sure hid some vital clues to their whereabouts. I and my friends were Batman, Lucky Luke and Supergirl, taking turns to be fearless heroes and every old man I met was a wizard, either good or evil, depending on how he looked. I also kept opening and closing every door at home, trying to make them let me into other worlds and was equally disappointed every time it didn’t work. Do not get me started on the wardrobes. You all know where those lead.
There was an age-rule at the library, so I had to keep to the children’s section until I was twelve-much to my own and the librarians’ frustration. I came in at least three times per week, asking if there was anything new and they almost always had to tell me no. One time, when I was ten, one of them took pity on me and sent me into the adult section to find something to read. I was in absolute Heaven! There were hundreds of books-and they were thick enough to last me for days. After having wandered around for an hour and almost kissing the shelves, I picked the thickest book I could find and triumphantly returned to the loan desk. The librarian looked at the book, looked at me, looked at the book again and then sent me back to the children’s section in humiliation and close to tears. I borrowed Stephen King’s It from a friend that summer instead. It gave me nightmares for weeks, but it is still my favourite book-my first, thick love.
When I grew up, there was no Internet and no smartphones and the libraries had a limited selection for my tastes. I have always been a fast reader and my brain was constantly screaming for more, more and more, so after having borrowed every book that interested me at least three times, I went to town on the rest of them-including Classics and English literature. This had the unexpected benefit of my grades suddenly sky-rocketing, which mystified me greatly until I understood the reason for it. Despite my forays into more serious literature, however, I never let go of my love of tales about things belonging to other worlds than my own. My mother told me at fifteen I was too old to read fairytales and comics and fantasy books. I told her those were the reason why I was getting A’s in Spelling, Literature and English and she never mentioned it again after that. Yes, I told a fib. They might have added to my grades, but they were not solely responsible for them. I just loved them so much I could not bear to give them up, even if it meant I had to lie a little to get out of hearing about how they did not ‘suit me’ since I was getting older. Even now, I think they suit me just fine.
As children, we have that golden period of time when magic is real and fairytales can be considered truth. This time is eventually left behind and often mourned, as we feel magic has become a part of the past, never to return. A precious few keep their belief in magic, but growing up, the tales of our childhoods is seen through different eyes. This all sounds kind of depressing, but reading tales is a gift that keeps giving, despite life trading our starry-eyed gazes and scrubbed knees for reading glasses and paying bills and we go on to read a lot of tales that have no happy endings.
Even if we no longer believe in fairies and other realms, there is still magic in every tale we encounter-and this magic is always with us. So, if everything is so magical, why do we not all glow with happiness every time we read a book? I think it is because we have to dig a little deeper and think a little harder.
To a child, the golden nuggets of stories are left out in the open thanks to its willingness to believe the impossible. He or she has only to go out and look around to find that gold and get rich. Adults, on the other hand, have both minds and lives that are more complex and are a lot less likely to believe in things outside of normalcy. They also read more complex stories, often written by complex people who may, or may not, have something they want to say.
If you think this sounds like mumbo-jumbo, try taking a course in literature and poetry.
You would be amazed by how much meaning is to be found in anything from where the story takes place when it is written, what language is used and which objects are most often described. Events described can be metaphors for things happening in society, existential truths, human nature and anything else there is, or ever has been, between Heaven and Earth. This meaning, these metaphors, whether we understand them or not, we bring with us as we look at the world and it changes our understanding of both ourselves and others-no belief in the impossible required.
Nowadays, I behave like the almost middle-aged woman I am.
At forty-four, I cannot run around and look for Russian witches or fight evil minions on my lunch break.
I am oh so calm and adult-but if you took one look into my mind, you would be surprised. It is always, at least partly, up in the sky somewhere, chasing as many witches and other fantasies as it pleases. Other, more serious, parts are constantly debating tales I have read and how they can be applied to my everyday life, hopefully also making me a little wiser. I have never read a story that has not taught me something about humanity or life, whether it is in the story itself or in how it is written, and I do my best to take advantage of what I learn. Then, there is one part; my favourite part, the part making up much of my heart, the part feeding my life much of its meaning-that is spinning tales of its own. Anything can be turned into a story I can tell myself or others, bringing me joy and sharing the magic. My car is an aeroplane, flying me through the sky on a secret mission while Spotify is thundering my personalized soundtrack through its interior-making my heart beat faster and life feel more exciting. As I ride my bicycle, I imagine it to be a noble steed, carrying me in a rush of freedom across open plains to deliver me to an exotic destination I have never visited. The small figurines of Buddha and an elephant on my window sill, beneath an inside rainbow who must have lost its way, are actually a story about friendship and meeting on a mountain to relight the lamp of the sun and bring daylight back. There are thousands of more tales strewn around me. Some, I write down, others I only tell in my head. There are tales never finished and tales forever rewritten. Tales have affected and always will affect my life in many different ways. They have made it so much richer and given it so many more nuances than I believe I would ever have found without them. This would not have been possible if there had not been people there to write the tales in the first place. Writers, myself included, are forever reminding me that the magic and the joy is still there if we only look for it. I firmly believe that there is happiness in and between tales as long as there are tales, no matter the age of the reader.
How do reading and writing help you?
For more about writing and reading and fun at Happiness Between Tails, check out the search box 🙂
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Do you think I’m crazy for taking heart whenever I see books of fiction — novels, mainly — make it big even when, in my opinion, they stink? That goes ditto for just about anything, but before you call me a nut, let me explain.
