Writing my first novel is hard work. Veteran writers have a lot to teach us. Take Jacqueline Diamond, for instance. She’s published — drumroll here — 102 (maybe more by the time you read this) books! It’s no wonder she won a Romantic Times Career Achievement Award and is a two-time Rita Award finalist. Her books range from mystery and non-fiction to romances for all ages (including some about couples over 50) that span the 1800s to present.
Characters in a novel take on a life of their own—and not always what the author expects. Animals are no exception!
There weren’t any furry creatures in sight when I began writing Really? At Your Age?, Book One of my Sisters, Lovers & Second Chances series. My heroine, Dr. Cody Matchett, has no pets. She’s too busy delivering babies, risking romance at the age of 52, and losing her heart to the possibility of finally having children of her own.
Then her older sister, Mandy, a resolutely single nurse, has to move in with her for a few weeks…bringing her cats. Beanie and Queenie arrive with attitude! For me, they added a lot to the fun.
Next, while searching out cover images for my next book, Don’t Be Silly! At My Age?, I came across a cat who looks just like Beanie, squaring off with a German Shepherd. And since I wanted Mandy and the new man in her life to (more or less) fight like cats and dogs, it was irresistible.
Suddenly, my hero—a mystery novelist—became the owner of an aging rescue dog. Throughout the story, the animals play a key role.
One of my favorite scenes occurs when the heroine’s ex-boyfriend worms his way into her house by bribing her cats. A furious Mandy tells him, “You are literally something the cat dragged in!”
How did I develop personalities for my cats? That was the easy part! I’ve been owned by several of them and, seriously, have you ever met a cat that didn’t have a distinctive personality?
My experience with dogs is spottier…literally. My family once owned a Dalmatian, a rather high-strung fellow. My hero’s German Shepherd, who gazed at me with soulful eyes from the photo, turned out to be mellower.
On reflection, I’m surprised animals haven’t figured into more of my novels. Perhaps that’s because many of the stories are set in hospitals, such as my Safe Harbor Medical series.
But I’ll be looking for more furry possibilities in the future. After all, they’re fun to read about and fun to write!
What’s your fiction right now? I’m in the middle of Ernest Hemingway’s “The Garden of Eden,” published posthumously. The protagonist is a writer much like Hemingway and apart from the main story, it’s interesting to read of his writing routine and philosophy. Also, I just finished “Erotic Stories for Punjabi Widows,” by Balli Kaur Jaswal, a fun yet thoughtful novel that wins beaucoup points for the title alone!
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Marketing, building a platform as a writer… There’s more to being a novelist than most people think.
I’m no expert on how to market fiction writing. Although I’ve produced video documentaries, radio news, published non-fiction articles and a short story or two, I’m still editing my novels. However, what I know for certain is I’m having fun here — meeting you! Who knew I’d encounter so many friendly people from all over the world, who would open my ridiculously sheltered eyes?
In my hugely romanticized imaginings, I picture an Author with a capital “A.” On virtue of their talent, they only need to work a little hard to attract a super-star literary agent and publisher. For this reason, they never lift a finger to sell their books. The Author sits at an incredible desk in a gorgeous office with a spectacular view. After a walk with their dog, a shower, and a scrumptious breakfast, they begin their day writing. Until they get hungry, that is. That’s when they enjoy a tea or a hot chocolate or an espresso with sweets such as the madeleines writer Marcel Proust used as analyze memory.
Next, said Author does some more writing, takes a stroll for inspiration, writes a tad, then shares dinner with famed thinkers and creatives. The Author’s day ends with a blissful night of rest. The next day, the Author joyfully wakes to do it all over again. Oh, no — I forgot to mention their lunch — well, you get the picture…
Alas, that daydream is akin to figuring that all the amazing painters of bygone days did was simply dab at their canvases between tasting the displays of sumptuous meals they depicted, and doing whatever with their human models. They might chat brilliantly with their clothed subjects who were always famed and genius, or they could indulge in a tryst with their naked and willing gorgeous ones.
In my fantasies, nowhere does marketing rear its head. Certainly, in my dreams, the fame of great Authors never involves any of them setting aside part of their day to develop an author platform.
Now for Reality…
Most Authors, even ultra-talented ones, work hard — and that work includes getting people to know about them.
The novels I’m writing are in the form of letters to a deceased grandmother, so I’m delighted that many stellar authors began their careers by serializing their books. For instance, Charles Dickens, who wrote “A Christmas Carol,” and “Oliver Twist,” was a master of episodic, a.k.a. serial, storytelling. His chapters, which were featured in newspapers, garnered so much attention that he bound them into the popular novels we know did quite well!
