Even writers get hungry. When I hit a rough patch as I edit “Flamenco & the Sitting Cat,” my novel, it’s fortunate I’ve got my workmate who reminds me to break for lunch. Having her beside me as I eat on the steps of our front porch turns breezes into caresses. If she’s in the mood, she’ll serenade me when a siren inspires her…
These soft days of late spring are when Monarch butterflies make their way across Los Angeles. They’ve flown all the way from Canada and are headed for Mexico (here’s a wild PBS video of them). How arrogant humans are to use our supposed intelligence as a yard-stick against the know-how of earth’s other life forms, insects included.
During a recent walk with K-D, I accidentally shot these photos as I listened to an audiobook (the outstanding “How the One-Armed Sister Sweeps Her House” by Cherie Jones, btw)— what serendipity! They show the beautiful sky and our shadows. This morning we even enjoyed a smattering of rain, although it was hardly enough to slake SoCal’s ongoing tremendous thirst.
Tis the season of fresh leek harvests – this beautiful bounty is of the onion family and looks like a giant, flat green onion. Early spring and late fall leek varieties are quite sweet due to the plant concentrating the sugars when the weather turns cool. It is one of the earliest items to come out of the garden, especially if you have spread the seed just before snowfall. They don’t take much room in the garden, and they keep very well in the fridge.
These delicious, crunchy bundles make a wonderful side dish to almost anything, or served as an appetizer to enhance the appetite. The bundles can be frozen when raw; and taken directly out of the freezer and straight into the oven (do not thaw) whenever you are craving a few of these tasty tidbits.
1/3 c. olive oil, divided
2 c. chopped leeks
8 c. chopped mushrooms, dime-sized pieces
3/4 c. milk
1/2 tsp. nutmeg
1 tsp. salt
1/4 tsp. black pepper
16 oz. package phyllo pastry cut in 4” squares
Sauté the leeks and mushrooms in 1 Tbsp. oil for 3 minutes. Meanwhile combine the milk with salt, nutmeg and pepper, then add to the skillet and cook on low for 20 minutes, or until all of the liquid has evaporated. Grease 2 phyllo squares, and layer one on top of the other offsetting the top one. This creates 8 corners to draw into a bundle. Place 1 Tbsp. filling in the center of the phyllo squares. Grabbing all the corners of the dough in one hand, twist firmly to hold in place and set on a baking sheet. Cover both the unused phyllo and the bundles with a clean damp towel while you work to prevent drying out. When you’ve made this dish a few times you’ll get faster at it and probably will only need one damp towel to cover the phyllo sheets. Bake at 350˚ for 15-20 minutes, or until golden brown.
What are you hungry for these days?
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Wait — let me start over — regardless of whether you’re a fiction writer, have you ever wondered what it’s like to complete a book and then see it made into a Hollywood production-type of film?
I met Gabriel Constans through Twitter, where he was working to promote his movie, The Last Conception. The trailer is so charming that it induced me to ask if he’d share his writing and filmmaking wisdom with us….
The guest blog post he emailed confused me because it wasn’t about The Last Conception — but it was interesting too, so I urge you to read to the end of this, where you’ll find it.
As for The Last Conception, here’s what he wrote back when I requested info on how he came to write it, whether someone hired him, or if he was somehow inspired, etc, and what did it feel like to see it on the big screen:
The book (The Last Conception) was written as a romance. I was inspired by both our daughters, and some friends lives, to write the story. It is also somewhat of a continuation of Buddha’s Wife, but set in a contemporary setting.
I decided to write the script from the book and found the producers myself. They turned the movie into a romantic comedy, with my input along the way, and changed and added a lot of the dialogue. They had me go over the movie in pre and post-production and let them know anything they missed or that needed correcting. The film turned out really well. Each of the actors/actresses were perfect for their part and it maintained the essence of my book as well. I am thrilled with the final product, and it seems many others who have watched the movie feel the same way.
Regarding his background, he replied:
I worked with hospice, hospitals and mental health centers as a grief and trauma counselor for many years; have been writing since I was sixteen (novels, articles, non-fiction, etc.); and written screenplays for the last twenty years. I live in the Bay Area in California and love getting together with friends to play our ukuleles and sing.
I’ve had two other screenplays produced — Stellina Blue and, most recently, The Last Conception (which is the one in the trailer above).
As for his guest post that follows, he explained:
It’s about another script I’ve written called Buddha’s Wife. After many years, it now has a director, production company and distributor. They are looking for funding to make the movie.
Book signings, promotions, connections and marketing for over two years (before and after novel is released).
Meet Navyo Ericsen at book signing. A musician, web designer and film and video producer who wants to bring Buddha’s Wife to the screen.
Work with Navyo for a year trying to find a screenwriter to write screenplay on spec, since we have no funds for film. Several possible, but all fall through.
Decide to write screenplay ourselves and change historical setting into a contemporary story. One of my previous screenplays (Stellina Blue) was made into a film.
Work on screenplay for a year, with wonderful feedback and suggestions from a famous screenwriter/director.
Workable, moving and entertaining screenplay completed.
Write up logline, summary of film and treatment.
Start approaching well-known actresses, executive producers, directors and production companies.
Write and develop estimated budget.
Elapsed time, from book being published to presenting screenplay to others for film is four years.