Persistence goes a very long way when it comes to success. So does obtuseness about failure and criticism. Throwing heaps of money at an endeavor is another way to lead readers/buyers/voters/whatever to prefer style over content.
For us novelists who want people to purchase our books, there are myriad “experts,” aka “vultures” galore. As I research how to eventually have that happen for the novels I’ll eventually serialize into podcasts and then sell as books, Flamenco & the Sitting Cat and Tango & the Sitting Cat, it’s impossible to avoid avalanches of Youtubers parroting each other’s basic “secrets” about marketing/platforms/etcetera. Each concludes with the same pitch, which is that, in return for our dough, they’ll fulfill our ambitions. Indeed, some may be legit. My jaded ears, however, remind me, “A fool and their money are soon parted.”
That’s why — and here’s what this post is all about, my friend — it’s like finding gold when someone with real experience shares their knowledge without charging us money.
Without further ado, here I present David Gittlin, who blogs from Florida and who is exactly that man. He’s authored three feature-length screenplays, produced two short films, and published three novels, each in a different genre! (Links for them are within his post.) Before that, he worked for over thirty years in all sorts of capacities related to marketing and the internet.
Read on for his hands-on wisdom that he’s kindly letting us in on. Lucky for us too, he’s not charging us a red cent…
How do I Cost-Effectively Market My Book Online? by David Gittlin
Comparatively speaking, writing a novel is the fun, easy, first step of the self-publishing process. The second step, creating an attention-getting book cover, offers its own unique set of challenges. However, the most intimidating and difficult undertaking, to most authors, is the third step—Online Marketing.
These words strike terror in many authors’ sensitive little hearts because they want as little to do with the outside world as possible.
The most intimidating marketing question is: “Where do I begin?” In this blog, I’ll let you in on some of the advertising methods I’ve tried and the results I’ve had. I’ll save you time and money. I’ll guide you through the marketing process from the completion of your manuscript to the final strokes of your marketing plan.
Before we begin, bear in mind that more than a million books are published every year. Therefore, we have to be good at marketing. Damn good!
After completing your final rewrite and the inevitable tweaks that come afterwards, it’s finally time to upload your book to online retailers. Next, you announce it on your blog, your author website, your Facebook page, and your YouTube channel (optional).
Now what? Gulp…
This is the seriously hard part—driving people to these outposts in cyberspace.
Let’s take a look at what has worked for me and what hasn’t.
The first step in marketing your book online or ANYWHERE is to create a relatable, attention-getting cover. We’re taught not to judge a book by its cover. Ironically, this principle doesn’t apply to actual books.
I’ve read that the cover of a book needs to be genre specific. By this I mean your reader can quickly identify the subject matter inside, whether it be Romance, Action/Suspense/Adventure/ Thriller, Espionage, Science Fiction, Fantasy, and so on.
The trick is to make your book genre specific without making it look like every other book in the space. The idea is to stand out from the crowd, not get lost in it.
If you are an accomplished graphic artist, go ahead and do it yourself. Just be sure that you follow the specifications of your print on demand supplier. If you are not a great graphic artist, like me, go ahead and shop for an artist who can turn your cover vision into a commercially viable package.
Please choose an artist with a specialization in book cover design. This person can have other specialties, but they must also be fully versed in the art of book cover design. If you are creating the book cover, make sure to research the subject. There are many pitfalls, just as there are with writing a book.
I used three different artists to create the covers for the three novels I published. Besides the fact that I get bored easily, there may have been a method to my madness. Each of my novels is in a different genre. Some artists have genre preferences and do better work in those genres. There is no set rule.
Some artists are good in any genre. They may be more talented and expensive than others, but you won’t have to go through the angst of breaking in new ones. And you may get a better overall result. Or not. Choose carefully.
If you have an idea of what you want in your book cover, great. If you don’t, that’s okay. Just be sure you choose a capable artist who you can communicate with. Don’t be guided solely by cost. Choose someone who knows what they are doing; who inspires your confidence, and “gets you.”
Blogging is a great way to get yourself and your work “out there.” It’s not hard to create a blog, even for graphically challenged people like me. WordPress and Wix are two of the most popular sites now. You don’t have to be an expert at coding to make a nice looking blog. You can also choose an upgrade plan that will give you more customizing options. I believe the upgrade plans are worth it. WordPress has a premium plan for only $99 per year.
Once your blog is created, don’t let it just sit in Cyberspace. Take a little time each day to read and comment on blogs by folks who write about subjects that interest you. Those people will then read and follow your blog if your content is good.
Take note of how other people promote their work on their blogs. I’ve found that the subtle approach is the best way to do it. Keep in mind that content is king. What you have to say and how you express it will ultimately determine your degree of success. And, make sure the template you use to create your blog is Smart Phone Friendly. I finally woke up to the fact that most people read blogs on their phones. Duh. I dumped my old templates and replaced them with new, easy to read, phone-friendly ones. Now, I’m attracting more followers than ever before, and I’m making many new friends.
I’ve experimented with ads on Facebook. I’ve racked up tons of likes and very few sales. In my humble opinion, paying for ads on Facebook is a total waste of time and money for self-published authors. I have an author friend who is running great ads on Facebook, but he’s not selling any books. I’m not saying ads in general don’t work on Facebook. They do. But you are an up-and-coming author struggling to find an audience. You aren’t Macy’s. You aren’t selling specialty items currently in demand like face masks. See what I mean?