My idea is to eventually podcast bits of my novel and then get it into print. First, I started with this blog. Here I continue to do my best to create a larger and larger circle of friends interested in novels and arts, and who might be so kind as to spread the word about my writing.
Author Charles Sterling, who blogs from Russia, is here to show us that the marketing/platforming side of writing may not be all that awful after all. He published his first novel when he was fifteen! Since then he’s put out at least eight novels and a bunch more sorts of writing. He’s also a digital artist. Read on for his book-selling experience…
One day at age fifteen I walk into my father’s room and I ask him; ‘how difficult is it to write a book?’ He replies, ‘son, it’s the easiest thing in the world!’ Now, whether he was right or wrong, I believed him, and that belief allowed me to write my first ever 75k book at that young age.
Had I asked him ‘how difficult is it to sell a book?’ perhaps the answer would have been different. Selling a book is a whole other world. When you’re writing, you’re an artist. When you’re marketing, you’re in the business sphere. That’s where book marketing and the author platform comes in!
How to market your book
Having been marketing since 2011, when I made my first thousand dollars I used methods that would never work anymore! As times change, so does marketing. But luckily I adapted my approach and saw a steady improvement and increase in sales. The wonderful thing is, it’s like a snowball that goes down a hill and keeps getting bigger. The more books you sell, the more Amazon recommends your books!
Here’s what I did for my past few books.
Set your book for free and do some promotion stacking through “free book promotion” websites. This will give you thousands of downloads and some much needed reviews.
Pin your book with an inviting image to the top of your Twitter.
Promote it in forums like Reddit and GoodReads.
Have an incredible book cover.
We eat with our eyes first! And we do judge books by their covers. I guarantee you that if you had the best book cover in the world, your need for marketing would be zero. The book cover would do the job for you all the way to the New York Times Best Seller list.
Often enough as writers, after we’re done writing and we get onto promoting we start looking for ways to get more viewers. We forget about what we’ve been working on so hard and begin relying websites and methods to get us where we want to be. I wish to reiterate on this extremely important point, a good book cover sells your books first! And the reviews sell your book second, so make sure your book is wonderful too.
Personally, I design my covers myself because I’ve been graphic designing as long as I’ve been writing. Essentially one must look at the top selling book covers in your niche create something thematically similar. The reason being that, readers out there already know what they’re looking for, so it’s your book cover’s job to accurately portray that.
Now, I chose to market my ebooks exclusively through Amazon for its KDP program allowing you to set discount prices as well as put your book out for free. The free book part is important to get some reviews going early on. Amazon is also a good focus point because by putting all your effort into your book, the algorithm helps push your book forward by placing it in the “Recommended Books” section of your potential readers, which is what allows you to sell books even when you haven’t marketed for months.
I’ve tried publishing in Barnes & Nobles and SmashWords, but so far really enjoyed focusing on purely Amazon.
The Author Platform
It’s super easy, but super important to have! Once you have an author platform you’ll be proud of yourself and even feel a little famous when you appear in Google searches.
I believe Twitter is perfect for a few reasons; most authors and readers are either on Twitter or Facebook. Instagram is an image based platform, I tried it for a while and didn’t quite like it.
On Twitter the hashtag game is a lot stronger than on Facebook, making it easier to fit into a specific niche and target specific groups of people. The retweet function is nifty as well, as others retweet your stuff for more people to see!
So if you do decide on Twitter, get a photogenic picture of yourself and write a short and sweet bio. No need to be too long. Pin your book to the top of your page, and spend the rest of your social media rants about yourself, things you find funny and your opinions on things. If your Twitter is filled with nothing but your book, people will turn away.
Your book will already be pinned on top, so every single person that comes onto your profile is forced to see it before they see the rest. “The rest” should be inviting things and things that people can relate to and understand you better as a person. You want them to say “wow, I like this person. I’ll follow them and take a look at their book.”
To get followers is really easy; go around your niche and comment and put likes on people’s stuff. Thirty minutes of twittering a day and you’ll have a thousand followers in two weeks. I did just that with no complications!
Get either a Wix or a WordPress website going, use a free template to make it look nice, and fill it up with your stuff. Have a page for your books, have a page for your author bio, a page for your short stories or poetry, or even a page for pictures of your pet.
Images you use on your website will appear in Google Images, so make sure to keyword them with your name.