Presently (two years later), the film has been co-written with Shandra McDonald and optioned by her production company, Kiss the Limit Productions. It also won best screenplay at the FLOW Film Festival in 2020 and has worldwide distribution in place.
The challenge is to get the film financed without a name actress yet attached and vice-a-versa, to get a well-known actress attached without first having the picture funded.
This is a scene that thousands of novelists, screenwriters and filmmakers find themselves in, so we are not babes in the woods, but it has been an interesting situation with infinite possibilities for Buddha’s Wife to come into being as a movie.
To those in the film industry, this story will be anti-climatic and familiar, but I hope for those just starting out or venturing to put your toe in the water, it provides a little preparation and insight into the amount of patience, persistence and ordered chaos that can await many on the journey to bring their story to screen.
Do you have a project you’re mustering patience and persistence for?
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Quick question and get your ears ready for another Happiness Between Tails podcast soon:
Have you checked out the new podcasting integration between WordPress and Anchor? I’m getting ready to try it and wonder if you have thoughts to share regarding it. (Here’s a podcast I published some months ago.) According to WordPress’ recent email, “We’re excited to announce a new feature that automatically converts the text of any page or post into a podcast on Anchor, the world’s largest podcast platform. If you’re already blogging on WordPress.com, there’s a good chance it’s podcast-ready—because our new integration with Anchor means you can now turn your words into audio in a few steps. The blog-to-podcast process is simple, and it opens up your work to new possibilities and listeners.”
COVID-19, staying-at-home included, is plenty hate-worthy. (I’ve griped about it here and here and here.) But not everything, i.e., I’m writing my novel, “Flamenco & the Sitting Cat” at a far better clip. (I elaborated on some COVID silver linings here and here and here and here and here and here and here and here, as did author Alice Renaud here.)
Nonetheless, there are those among us who love, loooooove, luuuurrrve COVID-19. Indulge me for how tickled I am by the “sound effects” of one such COVID fan…
Our fluffed, furred, feathered, slippery, scaled, and whatever else creature-family who can’t get enough of us — those guys are overjoyed! In their unique ways, they broadcast, “Hurray! Our people are home!”
At the start of quarantine, I heard a radio item about a doggie who needed a vet’s attention because she’d sprained her tail from wagging it so much!
People I know average an extra three hours to their days thanks to working from home. Here in Los Angeles County, “driving’ is a euphemism for “fuming in stand-still traffic.” Think of all the heart attacks fended off if we didn’t have to waste hours fuming behind the wheel. Just the other day, road rage triggered (pardon the sad but irresistible pun) a shooting in Long Beach.
His TED talk describes how his first parkway (what divides sidewalk from street) orchard-ette turned eco-lutionary…
When we moved into our home, my dear husband, Khashayar, applied his engineer’s practicality to our front and backyards. “If we’re going to work it, we’re going to eat it,” he said. Or something to that effect.
Which is why we’ve got several fruit trees crammed onto our bit of green. We (okay, he did the grunt work as our soil is basically clay) spent Sunday laying the groundwork for this year’s tomatoes and herbs.
Do you know a pet who’s celebrating COVID-19?
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As we begin to emerge from our third lockdown in a year (and boy was this one painful – over four months, and in winter) I’m reflecting on what I learned during this extraordinary year.
One thing I’ve discovered is that animals and nature are even more essential for my well-being than I thought. I’ve always loved the natural world, but during the lockdowns it has proved a lifeline. Admiring fresh flowers, lying on the grass on a sunny day, and watching birds, have injected pleasure into otherwise drab days. I’ve realized that even insects are fascinating. I’ve enjoyed observing the butterflies, ladybirds and bees as they emerge from hibernation and launch themselves into the world (which is a little bit how I feel right now as I learn to go to the shops again and dare to have a coffee at a terrace.)
I’m not the only one. Many people in the UK have discovered the joys of nature during the lockdown. Long may it last! Many have also adopted animals. My favorite pet is the cat, or The Cat as I’m always tempted to write, because The Cat is an animal that would definitely write its name in capitals if it could write (and maybe they can but are hiding it from us). We don’t have a Cat at the moment, since our last pet went to the great basket in the sky, so I content myself with the neighbours and family’s Cats, like Tabitha, my aunt’s tabby, shown here staring at the neighbour’s feline.
Animals and the natural world are a big source of inspiration for me and play a big part in all my stories. My Sea of Love series, which won its category in the Paranormal Romance Guild Reviewer’s Choice Award, follows the lives and loves of shape shifting mermen and mermaids. In their aquatic form my merfolk have a tail but not a fish tail. They’re mammals and look quite a bit like dolphins or porpoises. I grew up by the sea and love all marine creatures. I’ll never forget the day I saw a porpoise for the first time. I was amazed by the power and grace of that big animal, and the ease and speed with which it swam through the waters. I’m also fond of seabirds, even seagulls which a lot of people in the UK don’t like. They can make a nuisance of themselves by stealing chips and cakes, but they’re sociable, tough, highly adaptable, and fantastic airborne acrobats.