A Facebook page isn’t essential, but I strongly suggest that you put some time and effort into making a good one. If nothing else, FB pages add credibility and overall impact to your marketing campaign. And they are FREE. You might even sell some books from your page using the SHOP NOW button. Pick a glowing book review and pin it at the top of your posts column. This little maneuver has increased views and engagements on all three of my Facebook pages.
Upload a JPEG of your book cover with a link to your Facebook page. If you have lots of friends who spend half of their lives on Instagram, you might get lucky. I don’t use Instagram. Don’t ask me why.
I’ve created and distributed press releases on PR Web with a target audience of 30,000 journalists and bloggers. The idea is to drive traffic to your websites and generate publicity on major news sites and search engines. You can participate at various cost levels starting at $99. The more you spend, the bigger the audience. I participated at the second highest level at a cost of $289 per release. (The highest level currently costs $389). To add interest to the releases, I created a book trailer video. (A simple book trailer without actors will cost anywhere from $250 to $300 from a reputable company).
Bottom line: I could not relate any book sales to my press release adventures. So, save your money.
Book trailers are nice to have but they aren’t essential to your marketing campaign. When I first started marketing my books twelve years ago, the pundits all said that you were dead in the water if you didn’t have a book trailer. As it turns out, this is baloney. Book trailers are a nice addition to your marketing package, but they aren’t powerful generators of sales. I made trailers for my first novel, ThreeDays to Darkness, and my second one, Scarlet Ambrosia–Blood is the Nectar of Life. I had fun making them and they didn’t cost too much. Recently, I used the first trailer I made as the cover photo on my Facebook page. (Note: The video has to be two minutes or less to be uploaded to the cover section). To my amazement it worked. More than a thousand people visited myThree Days to Darkness page in the span of two weeks. I made some book sales at the rate of two percent of the visits. I’m still getting views. But here’s the thing: if you have a limited budget, use it where it will do the most good. I’m getting to that. Stay with me.
If you can swing the cost, make an audio version of your book. As you are no doubt aware, people don’t read as many books as they used to. Audio books are getting more popular every day. I used ACX to make the audio book for my third novel, Micromium:Clean Energy from Mars. I liked using ACX and they are part of Amazon. I signed an exclusive agreement with them, which means I get a bigger royalty (70%) on each audio book sale. With this agreement, your book is automatically uploaded to Amazon, Audible, and iTunes. The downside is, you don’t get exposure on sites like Hoopla, Overdrive, and Bibliotheca, which serve libraries. If you don’t go exclusive, ACX offers a non-exclusive agreement wherein you can distribute to any platform and get a 25% royalty.
If you hire a narrator for your audio book, which you can do through ACX, a good one will probably cost you between $100 and $150 per finished hour. Your narrator does the narration and all of the production work. You direct them and approve the finished product. I had a great time making my audio book with an amazing woman who did a fabulous job. I’ve done reasonably well with my audio book. I’ve noticed that having an audio version available has increased my overall book sales.
When you launch your book, you want to have a sufficient number of positive reader and editorial reviews available on retail sites and Goodreads to convert browsers into buyers. Unless you have twenty friends and a handful of book critics ready, willing, and able to post glowing reviews, it makes sense to purchase a few of these.
There are a number of sites available for these services. I have found the best and most reliable site for reader and editorial reviews to be indiereader.com. Check out their website. I bought reader reviews and an editorial review from them. I’m 100% satisfied with their service, reliability, and results. I’ve also used midwestbookreview.com for fair, reliable, and less expensive editorial reviews. Readers Favorite is an excellent site for FREE reviews. Check it out.
Sponsored ads on Amazon.com are the most effective marketing tool I’ve used so far. If you have a limited budget, this is where to spend it. The ads are easy to create. You set your daily budget, write your copy, set your campaign dates, and off you go. If the ad doesn’t work, you can scrap it and try different keywords. You can see which keywords are working and which are not and adjust accordingly. Best of all, you can see how many books you’ve sold and how much it has cost you to sell those books. There’s no baloney and no guesswork. And, let’s face it, most of the books people buy are sold on Amazon. To create a campaign, sign in to your KDP account, select the book you want to advertise, click on the three dots to the far right of the book, and select promote and advertise.
I hope you will find these tips helpful. I wish you all the success in the world, and keep writing.
Do you have first-hand publishing and marketing knowledge to share with us?
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Today is too darned hot to write–neither a full-blown blog post nor the novels I’m writing. Instead, I’ve made you this refreshing video. If you want another, there’s this one too.
When it’s this muggy, I can barely sleep. I got out of bed early to find a new friend on my window sill, enjoying the heat. Watch to the end and let me know if you think it was too warm, even for my extra skinny pal Liz…
For you scribes with air-conditioners, Indiana writer Rachel Tindall offers inspiring tips. She and her blog, Capturing Your Confidence, are devoted to bringing out the best in writers…
5 Critical Self-Talk Strategies for Writers by Rachel Tindall of Capturing Your Confidence blog
I’m guessing if you’re reading this, you want to be a writer. Or you are a writer, but maybe you’re stuck. Or you think of yourself as a writer but haven’t yet gotten up the courage to announce it to the world.
Wherever you are, it’s okay! Life is an adventure, and your experience as a writer is an ever-evolving journey.
But how do you take that next step? You know the one: where you tell the world you’re a writer and share your words.
The first step is to have a conversation with yourself about being a writer. That’s right, I want you to actually talk to yourself about being a writer.
Before you resist (I know it sounds kind of crazy), let’s talk about it.
What is Self-Talk?
Have you heard the term self-talk before? When I started writing again as an adult (after a years-long hiatus), I started hearing all this stuff about self-talk, and I didn’t quite know what to make of it.