Words that you use in “Heading” format will appear in Google Search, so make sure they’re your book titles or your name. Then add your website to your Twitter and you’re basically set! A website might seem like the hardest part, but once you did it, you no longer need to worry about it.
My own website charlesimagines.com is as easy as that, yet has all my work neatly laid out for people to see, and it took me just about two days to fully complete.
Aha! An Amazon page is an author platform too! Make sure all your books are listed in your Author Central. If you have a blog, you can link it to your Author Central as well. Then in your GoodReads account make sure all your books are linked to your Amazon page, because often people write reviews and comment there.
This part is not difficult, and if you have some problems (like I did) just write them an email and they fix everything for you.
It’s a good time to mention that, Amazon has over 3000 different categories for your books, but you only get to see around 250 when you’re actually publishing. If there’s a specific category that you need (like mine was Young & Adult Pirate Adventure eBooks) then you’ll have to contact Amazon and they change it for you.
Reap the Benefits!
As a few final thoughts, I’ve only started using Twitter and adding things onto my website about five or six months ago and the benefits that came with it were enormous.I was discovered by authors and readers, invited to do podcasts, got free book reviews on other people’s websites and most importantly… I emerged from the shadows and began connecting with people!
Book marketing is usually a slow and steady process that gets faster and faster the more you do it. I started off with numbers like 2, 5, 13 and some months later they turned into 900, 1500, 3000, and are still on their way up.
At first things might seem like they’re not working out, or you’ll get tired or you might feel like it’s a waste of time, but the longer you go on, the more the puzzle pieces start fitting together, and the more the grind seemed worth it.
My final tiny advice that I wish to share applies to anything and is based around the principal of ‘compound effect’. Much like going to the gym or eating healthy, it’s about doing something small every day. This gets multiplied by hundreds of days, and the effects become massive.
This was the case with me; my first books back in 2011-2012 kept bringing me paychecks (despite the books being clearly written by a teenager) and then the books that followed were stranded in a desert with no activity. I was left wondering what was going on and what I had to do to make it work again, and ended up committing a huge portion of my time to learning on promoting and marketing.
I had to change my old fashioned book covers, market in different places, create better keywords, and I started seeing my numbers grow again. As of recently, the author platform I built has greatly helped!
What are your thoughts on selling books?
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Please note: From the bottom of my heart, thank you everyone for your kind wishes for my husband and me while we were sick with Covid. Fortunately we’re well now and hope you and yours are staying safe. For anyone who thinks Covid is a simple flu, this is absolutely not the case. While it may start off mildly, it can quickly take a terrible turn. Please get vaccinated if you have the opportunity. Our doctor advises us to be as careful as ever as no conclusive evidence confirms that having been ill with it has gives us one iota of immunity, especially against the newer versions arising.
Savaged by self-doubt? Dry spells getting between you and your goals, including ones for writing your novel? You and I have brilliant company!
Talk about paying off! She was the first science fiction author to receive the MacArthur Fellowship’s “Genius Grant”! And she was a multiple Hugo Award and Nebula Award winner!
All that and still she continued to work hard at bolstering herself. Proof is within her donation to The Huntington Library’s Art Collections in Los Angeles, a collection ranging from extensive drafts, notes, and research materials to more than a dozen novels, numerous short stories, essays, correspondence, ephemera, and assorted books.
Born in Pasadena, CA, on June 22, 1947, she grew up poor. She watched her single mom endure racism and classism while cleaning homes to raise her daughter. Octavia towered over her classmates and grappled with dyslexia.
Her peers bullied her for not being more like them. As an only child most comfortable among adults, she spent her time at the public library, reading, and writing. Later she attended writing classes and workshops. Check out this cool interactive link the Los Angeles Times created regarding her stomping grounds.
In a 2000 interview for the New York Times, she said, “When I began writing science fiction, when I began reading, heck, I wasn’t in any of this stuff I read. The only black people you found were occasional characters or characters who were so feeble-witted that they couldn’t manage anything, anyway. I wrote myself in, since I’m me and I’m here and I’m writing.”
In 1979, with the publishing of Kindred, she chartered fresh territory for how to relay history. The protagonist is an African American woman who vaporizes from the Los Angeles apartment she shares with her Anglo boyfriend. She careens between the pre-Civil War slave era and back, a harrowing ride to put it mildly. Did Octavia dream of the present, when these days mixed couples are common and now high school teachers assign Kindred to their students?