My books feature both real animals and fantastical ones. In my latest release Mermaids Marry in Green (also a winner in the Paranormal Romance Guild Reviewer’s Choice Award) there is a shifter mermaid, a warlock who can change into a cat, and also a mythical Welsh water monster, an afanc. Part beaver, part crocodile, he possesses magical powers and brings the hero and heroine together. Welsh legends are full of marvellous creatures and I enjoy putting them in my stories. As well as the afanc, there is the Ceffyl Dwr, the Water Horse, and the Giant Cat of Anglesey. Now that’s a feline I’d like to meet!
Wherever you are, I hope you are keeping well in these strange times, and I hope that like me you will find comfort in the company of furry (or not so furry) friends and in the beauty of the natural world.
My Publishing Journey
I started writing at the age of 14, but it’s not until many years later that I got my first short story published in a UK mass market magazine. I carried on writing and publishing romantic and family-themed short stories for several years before trying my hand at longer fiction. My first three romantic novels did not find a publisher, then I discovered that witches, mermen and angels were a lot more fun than sheikhs and billionaires. My first paranormal romance novella didn’t find a publisher either, but then I joined a writing group and met my wonderful tutor and editor, Laurie Sanders. She helped me whip another story into shape, and in 2019 A Merman’s Choice was published by an indie publisher, Black Velvet Seductions. Since then I have published two more novellas with them, and have contributed to several collections of short stories. I enjoy working with BVS very much. Ric Savage, my publisher, gives his authors plenty of freedom, I can write the story that I want to write without having to worry about conforming to strict pre-defined criteria. The other BVS authors are a great bunch and very supportive. Our anthologies are a great way to discover the writing of all these talented authors. The latest, Cowboy Desire, is out now in ebook and paperback.
It was my birthday a few days ago (COVID-19 style: quiet and sweet) and yesterday I received my second COVID immunization shot. For anyone like me and my husband who had COVID, the side effects of the vaccine can be worse than for most. Both shots have been a doozy for me. If the U.S. had taken the pandemic seriously from the start, countless lives would have been saved and fewer people would feel as horrible as I do after getting their shots. Which is to say, mask up and get your vaccine — side effects are way better to experience than wrangling COVID.
In my side-effect addled state, I’m announcing here that I’ve promised myself to complete my novel, “Flamenco & the Sitting Cat,” once and for all by my next birthday (and hopefully lots sooner). That said, I’ll keep this short so I can go back to bed. Thank goodness my dear doggie is more than happy to lie about with me.
Update: I wrote the above after a night and day of relentless nausea, severe headache, and fatigue. However, besides waking this morning with wringing wet pajamas and bedsheets, I slept pretty well. Fever and aches are gone, moreover I’m not nearly as light-headed, tired and nauseated. Fingers crossed, this time I’ll recover from Vax II way quicker than Vax I. Regardless — please, please, please get your vaccines. I’ll take Vax over actual COVID-19 any day. In Iran, where my dear in-laws live, they don’t even have the luxury of choosing whether to get vaccinated. Despite whatever outlandish “news” Fox News and their ilk tell us, Iranians continue to be hit extra hard.
Here to share book promotion know-how is Christoph Weigert, author of “Imagination: the Secret Nobody Talks About.” He’s from Bavaria and now lives in Berlin. To learn more about him and his book, check out his site.
Writing a book is one thing, publishing and pushing it out into the world is something quite different, yet they are inextricably entwined. Pictures of Dr. Jekyll and Mr. Hyde come to mind. Publishing — ignoring this often unloved and unasked for task would be a great disservice to ourselves as writers.
In the following I want to touch upon different efforts I currently deploy for my debut book Imagination: The Secret Nobody Talks About.
There is a company I admire and whose content on YouTube I cherish. One day one of their coaches remarked he creates his own audio version for books he likes, and he was the editor for a book the company’s CEO wrote. My instincts were on full alert and a few e-mails later, mixed up with weeks of waiting, he became the editor to my book. Eventually he also narrated the audio version, and I even included an interview with the CEO.
Soon my book will be offered as a free bonus to participants of an online course that Jon, editor to my book, will host. This adds to the book’s exposure to the public.
The question here is: can you cooperate with people and integrate them into your next book project, or at least write about them? Being part of a book project seems to be flattering, and it can open new doors for you as a writer.
Another of my publicity efforts is the creation of a so-called funnel. For a deep dive into this topic, I recommend Dotcom Secrets by Russel Brunson. A basic description of a funnel is that once someone is already interacting with your product, or is on your webpage, then you offer them other products. A waiter offering you dessert, or a automotive dealer selling you an insurance on top of your new car are examples from daily life for this type of business consideration.
What could be additional offers of an author, besides obvious ones like an e- or audio format that accompany the book’s physical version?
Maybe art has inspired your book? Or a bundle of interviews with experts that shine even more light onto the topics you love to elaborate on?
A basic theme of my book is the power of creativity and imagination, as well as how to connect with it and train it like a muscle. Hence I came up with the following additional offers for my funnel:
A guided imagination meditation and an audio that contains a wide range of additional imagination exercises.
As another step, I’m offering a training video that enhances physical power and flow, because a strong mind (an empowered imagination) needs a strong body.
These are my two cents on furthering the good cause of your book, making it work for you and getting rewarded in return. I hope you can get something out of it and I wish you happy creating and writing.
Do you make birthday resolutions?