Essentially, self-talk is the little voice in our head that’s always giving us advice and considering what’s going on in everyday life. Part of self-talk is the inner critic, which is a whole other conversation, but the majority of self-talk is just our regular thoughts.
It includes things we know we’re thinking, like how good that BBQ restaurant smells when we drive past, and also unconscious things like the belief that if you get food from the BBQ restaurant, you will gain weight.
Self-talk can be good and bad. Overall, it mostly serves to help us figure out what’s going on around us and what we believe about those events.
Self-Talk & Self-Exploration
Self-talk creates an inner dialogue. I don’t know about you, but my self-talk can get kind of noisy – my brain is quite a talker! And I’ll tell you, not all of what she’s saying is important or useful.
One of the best things about self-talk, though, is that it allows us to explore what’s really going on inside our brain. If we take time to listen to our self-talk, it can be incredibly enlightening. We often get so bogged down by external distractions that we either ignore it or pass over it without really listening.
What happens when we listen?
We can do some GREAT self-exploration. We can find out so much about ourselves by simply listening! If/when we don’t listen, we run the risk of thinking we know ourselves (I mean, we’re in our body all the time, how could we not, right?) but really knowing an out-of-date version of ourselves. Doing self-exploration and listening to the dialogue in our mind is kind of like when you empty the Recycle Bin on your computer – it makes everything run more efficiently.
Occasionally we need to spend time cleaning out that old junk and negative self-talk to make way for the future and our great new ideas. We need to explore and listen to make sure we are pursuing what we actually want instead of what we wanted a few years ago, or when we were a kid. While we might have similar dreams, it’s worth double-checking with some good self-exploration.
Why is Knowing Yourself Important to Successful Writing?
So what does self-exploration have to do with writing?
Well, besides clearing out the junk (if you’re like me, it might kind of be in precarious stacks just waiting to fall over and make a mess all over my current projects), you can also learn a TON from exploring the inner workings of your mind.
You’ll find out information like:
Interests – What do you actually like to do? What do you want to do? What piques your curiosity?
Passions – What’s most meaningful to you? What sets your soul on fire? What makes you excited to get up in the morning?
Habits – What do you do on a regular basis? What regular habits are helpful? What needs to change?
Desires – What do you want from your interests and passions? Do you have a new habit you want to try (or one that you want to get rid of)? What would make you excited to work on?
Goals – What do you want to achieve from your desires? Where do you want to be as a writer, or even just as a person a year from now? 5 years from now? How will you get there?
There will always be more you can learn from yourself, but you have to be willing to do the work and listen first.
Talk To Yourself in These 5 Ways
I’m hoping that talking to yourself is sounding a little less crazy. Just in case you like to skim to the “good” stuff in articles (me too!), I don’t mean to have a normal “How was your day?” out loud conversation with yourself. I mean the deep, self-exploring, figuring out you conversations.
Here are 5 critical ways to yourself that will help you become (or continue to become) the writer you want to be:
First and foremost, take some time and do a self-assessment. Ask yourself the questions above (about your interests, passions, habits, desires, and goals) and thoughtfully take an inventory of what you find. It will be helpful to write this down as you think it through.
You might surprise yourself and realize that your passions and interests have changed over the years. Or that your goals have shifted as you’ve gotten older. Whatever you find, be kind to yourself! Assessing yourself isn’t about judging, it’s about figuring out what you’re all about. It’s hard to make changes or form new habits when you aren’t up to date with what you actually want, you know?
2: Speak About Yourself as a Writer
When you’ve done your self-assessment and confirmed that you do want to be a writer, the next step is to speak about yourself as a writer. This can be hard when you first start because you might feel doubts like you’re not qualified, or you don’t really know if you’re a writer. Imposter syndrome is a real problem, even for those of us who have been writers for a long time.
This, too, is okay – and common! I was scared when I first started acknowledging myself as a writer, too. Take it slow. Tell yourself first. Write it down, say it to yourself in the mirror, whatever it takes for you to begin to believe. Practice until you feel the truth of it down to your core.
3: Name Yourself as a Writer
When you’re confident in yourself, it’s time to take a little leap and start telling others. At first, this might just be your parents or your significant other. It might be your best friend. Someone who won’t judge you. Weave it into conversation and keep saying it in the presence of others.
Eventually, you’ll get the courage to share it with others outside of your immediate friends and family. For some of us, this takes a long time, and for others, it’s a quick progression. You might even want to put it on social media or your own website! As a writer, you will see your name out there with your words, so it’s important to get used to naming yourself as a writer.
4: Write Yourself a Reminder
Not every day is a good one, and some days will be hard to think of yourself as a writer. There will be days where you don’t want to read words, let alone write them. Days where you feel like you’ll never finish your project or get published or be able to write full time (if that’s what you want).
It’s because of these days that it’s critical to write yourself a reminder you know you will see. I have a rainy day note, which is a letter I wrote to myself to remember why what I’m doing is incredibly exciting and worth it. Your reminder doesn’t have to be fancy, though. Even “I am a writer” will do. Whatever you choose to write should remind you that you are a creator, and a bad day doesn’t invalidate your creativity or your writing. Put this reminder where you will see it multiple times and take a breath. As my mom always says, this too shall pass.
5: Actually Write
The thing about being a writer is that you do actually need to write. This probably sounds simple or cheesy, but you won’t feel like a writer if you don’t do the work of writing. This is because writing is what we writers do. It’s our bread and butter. You can’t be a writer without the hard work of writing.