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Who knows what inspires someone to write a novel? Even authors don’t always truly until much later. My own literary-novel-in-progress, “Flamenco & the Sitting Cat,” seemed merely an experiment, a dive into fiction. Only as it progressed did I see it’s really a love letter to all who believe they’re too old, young, broken, lost, too whatever for love…
So when it comes to producing a novel, there’s deciding to write, then comes writing, and then it’s published. At that point, the author releases their words into the world for book lovers to make of them what they will. Every reader brings themself into the act of sitting with a story.
Here blogger/author Mark Bierman (click here for his site, to get his book, and to contact him) reveals what he’s learned about him writing process and his readers. Born and raised on a farm in Ontario, he merges country life with his adult experiences as a correctional officer and a story teller. You can find more of his guest posts for Happiness Between Tails here and here.
A few weeks ago, I was reading over some of the newer reviews and comments of my novel Vanished. I noticed some understandable trepidation among a few of those who hadn’t read the book. In response, I’ve decided to write this post, explaining the origins of the book, and why I wrote it.
First, though, I wish to thank all of those who took a chance on me, readers who cracked the pages, in spite of the subject matter. I really appreciate you, and I know it couldn’t have been easy to start.
Here’s a quick synopsis
Driven to despair by a shared loss, Americans John Webster and Tyler Montgomery try to self-medicate by embarking on a mission of goodwill to earthquake-ravaged Haiti. The reconstruction of an orphanage transforms into a nightmarish hunt after a young girl is kidnapped.
Unequipped, culturally illiterate, and alone, the pair are forced into alliances with shifty characters, as they delve deeper into the treacherous underbelly of the human trafficking world. Can they survive long enough to keep their promise to the child’s mother?
I want to clarify what is NOT in this book; rape, gore, excessive violence (yes, there is violence, but no more than any other action/thriller), injury or death to animals, pedophilia. You only need to ask someone who’s read the book, I’m confident they will attest to this.
If you asked me, ten years ago, to write a book about human trafficking, I would have declared you insane. Times, and people, change.
The truth is, initially, there was no intention of broaching the subject. I wanted to write about Haiti.
You see, my father, upon whom one of the main characters, John Webster, is loosely based, would volunteer to help build homes, churches, and other projects. I remember well, the photos showing the difficult living conditions. There were also the stories, none of which included human trafficking. There are bits and pieces in the novel that were gleaned from his experiences.
The second main character, Tyler Montgomery, is loosely based on my brother-in-law. The pair actually did make a trip to post-earthquake Haiti, back in October of 2010. I asked if they’d be willing to make a journal of their experiences.
So, here we come to the reasons behind Vanished. Over the years, I’ve been understandably and justifiably questioned as to my choice of topic. In the early days, I always delivered a simple and pat answer about a desire to promote awareness. If a problem is ignored, what hope is there to solve it? At the time, I truly believed my answer to be complete. Cut and dried, no further explanation needed.
I often mention that 50% of the proceeds are donated to help victims of human trafficking, which they are, and I hope I don’t sound like I’m touting my own horn. That is not my intent.
Yes, all of this is true. However, and this may sound strange, I’ve only recently come to realize it’s not the whole truth. Please let me explain.
Those who are familiar with me, know that I’ve spent the last twenty-plus years working as a Correctional Officer in maximum and medium security prisons.
The last max. was Kingston Penitentiary, which opened in 1835 and closed in 2013. It’s now a tourist attraction. I was one of the last to work there. Shortly afterwards, I was transferred to a medium level prison.
This blog is not evolving into a prison tale. My career was mentioned because I want to help you understand where I’m coming from. I also want to emphasize that Hollywood and the news are entities that thrive on sensationalism, because it sells.
I’ve encountered many traumatic experiences and looked into the midnight eyes of those who looked through, rather than at you. We called them dead eyes.
Fortunately, these are not the majority of inmates. There are some who’ve led normal lives until something triggered them to act in uncharacteristic ways. What you also had were many cases of psychological and drug addiction issues. Oh, and yes, plenty of the inhabitants had committed unspeakable acts of evil. I’ll spare you the details.
Of course, it wasn’t all bad. I’ve worked with some great staff and have had my share of laughs. I appreciated the strong bonds that developed between my peers. It’s inevitable when you place your life in someone’s hands, and they put theirs in yours.
I apologize if I’m rambling, but it was necessary to give some background into what made my brain tick when I wrote this book.
It took a diagnosis of PTSD, months of treatment, support, and deep reflection, to unravel the ‘other’ reasons for the birth of Vanished.
I have come to grasp the fact that it was also a product of a mind that sought to survive and heal. To find a state of homeostasis and make sense of the tragic and unfathomable.
The famous line from the movie, Saving Private Ryan, often comes to mind. Captain Millar and the Sergeant are discussing the personal cost of getting Ryan home. One of them says: “Someday, we might look back on this, and decide that saving Private Ryan was the once decent thing we were able to pull out of this whole Godawful, shitty mess.”
I’m not comparing myself to these brave warriors, but these are my sentiments, exactly.
The brain is extremely powerful, and I believe that it sensed something was wrong all those years ago, though my conscious mind was oblivious. It’s the frog in a boiling pot analogy. I was being cooked alive, and I didn’t even realize.
The characters do represent, superficially, my family members. At a deeper level, they are avatars of my hope. Hope for something better, for this world, myself, and my loved ones.
Spoiler alert, Tyler struggles with mental health issues. The issue was approached from a Stephen King angle because I grew up reading his work.
At the time, I thought it was just a nod to the famous writer, but it’s become clear that my subconscious had put out a 911 call for help. In some ways, I’m Tyler.
Right now, more than ever, the world is hurting. I don’t know your personal stories, but I can sense from many of the comments, that anxiety and a sense of hopelessness rule the day.
Let me tell, there is always hope. I want to assure you that you are not alone. I, along with many others, have been where you are. I’m on the mend, and my family is getting there, too. I cannot reiterate this enough: there is always hope.
Whenever a crisis arises, there are always those who step up and perform selfless acts. I refer to those as helpers. Look around, you’ll find them everywhere. You know what? Look in the mirror and you’ll see one up close.
Don’t believe me? Listen, if you’ve ever retweeted a post, shared a kind word on a blog, shared a blog, hosted, bought a book, read, and reviewed, made someone laugh or provided information, beta read… you get the picture, then you are a helper.
Yes, those dedicated people who work in the healthcare industry certainly fall into this category. There are so many others, unsung, and unnoticed. They go about the business of helping.
John and Tyler are much more than characters in a book, and the plot is deeper and broader than human trafficking. There is an ugly side to it, just as there is in life, but there is also a positive message. It’s about becoming a helper, doing whatever is within your capacity to make a positive impact, even if it’s just one person.
It’s official — as of yesterday, I can smell the cinnamon in my oatmeal and taste hot chocolate — hurrah! Smelling flowers is uplifting — but no longer worrying that I could be snuffed out by toxic air or spoiled food? — mega-hallelujah!
Senses, mwah and mwah! Please don’t ever leave me again! Here’s to hoping that a benefit of COVID will be more research spent to help all who have limited abilities to smell or taste…
Illness is dreadful, but now that I’m securely on the other end of it, I see it provided me some upsides. For one thing, it’s reminded me how beyond-lottery-winner-fortunate I’ve always been in regards to wonderful friends — and that includes you, dear reader. Most strangers are merely people we haven’t yet had the opportunity to become friends with, no?
Besides appreciating the kindness of pals and soon-pals, I wish I could say I completed extensive writing on my “Flamenco & the Sitting Cat” and “Tango & the Sitting Cat” novels, but my writing energy was nowhere to be found.
However, sitting and lying about enabled me to do some reading. Without revealing plot points, here are my reviews of four books I’ve just finished. When I review books I appreciate, I notify the authors. Occasionally they email me back 🙂
Earthlings: A Novel by Sayaka Murata
Pardon the gray matter, but my brain just exploded. This book is like nothing I’ve ever read before — and I read a lot of books and genres.
Picture Sayaka Murata’s earlier book, “Convenience Store Woman,” as a string of firecrackers that cleverly illuminates how soul-sucking capitalism can be. “Earthlings” is akin to the atomic bombings of Hiroshima and Nagasaki, when 80,000 people vanished in the blink of an eye and 200,000 mostly civilians perished.
Equal parts sci-fi, reality, magical realism, comedy, horror, satire, and gore, she says this is her other-worldly response to a Japanese health minister’s announcement. In 2007, he said, “The number of women aged between 15 and 50 is fixed. Because the number of birth-giving machines and devices is fixed, all we can do is ask them to do their best per head … although it may not be so appropriate to call them machines.”
Granted, there are beaucoup reasons “Earthlings” isn’t for everyone — but I have no time for those who’re simply offended that the story isn’t as cutesy as the iconically Japanese cover. The same goes for reviewers who lament the dearth of “likable” characters. For Murata, no one is all-good or all-bad, and no gender or age has it easy. Surely when Murata named an essential character “Yuu,” she knew the meaning of “you” in English.
Friendshipping: The Art of Finding Friends, Being Friends, and Keeping Friends by Jenn Bane and Trin Garritano
This is a wise and chatty culmination of what the authors learned as co-hosts of their “Friendshipping” podcast. Their mantra: “Friendship is a skill.” Indeed, it’s one that merits continual honing, for which they offer great suggestions.
The Listening Path: the Creative Art of Attention by Julia Cameron
Julia Cameron’s 12-week manual, “The Artist’s Way: a Spiritual Path to Higher Creativity,” is ultra groundbreaking to creatives of any ilk. Each non-fiction book Cameron has published since then reiterates much of her original teachings — but for me, the repetition often works. This newest text is a 6-week DIY course that emphasizes the value of listening to each other, our environment, and ourselves.
The 90-Day Novel: Unlock the Story Within by Alan Watt
Good chance Julia Cameron fans will enjoy this, given that there are a few similarities. If Cameron doesn’t resonate, you still may find this bread-crumbs/inside-to-out writing approach useful.
Are you reading or writing lately?
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Note: Earlier this week, my husband became feverish and unwell. Turns out he has COVID-19. He’s doing his best to get well while I feel healthy and am awaiting my test results. Throughout the pandemic, we’ve been super careful. I’m letting you know this as a reminder that one can never be too conscientious about avoiding this severe illness and about working civically to help contain it. (Here’s the follow-up, and here’s after that. and here’s the latest.)