This doesn’t mean you have to have a new magnum opus project you’re working on at all times, but you do have to write something. What works for me is writing in a journal every morning. I do 3 pages and let my mind go wherever it wants, be it complaints, plans, or excitement, and then go about my normal day. Sometimes even just this 15-20 minutes is enough to kick off my creativity throughout the day.
What do you think? Can you try these strategies?
You don’t have to answer, but I wanted to congratulate you on wanting to be a writer! It’s hard work, but it is by far the thing I find most satisfying and exciting to do. I would encourage you one last time to talk to yourself. Do some self-exploration to find out what’s really going on in your brain. What you really want – what makes you excited.
Do your self-assessment talk – which doesn’t have to be painful! – and answer the questions on a piece of paper and review them once in a while. Once you’ve figured out what you’re all about, you’ll want to start speaking about yourself as a writer. Start small and make sure you feel comfortable with yourself (at least a little) before you name yourself as a writer to other people. Jot down a quick reminder for the bad days, and then get to writing.
That’s really it!
Writing is a skill, and as long as you are willing to learn and put in the effort, you can be a writer.
Tell us—how are you staying cool?
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Dear readers, that’s why, when I learned of Uzo Njoku through Bust Magazine (a lifestyle/feminist publication started in 1993), I thought of you. Many of you are novelists like me, most of you writers and creatives, and lovers of books.
Her self-published coloring book, “The Bluestocking Society,” launched the statistics-turned-art-major a couple of years ago when she was a 22-year-old college student. It’s filled with images and facts about all sorts of wonderful women throughout history. She also offers free printable coloring pages.
Uzo moved from Lagos, Nigeria, to the United States as a child. Here’s a writeup about her by the University of Virginia, and here’s another by their news magazine.
Along with Uzo’s comments on these paintings, what follows are the answers she kindly emailed back to me…
Question: How does being bi-cultural play out in your day-to-day life and influence your art? And in terms of how you regard your own loveliness and potential?
Answer: Being in the middle of two worlds gives me more content to work with. My work addresses important issues such as identity, duality and spirituality, yet is approached with a particular openness snd beauty. The themes addressed in my work stem directly from my life experience as a female artist living and working between cultures, and yet the aim is to show how a single person’s ‘double vision’ can produce images that possess much wider social effects by collapsing racial and cultural borders.
Question: Many of my readers (myself included) are struggling creatives. How do you juggle making art, marketing, fulfilling orders, and attending university? How did you initially let people know about your amazing coloring book? How do you continue to expose people to your art?
Answer: Everything I have done starts from my friends supporting me. Constantly telling others about my work and word-of-mouth helping to spread the news. A lot of artists don’t have a business mindset, and I believe that is how a lot of them do get exploited initially. I took an arts administration class in college, and that really opened my eyes to what goes on behind the scenes. This helped me understand more what it takes for shows to happen and the right people to reach out to.
I studied Statistics in college before switching over to art, so by nature, I am a very technical person. I see numbers alongside art a lot and understood when it was time to pay a marketing personnel to run ads when I released a new product on my website. I don’t really know exactly what to advise people because everyone is different, but I learned everything from Google and YouTube videos. So a lot of research.
Question: How has the horrific politics of late as well as the pandemic affected you and your work?
Answer: I am not a social artist, so I do not create art based on political events. But in regards to Oluwatoyin passing away, I feel it was my duty to beautify her image because I know a lot of media outlets would try to show her in a negative light. A good amount of the sales during this period I have been able to donate out to small BLM groups and artists struggling during this pandemic.
Question: How do you find and choose your marketing personnel?
Answer: My marketing personnel reached out to me. He had been following me for years and felt that he could reach new customers for me. Basically, anyone who understands how to market on Social Media is an asset.
Question: What are one or more mistakes you see artists making business-wise most often?
Answer: I would say the biggest mistake is forgetting to follow up on business taxes when tax season comes by. It can bite you if you’re not careful. Also, you need to get into the habit of having a second pair of eyes look at contracts with you, whether they are those of a family member, a friend, or a professional.
Dear reader, if you didn’t do what you do now, what would farm oranges…or what?…
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Poetry, for me, lies somewhere between blissful and excruciating. When I take the time to read a piece, which is seldom due to the reasons above, I marvel at how only a few precise words can haul a truckload of soul. More often than not, though, it makes me antsy at best, question my intelligence at worst. Never mind trying to write some of it myself.
I was born in London, UK, in 1942 but have lived most of my life in Hoole, a Victorian suburb of Chester, a city in the north west of England.
I have been writing poetry since I was 14. In the summer holidays of 1957, I was on a day trip with my Auntie Renee to Llandudno, a town in North Wales. We were sitting on the steep slope above St Tudno’s church. Two things happened. Inspired by a poem, about the terrors of a nuclear holocaust, written by a sixth former and published in that summer term’s school magazine, I decided that I should be a poet. It seemed a grand thing to write about important subjects and be read by hundreds of people. (I hadn’t at that point actually written anything).
Before or after the decision, I can’t remember which, a group of nuns, in the long, black habits they wore then, left the church and climbed along one of the sheep tracks up the slope. My aunt would have commented on it, I’m sure, but I can’t remember what she said. The pristine image has stayed with me. I used it in a poem more than twenty years later, and in a screenplay nearly forty years later.
Poetry in some ways is the easiest of the arts. It is solitary, and comparatively economical in terms of time-over-task. The technology needed is minimal — just a pencil and some paper. No violins or blocks of Carrara marble.