Deciding on setting and histories and all that goes into storytelling is chancy no matter what an author chooses to create. There will always be fans and foes. To be a novelist requires enough passion to outrun the discouraging thoughts that can torment us.
Chris Hall has been wonderfully prolific over the last few years. She’s published three novels and a short story collection! Originally from the UK, she describes herself as “a compulsive story-teller, cat slave and hen keeper.” To sample her short fiction, fan fiction, mini-series, and poetry, as well as to follow her on her various social media, check out her website.
“Song of the Sea Goddess,” her most recent novel, is set where she lives now, the Western Cape of South Africa. Here she describes why she decided to depict a South Africa different from how it is in real life…
Writing a novel is not just about telling the story. There are other considerations that come into play. I’d like to share with you why I was motivated to write a book set in South Africa. In particular, why I chose to paint an idealised portrait of the place and why I drew on the overarching theme of environmental destruction, rather than dealing with the gritty issues of race and poverty in my latest novel, Song of the Sea Goddess.
When it came to writing this, my fourth novel, I was determined to set it in my adopted country, South Africa. I’d been living near Cape Town for almost ten years and the time had come to give voice to the people around me. I’d also decided it was time to transition from historical fiction. It was time to write in the moment, but at the same time include elements borrowed from the ancient lore of the African continent, which are written on cave walls and embedded in the landscape.
I knew I needed a setting to match the story I was about to tell, although the story hadn’t really even begun. Then, at the beginning of 2019, while staying in a small town on our very beautiful west coast, while I sat by the banks of the Berg River and watched the little boats going past on their way out to sea, I was moved to write a story about a fisherman with a little boat.
I’m a lazy novelist. I let my characters emerge and develop and play around in my mind. Even before they are fully formed, they are always desperate to run to centre stage and act out their parts.
But there has to be a starting point.
A few of my key characters are based on people I met when I first came to live in South Africa. People whose backgrounds were unfamiliar to me; people who come from what are euphemistically called ‘formerly disadvantaged communities’ (as if their communities are not still disadvantaged in this country, which has the most polarized society on the planet).
I could have written about some of their struggles, about the conditions in which they live, about the poverty and lack of opportunity that characterizes their communities, of how they’d suffered under apartheid, but as I got to them better, I realised that none of them wants to dwell on any of that.
So I decided I could give them better lives, locate them in a much more pleasant place and put a positive spin on this beautiful country.
I mixed them up a bit, taking a little bit of one and blending it with another, but their voices are true and their characteristics mirror real life in many respects. There’s a nod to some of the darker side of people’s lives with Sam’s flight from the Cape Flats’ gangland and in the history behind Jannie’s tattoos from the notorious ‘28s’ gang.
On the lighter side, several of the comical incidents, like when Auntie Rose loses her false teeth down her pants’ leg, are little events that actually happened. The food that the Aunties make and sell in the novel is based on recipes that I tasted and talked about with people. The love of food and the common ground we found over cookery has cemented several friendships in my new town.
Concern for the environment is a theme I continue to return to in the short fiction and poetry, which I write on my blogsite, and while watching a TV documentary about water pollution, an idea began to form in my mind for the backdrop to my novel’s narrative. Water is in short supply in our country anyway, but what if the rivers were threatened? And what would happen if the forces of nature were moved to fight back? Soon my emerging novel would take a new and interesting turn.
My love of the landscape and ancient lore of the country that I now call home will continue to feature in my work. I’m already embroiled in a sequel to Song of the Sea Goddess, where myth and magic will once again be awakened in the little coastal town where the great river flows from the purple mountains into the southern ocean.
Have you ever created a new world?
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Reading… writing… listening! Hey, if “seeing is believing,” why doesn’t the same go for tasting and feeling and smelling — and hearing too?
When’s the last time you tuned into your fave radio show? Same as radio shows, podcasts are story readings, performances, interviews, and monologues. Radio shows are often repackaged into podcasts that allow you to dictate when to tune in.
Creatives who want to control their work and keep 100% of their profits must become their own promoters. Podcasts are one way to get the word out. First, though, people need to know you have a podcast.
Here to clue us in on how to do that is London-based Fiona Livingston. She blogs about marketing and podcasting on Medium, and produces The Culture Bar, anarts and culture-related podcast…
“15 Tips on Promoting Your Podcast Series” by Fiona Livingston
You’ve poured your heart and soul into creating and recording your podcast series on a subject you are knowledgeable about. Now you need to get your podcast in front of audiences who are as passionate about the subject as you are.
But how do you get your podcast in front of listeners when there are 850,000 active podcasts out there in the world?
This article covers the best, easiest, and most effective podcast promotion ideas to help you build your audience and market your podcast.
First, let’s make sure you have some key podcast staples under your belt before you start promoting your podcast:
Podcast cover artwork. My top advice for creating cover artwork is to be clear. Once uploaded onto your podcast distributor, the size of your artwork will reduce a lot, so you want something bold, simple, and eye-catching. You can create your artwork by using templates on Canva, or if you have a mac you can use Keynote which is a very powerful design tool. Here are some great cover artwork examples to inspire you.
Episode titles. The way you title your episodes has a big impact on your total download numbers. My main tips for you are to NOT use a naming system such as ‘Episode 4’ or ‘XYZ Podcast: Episode 4’. You need to let your audiences know at a glance what the topic is so, your title should be as descriptive as possible.
Record 3-5 podcasts before your launch/start of your next season. This will ensure you have a regular schedule of events planned out and also gives you time to record future episodes. Make sure you have a launch schedule in place. For example, in the first week, you can release 2 or 3 podcasts to keep audiences hooked.
Create a dedicated podcast website. This can either be a section on an existing website or you can create a podcast website for free using providers such as WordPress, Wix, or Squarespace. These sites give you a valuable presence on search engines and act as a home for your podcast so audiences can find out more about you. This also gives you further opportunities to supplement your podcast with more content to show your expertise and passion.
Ok so now you have a great podcast recorded, fantastic eye-catching cover artwork, and launched a dedicated website. Let’s start promoting your series with these top tips (this list focusses on free marketing actions):
Add your podcast to a distribution platform. Upload your podcast MP3 file to distribution sites such as Podbean (free and priced programmes) and Anchor (free) and they will automatically send your podcast episodes to a variety of podcast sites such as Apple Podcasts, Spotify, Google Podcasts, and Amazon Alexa. Apple podcasts capture 32% of podcast listeners and downloads so your podcast must appear here.
Meta-tag your podcast. On your chosen distributor and website, make sure you complete the meta-tagging options. This is the place to add keywords relating to your podcast, so it shows up in search results and makes you discoverable.
Create a promotional trailer. This helps audiences understand what your podcast series is about, and you can embed this on your website and social media channels. Find tips on how to make a trailer here.
Add show notes and include hyperlinks for each podcast episode. It is good practice to give a short summary and overview of what is included in your podcast episode. This is also a great place to add links to your guest/s or any resources that you mention in the episode.
Leverage guest audiences. Make it easy for guests to share your podcast by creating audio snippets, quote cards, or prewritten tweets for them so they can easily use these on their social media channels.
Create podcast artwork for each episode. Using your main cover artwork template, adapt it to show the title of each episode, and change the imagery to give each episode an identity and theme.
Create a dedicated podcast social media channel. Set up a Twitter, Facebook, LinkedIn, or Instagram profile to promote your podcast.
Create quote cards in Canva or Pablo. Select attention-grabbing quotes from each episode. This gives listeners great insight into what’s to come.
Share rich media. Create extra content such as soundbites, audiograms (using tools such as GetAudiogram), behind-the-scenes photos, or teaser video clips to build excitement about your episode. Also, Twitter has an embed feature using Soundcloud so you can play the audio directly from a Twitter stream.
Tease the episode 24 hours ahead of time e.g. 3x on Twitter and 2x to Facebook/Instagram. Talk about behind-the-scenes content in Instagram Stories.
Create an audio-video to share on YouTube. If you use a provider such as Podbean they will automatically create a video for you and send it to your YouTube page. YouTube is a huge search engine for content and should be included in marketing your podcast. Or you can create a video using a tool such as Screenflow (free trial period) and use free video clip assets from Pexels.
Audio transcription. To ensure your podcast is accessible and aid SEO discovery, you can create an audio transcription and add it to your podcast website. You can use audio transcription tools such as Otter.ai (free for up to 40 minutes, otherwise it’s $9.99 per month) to help you do this.
Include your podcast in your e-newsletter. You can easily create your own e-newsletter using email service provider such as Mailchimp, Flodesk or Campaign Monitor to manage your subscribers and send them notifications about your latest podcast. Mailchimp and Flodesk have free basic tiers, and Campaign Monitor starts at $9/month.
Publish podcast-themed blog content on your website. A useful way to keep your website content fresh and to also include extra in-depth content on your podcast theme.
Be a guest on other people’s podcasts. A great way for you to showcase your knowledge and build awareness of your podcast.
Here is a list of other important Podcatcher sites your podcast should feature on to generate greater visibility:
My inner jerks specialize in novel writing. Inner criticizing is just the beginning — they’re outer and everywhere.
A tongue-twisting ditty to be sung to whatever tune strikes your fancy:
“Here a critic… There a critic… Everywhere a crit, critty, critical critic…”
Moreover, mine barge in with droves of friends.
Have you got any? If not, how the heck do you pull that off?
I could list mine for days and days: Why you takin’ so long with them books you keep talkin’ ‘bout? Ya really gotta do that instead of this or those things or them stuff right now? Lookie here, there’s this to do that’s way more pressing and tons more fun! You’re wasting your time, so scrap that durned project already, just quit it. What in tarnation gave you the notion you could write anything of interest to anyone but you? People are just being polite when they compliment your work, don’t you know that? Who in their right mind will want to read your novels, much less spend hard-earned cash-ola on them? Seriously, if they do, they won’t finish them. And if they finish them, they won’t talk about them. For sure, if they talk about them, they won’t say anything nice. And promotion — you gotta be kidding me! — what do you know about that?
Some days, those are the nicer things I tell myself.
Read on, and you’ll see how Annie, a blogger from the United States east coast, makes perfect sense when she encourages us to name our inner critics.
Like my own name of da-AL, mine has a hyphenated moniker. “Them” goes by “A-Holes.”
How about you? What’s your inner demon(s) named? Maybe yours and mine could meet for drinks, get really plastered together, and meantime leave us alone for a spell?