I have always had things I want to say about love and death, and human history, pictures I wanted to create, stories I wanted to tell. Making poetry has been part of my life for more than sixty years. It is a compulsion. I cannot imagine ever saying to myself, I shall write no more poems.
In 2009, I came to the conclusion that, in order for most poetry to reach as wide a readership as possible –- and a readership which, if it chooses, can truly interact with the writer — publication on the web rather than in book form is the way forward. My website was launched in April of that year.
The first poem to be published on the site was:
A Short History
For a generation, like weather cocks,
their skeletons swung near the highway.
James Price and Thomas Brown had robbed the Mail.
Years turned. The Gowy flooded and the heath
flowered. Travellers noted the bones
hanging in chains by the Warrington road.
Justices ordered the gibbet removed,
the remains disposed of. In Price’s skull,
while Napoleon was crossing the Alps
or Telford building bridges or Hegel
defining Historical Necessity
or Goya painting Wellington’s portrait,
a robin made its nest.
The latest to be published (i.e. as of June 25th 2020) is:
The Colston Bun
‘And ye shall overthrow their altars, and break their pillars, and burn their groves with fire; and ye shall hew down the graven images of their gods, and destroy the names of them out of that place.’ DEUTERONOMY 12.3
‘Black deaths do not have a good press, especially when they occur in the custody of our custodians. The media leads the public to believe that our guardians can do no wrong. Racism leads them to believe that blacks can do no right. The silence of the custodial system is compounded by the silences of racism.’ DEADLY SILENCE: BLACK DEATHS IN CUSTODY, Institute of Race Relations, London, 1991
Anger, one Sunday in June, overcame
decorum in that diverse city,
and – no doubt, inspired by the toppling
of other graven tyrants – righteously
pulled down the effigy, with a thump of stone
and a hollow gong of metal, and tossed it
from the quay into the harbour water.
The Royal African Company received
its charter from Charles II and James,
his brother, hence the US east coast seaports
Jamestown and Charleston. It was established
by the restored royals to provide them,
free of interference from the Commons,
with their own spending money. Board members
included the philosopher, John Locke.
The company’s profits came mostly
from enslaving West African men, women
and children, and transporting them across
the North Atlantic’s turbulence. More than
two hundred thousand were taken, and nearly
fifty thousand died on the journey,
the firm’s double entry bookkeeping shows.
One prominent member of the board
was Edward Colston, a Bristol merchant,
the city from whose harbour the slavers sailed,
and which, in due course, would make chocolates
and cigarettes. His philanthropy
inveigled the streets like a bad conscience,
almost a rebuke of victimhood:
his name on a hospital, a school,
a bun flavoured with dried currants and allspice
topped with sugar, given to the poor yearly
and still made for sale by local bakeries –
and himself looking thoughtful in bronze
with a periwig and a walking stick.
Apologists who claim he was merely
of his time, an accidental racist,
and collateral ethical damage,
like Henry Wills and Elizabeth Fry,
should remember John Locke, his damascene
moment unrecorded, who threw his shares
into the fire. ‘Slavery is so vile and
miserable an estate of man …that ’tis
hardly to be conceived’. That June Sunday
civic anger overcame decorum.
To my surprise, one of the most read poems is:
Marjorie Beebe’s Bottom
For Ian Craine (Note from da-Al: here’s a guest post by Ian Craine here.)
‘Marjorie Beebe is the greatest comic possibility
that ever worked in my studio. I think she is
destined to become the finest comedienne
the screen has ever seen.’ Mack Sennett
Her bottom was a serious matter:
the butt, as it were, of numerous pratfalls
in many Mack Sennett two reelers – like
The Chumps, Campus Crushes and The Cowcatcher’s
Daughter – in which she was a capricious,
lubricious Columbine with witty eyes
and good teeth and various Harlequins,
who ended invariably as losers.
From Kansas City, her mother took her
on the Yellow Brick Road to Tinsel Town.
Beebe and Sennett became lovers, despite
or because of the thirty year difference,
so he knew her asset first hand so to speak.
From silents to talkies, slapsticks to wise cracks,
her Mid West accent playing well, then Mack goes bust
How’s your novel coming along? If you’re writing one, did you outline it first? Or is it evolving?
“I have spent many days stringing and unstringing my instrument while the song I came to sing remains unsung.” Rabindranath Tagore
In the case of the two books I’m working on, “Flamenco & the Sitting Cat” and “Tango & the Sitting Cat,” I outlined it, wrote a bunch, thought I was about done — and then a new character introduced himself!
“Reach high, for stars lie hidden in you. Dream deep, for every dream precedes the goal.” Tagore
Blogging has brought me the unexpected joy of meeting many new online friends from India, thereby stoking my curiosity about the country. It was only natural that my books include someone at least partly from there.
“Depth of friendship does not depend on length of acquaintance.” Tagore
Niks is a minor player. It’s the year of 2002. He lives in Southern California, the best place to surf and earn a living as a model and actor. He’s a gay man in his 40s. His parents were studying business when they met at UC Berkeley’s International House, a social club intended to help foreign students feel less alone. Pasta is the dish he makes best because his Italian mom taught him how to cook. His love of great Indian literature is thanks to his dad, who grew up in Kolkata.
“A mind all logic is like a knife all blade. It makes the hand bleed that uses it.” Tagore
Are you from India? If so, feel free to correct me and/or add to what’s here…
“The butterfly counts not months but moments, and has time enough.” Tagore
“If I can’t make it through one door, I’ll go through another door — or I’ll make a door. Something terrific will come no matter how dark the present.” Tagore
Did you know that the world’s largest non-trade annual book fair takes place in Kolkata?
“Death is not extinguishing the light; it is only putting out the lamp because the dawn has come.” Tagore
The region is home to India’s major publishers. So are many great thinkers, such as Rabindranath Tagore (May 7, 1861 – August 7, 1941), India’s equivalent to Shakespeare.
“The most important lesson that man can learn from life, is not that there is pain in this world, but that it is possible for him to transmute it into joy.” Rabindranath Tagore
To my mind, Tagore as much a sort of Leonardo da Vinci. He was a revolutionary politically and artistically. At eight years old, he was already a poet and went on to be a musician, artist, Ayurveda researcher, actor, playwright, and more.
“Love’s gift cannot be given, it waits to be accepted.” Tagore
Quite the globe-trotter, he introduced the world to India’s creative treasures.
“Love is an endless mystery, because there is no reasonable cause that could explain it.” Tagore
Is a great novel the one you had the most fun reading? One that transported you to a whole new situation, a new land, a new time? Or did that story unlock new insights? How about one that allowed you to feel understood and less alone? What about the books of childhood, which stripped away all the anguish of being small and vulnerable? Is your favorite one that’s compelled you to read it more than once?
The desire to read
I was born ready, jumping out of my diapers with eagerness to comprehend how written language worked.
My reading list from the start
All printed words that came my way. Food wrappers, cereal boxes, and street signs were intermingled with picture books.
Fourth-grade outings with my best friend were bike rides to the library. There I would tick off readings from the Newberry Medal list (the highest esteemed American children’s books). Kids’ magazines with fiction, grown-up mags that featured stories, books lying about the house, I was starved for reading no matter how much I learned. That included Playboy Magazines, The Godfather, Marquis de Sade. That last one fascinated eleven-year-old me not for the sex (it went over my head), but for how sadomasochism mirrored the day-to-day I saw. Later in high school, Shakespeare taught me how stories can tap numerous levels beyond surface and deep.
My idea of “best” has more to do with whatever I’ve recently read that left an impression. Since embarking upon novel-writing, much of my fiction is via audiobooks. Minutes spent sitting is time I could be writing. The books I select are for enjoyment as well as for learning. Since the books I’m writing, “Flamenco & the Sitting Cat” and “Tango & the Sitting Cat,” are epistolary (correspondence or diary), I’m apt to download books of that style. That includes the historically latent “Frankenstein” and “Dracula,” the contemporary “Queenie,” the fizzy “Bridget Jones’s Diary,” and “The Roxy Letters.” Non-epistolary includes anything by authors like Anne Patchett, and Anne Tyler, who’s endings are complex. Elizabeth Gilbert’s recent protagonist encourages us to never regret losing our virginity. Now I’m dizzy with memories of beautiful reads, too many to note here but irresistible to type: “Little,” “A Tale for the Time Being,” “Kindred”… I can’t wait to read Kathleen Rooney’s latest (she was so very kind to be a Happiness Between Tails guest here).
With that, dear readers, let’s meet Ian Craine — he often blogs on his wife’s site (Roberta Franklin is a writer of romantic fiction). He’s a Brit currently living in London who hopes to move to Wales and has worked as a lawyer, a book indexer, and a writer. He enjoys history, books, writing, walking, travel, horse racing, cinema, and music.
About writing, he notes, “…to write, one first of all, has to be able to read. Our life experiences, as Borges once said, include both the things we have done and the books we have read. Reading needs to be a balance between fiction and non-fiction, both from the reader’s and the writer’s point of view.”
Ian has written screenplays in various genres, novellas, stage plays, articles, short stories, flash and poetry. As for novels, he says, “…I confess I have always signally failed there. Somehow I just cannot write that many words. Perhaps I just haven’t got enough to say. But I admire anybody who can from Miguel Cervantes to my own wife.”
A lover of good novels, here are the ones he regards as the best six…
Six Great Novels: Ian Craine’s picks (in chronological order)
“Don Quixote” byMiguel Cervantes: This is where the novel began, this is the template. It may never have been bettered since. It’s wonderfully layered, whose story are we hearing? This is a world that contains all worlds- those of dream, of memory and of imagination, of bawdy and elegy, the fantastical and the prosaic. This satire of romance now bears its own warm romantic glow. It has inspired many of the world’s greatest writers — Diderot, Mark Twain, Borges, Graham Greene, Nabokov, Carlos Fuentes — as it was inspired by Homer’s majestic Odyssey.
“The Black Arrow” by Robert Louis Stevenson: Stevenson was a man for all seasons from the early spring of childhood with tales like Treasure Island to winter’s disillusionment of old age in South Seas Island novellas such as Ebb Tide. My choice is in the earlier category, a stirring tale of derring-do from “The Wars of the Roses.” I am sure it was as fun to write as it is to read.
“The Alexandrian Quartet” by Laurence Durrell: These are four linked tales, the first three told contemporaneously but from different points of view; the fourth is subsequent to the earlier events. To me, nobody has combined a sense of place with a sense of the human condition as perfectly as Durrell. Alexandria is described on every page as the essential witness to all the characters do — their affairs, relationships, journeys, and desires. Beautiful descriptive writing effortlessly merges with a keen post-Freudian feel for humanity. It’s an object lesson too, in the primacy of the novel in describing human behaviour. This is rich beyond anything Freud himself ever wrote.