More about today’s guest: Annie is a writer of many things, including poetry. In the past, she has even earned some real money from her writing! Here’s her advice — and a question for which I have no answer but send her lots of good wishes in solving it — for all of us. She blogs about whatever she pleases, including stuff that makes her and maybe us laugh…
“My Attempts to Play Nice With My Inner Critic” by Annie
Whether or not you practice mindfulness meditation, as I have for several years, you are probably familiar with the voice known as the Inner Critic. It’s that part of us that says: “I’m such a dope!” “I’ll never be what I hope to be.” “How could I have done that?” “I just don’t measure up!” “My father/mother was right/wrong about me.” “Sure, I’m doing fine, but that’s because people really don’t know that I’m winging it.” “I’m not bright enough, attractive enough, witty enough, kind enough, tall enough, thin enough, tough enough, strong enough, sensitive enough, thoughtful enough…”
You get the picture. That negative voice has long been with us, often from childhood, from societal messages, maybe from a single cruel teacher, and on and on. I was raised by two loving parents. My mother felt I could do no wrong, but I still recall my father casting a questioning eye on my report card and asking: “What’s this A-minus?”
The origins of the Inner Critic form a complex topic that I’m barely touching on here. But I know that I’m still the A student who goes nuts when autocorrect incorrectly changes “well” to “we’ll”—and I fail to catch it! Is that worth an iota of energy or distress? Of course not.
The Inner Critic certainly interferes with the goal of mindfulness coined by Jon Kabat-Zinn: “the awareness that arises from paying attention, on purpose, in the present moment and non-judgmentally.” Nonjudgmentally, indeed!
Several years ago, I wrote an article about mindfulness for an online women’s magazine. One of my interviewees was Sharon Salzberg, a renowned mindfulness educator and author who cofounded the highly regarded Insight Meditation Society at Barre, Massachusetts with two other giants in the field.
Salzberg’s special area of interest is lovingkindness, which begins with one’s self and then extends outward in ever larger circles to loved ones, friends, acquaintances, and the entire world.
Salzberg, who has written that her childhood troubles started her on a path that led to Buddhism in India decades ago, said she is constantly aware of her Inner Critic. How to deal with this negativity? She suggests giving your Inner Critic a name.
She named hers Lucy, after the famous Charles Schulz comic character who tells her hapless friend: “The problem with you, Charlie Brown, is that you’re you.” I asked her if I could adopt Lucy, and she agreed.
But I soon realized that borrowing someone else’s inner critic doesn’t work. I needed my own. I named her “Flibberty,” which is short for “flibbertigibbet.” That’s a Middle English term for a flighty, excessively talkative person, a gossip.
One of the reasons I’m happy with Flibberty is that although she’s a pain in the gut (that’s where I experience stress), her name includes the word “liberty.” I know I must free myself from the heavy burdens that Flibberty sometimes bestows upon me.
Mindfulness practitioners learn that you never try to fight with these negative forces; doing so simply enlarges their impact. Rather, you seek peaceful coexistence. When Flibberty rears her officious head, I say, “Oh, there you are, Flibberty. How ya doing?” That’s generally enough to move my mind into a better place.
Lately, however, perhaps because I’m essentially housebound due to COVID-19, Flibberty has been flitting about in my vicinity quite a bit. I’d call her a “FlitBit” who’s gauging my absence of activity, rather than the reverse, but then I’d be exposing my propensity for bad puns. I’d never want to do that!
Flibberty covets my desk. She tells me I’m being ridiculous, working in such a messy space. She laughs knowingly when my TV remote won’t work because the old New Yorker magazines are piled so high on the table in front of my couch that they block the signal.
Now here’s the tricky part, and I welcome your suggestions. I often write blog posts that require research, and I type them on my computer before cutting and pasting them into my blog. I then add the printouts of my collected newspaper and magazine articles—and my printed out computer entries—to the piles of previous papers that surround me.
The piles are increasing in both numbers and height. Some are approaching the tottering stage.
Have you heard of the Collyer brothers, who hoarded books, newspapers, and other items to such an extent that when their bodies were found, they were surrounded by 140 tons of stuff?
I haven’t reached that level, but I do wonder whether my Inner Critic’s reminders about what I’m failing to do with my papers might actually be positive after all. So I say, “OK, Flibberty, let’s attack this pile.”
I pick up a bunch of papers, look through them, wonder what to do with them, and set them aside. And then I tell Flibberty that I appreciate her concern, I really do, and I will get to them in good time.
I feel so much better. Flibberty is quiet.
But the piles are flourishing—testimony to my diligent work. And still…
If we weren’t in the middle of a pandemic, I might hire an organizer to help me through this mini-crisis. If I were bolder, I could just throw all the papers into the shredder and move on. (Never mind, Flibberty; forget what I said about being bolder.)
And thereby hangs my dilemma. Can you, kind readers, presumably some of whom are better organized than I, provide some common-sense suggestions concerning what I do and do not need to keep for posterity? I want to ensure that the contents of my blog are intact as a legacy for my family.
Or will you encourage me to just say, “Screw it, Flibberty. We’re doing fine. We can both relax.”
In other words, am I using Flibberty as a balm—or an excuse?
Flibberty and disorder notwithstanding, my wish is that you, we, and the entire world be filled with lovingkindness…