“Downriver” byIain Sinclair: As Durrell wrote of a city, so Sinclair wrote of a river. The river is the Thames. The starting point is Thatcher’s London, the “revival” of the dockland with bijou apartments for bracered brokers, and it takes place largely downriver of the City, where such folk “earned” their commissions. The book, told in ten chapters, brings us an incredibly rich mix of deeply eccentric characters and allusions to episodes in London’s history over the centuries. Sinclair was a walker (till age put paid to his excursions) with a sharp eye for the topography and architecture of London, and the effects of crushing change on those left behind by the sudden hysteria orchestrated by “The Widow.”
“The Blind Man’s Garden” byNadeem Aslam: It’s 2001 and 9/11 has come and gone. But this is not about its effect on the West. This is what happened afterwards in Afghanistan. A beautifully evoked Pakistani family, each with their problems and preoccupations, are torn apart when the son decides to go to Afghanistan as a medic. An adopted “cousin” goes along for the ride. But they are too naive (perhaps a modern version of our old friends, the Quixote and Sancho Panza) and those they think are helping are out for their own cut- they are sold to the Taliban. Now they have to tread with care amidst their new “owners” while the other enemy, the Americans, fill their skies with terror and destruction. But like all serious novels about conflict, this is about trying to find common ground, mutual respect and reconciliation amid the chaos. Only “Sancho” survives because only he would have been equipped to survive. And this tremendous book, beautifully written, a tale of redemption amid horror, is his Odyssey. New ways of telling old tales.
“The Professor and the Bird” byRoberta Franklin: This is a beautiful story, again with a strong sense of place, and like The Quartet set in the Mediterranean by a writer deeply conversant with the rhythms of life of Greeks and Turks and the Levant generally. She tells a lovely tale of May and November. A sparky young Irish girl on a motorbike meets an ageing Greek archaeologist. They would appear to have little in common at first, but a love of history, the sort buried deep beneath the sands and sea of the Med, begins to bring them together. She is friendly and open, he kind but academic and diffident. Their burgeoning relationship is told with warmth and humour, and the supporting crew on the dig all have their own stories to tell.
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Writing a novel isn’t easy, but compared to — attracting a powerful agent, getting one’s novel published, and reaching a sizable audience of readers who want to buy it — it sure is!
There’s traditional publishing, and there’s self-publishing. As if either of those isn’t asking for enough trouble — then there’s becoming the publisher of not merely one’s own books. Here blogger/novelist/publisher Colleen Tews of Akron, Ohio, shares what it’s like to open a publishing house of her own…
Running an Indie Publishing House in 2020 by Colleen Tews
Let me start by saying that I cannot speak for the big companies or even the decent-sized companies. Delphian Hope Publishing, or DHP, is what you might call a Mom and Pop Publishing company for the 21st century. We don’t put a catalog together and ship it off to brick and mortar bookstores. Not that we have much of one. There are only my books — for now. Everything we do is done either electronically or print on demand. We’re eco-friendly.
Our biggest sellers are from my Shadow Faith Series. The style in which these books are written could be described as if Stephen King, Taika Waititi, and Laurell K. Hamilton combined their forces for a big vampire fantasy. It’s that horror thrill ride meets sexy espionage meets strong female heroine meets “Wait, what did she just say?” laugh out loud movie in your mind.
I love reading and writing paranormal because anything is possible. The boundaries are our imagination. We get to ask ourselves: How far can I push reality and still make it believable? It’s grounding the awesome wonders of our universe into an understandable scope. One that the characters can relate to, the readers can resonate with, and one that can maybe open someone’s eyes a little. Making the impossible plausible is… fun.
So, when it comes time to publish, we are all over paranormal, horror, mystery, science fiction, urban fantasy, and thrillers. We are looking for books with something to say. Not gore for the sake of gore. You can stream that on Shudder. We want a reason behind every decision. Smart dark fiction. Something that shows light in the darkest of times.
Right now, we are preparing to publish, “Between the Shadows,” which is set to come out June 11, 2020. It’s a collection of five short stories that take place between Shadow Faith series book one, “Birth Of A Vixen,” and book two, “Virus Within.” The events in these stories will shape the future of many books to come. It’s going to be huge.
Plus, I’m working on book three in the Shadow Faith series, “Vindication.” It’s going to be epic. Veronica will be leaving Kent, Ohio, for sunny Miami, Florida. True, she won’t be able to enjoy the toasty beaches, but she will get to revel in the romantic moonlit ones.
Like Tigger, I bounce everywhere. I rely a lot on my husband, Ken, and youngest daughter, Danelle. They keep me down-to-earth by listening to my ideas and ramblings. I work from a home office. Chores are evenly split. Just because I work from home doesn’t mean I sit around all day streaming Amazon Prime on my laptop.
DHP has two new editors to help me. They are a godsend. Everyone gets a piece of the pie, so no one goes stir crazy. We recently purchased recording equipment. All of our books will be available on Audible just as fast as I can read them without slurring my words.
Self-publishing and wanting to help other authors publish is not easy, but it’s worth it. It is made ten times harder when readers fear taking a chance on unknown authors when money is tight.
Which is why we are offering the first ebook in the Shadow Faith series for just 99 cents through Kindle. I guarantee you’ll love it as much as we do. As an added bonus, because authors live and die by word of mouth, by leaving a review, you’ll be entered into a contest to win a signed paperback of “Virus Within.” When the book reaches 100 reviews, a lottery will be drawn, and three lucky winners will get book two sent to them by me personally.
What’s your dream publishing company look like?
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