Octavia was taken from us in 2006, at a far too young 58. She was staving off depression and writer’s block to finish a trilogy that remains incomplete. Her fans continue to grow.
Her advice to writers: Keep writing, no matter how you feel about your work.
“When’s the last time you read something unapologetically pro-choice — and that’s as empowering as it is romantic? Me? Never. I’m eager to read Joshi’s follow-up novel! I wish there were more novels that discuss pro-choice issues head-on. Joshi’s enchanting story is set in 1950s India, told from a woman’s point of view, about the choices we’re given, and how much we can make with them. In addition, the audiobook version’s narrator, Sneha Mathan, is marvelous!”
~ My review of The Henna Artist by Alka Joshi for Amazon and Goodreads
I absolutely adore books (after all, I’m writing two)! Whenever I finish reading an exceptional novel, I review it on Goodreads and Amazon. Sure, not all stories resonate with me. As a tender-hearted author, I know too well the blood, sweat, and tears that even a crappy book demands, so I let other people review those.
Afterward, I email the novelist to thank them for making my life more thoughtful and maybe even fun. Ditto for any audiobook performer involved. Some thank me back, and on the days my stars are aligned, they agree to contribute to Happiness Between Tails.
Anyone who doesn’t read The Henna Artist is missing out. Clearly it’s written by a generous spirit. Just glance through Alka’s website and Youtube channel, where she lauds other authors to the extent that she poses with their books! Here she is, holding Elizabeth Gilbert’s Big Magic as she says how grateful she is for it. Btw, I love that book too, so she’s got good taste to her credit as well lol 🙂
Allow me to digress a moment: Henna, oh, henna, you magical green powder! You enhance my hair, and you make lovely temporary tattoos!…
They’re far more forgiving than the permanent ink ones, and brides aren’t allowed to do housework until they’ve worn off…
Dusting off my photos to show you these provided an excuse to reconnect with Chris Miller, the super-talented photographer (check out her Instagram too) who was beyond kind to gift them to my sweetie and me. Back when she shot them, we both worked for the Beach Reporter, a Manhattan Beach community weekly. I reported on Hermosa Beach while she worked as a private event photog and as the publication’s photojournalist.
Back to our esteemed guest: Alka was born in Jodhpur, Rajasthan, India. At the age of nine, she moved to the United States. Eventually she graduated from Stanford University and worked in advertising, public relations, and owned a marketing consultancy. Moreover, she has a Creative Writing MFA from Cal Arts San Francisco. The Henna Artist is her first book. In less than a year, it’s a huge success! The sequel, The Secret Keeper of Jaipur, is set for July, plus the third book in the trilogy will come out in 2022. Above and beyond that, she’s an executive producer for the novel’s upcoming Miramax TV series!
What follows are her thoughts on women in India. Note that when she speaks of how women, in this case architects, are often undermined, India is not the only country that restricts us. Unfortunately, I’ve met women architects in the United States who encounter discrimination here too…
In January 2019, the Architecture faculty at Ansal University in Gurgaon, just outside New Delhi, received an email from the registrar to attend a convocation.
It requested formal dress: “trouser, coat and tie for men” and “saris for women.”
This sparked a lively, funny, albeit very polite, conversation on WhatsApp among the female faculty, who normally wear trousers, Western blouses/tops, or salwar kameez (long tunics with legging-like bottoms) most days.
“I may not wear a sari…I don’t even own one!”
“I do not even know how to wear a sari.”
“[I’m] not against saris. But at 7:30 in the morning, especially when I’m not used to it is definitely a challenge.”
“Can’t tie one at 7am and drive…and get through the day!”
“No sari. Impossible to wear and report at 7:30 in the morning.”
“Why a sari at all?”
“If the women must wear a sari, wouldn’t a *dhoti be more in sync for the men?”
*(Now mostly worn by village men, a dhoti is a white cloth from five to seven yards in length, wrapped loosely around the legs and tied in a knot at the waist. While dhotis have gone out of fashion, saris are still a mainstay of female couture for weddings, special occasions and family gatherings.)
“We are all sensible enough to know what to wear. Most of us might even have worn saris to the event without being asked. But when you tell us exactly what to wear, we are going to have something to say,” laughs Monisha Sharma, associate professor. “Our Dean, who is female, told us to just look as smart as we do every day, so that’s what we’ll do.”
In addition to teaching in the Architecture school, these women are working architects. At construction sites they are often greeted with curious expressions: Can women really be architects? Are these women here to tell us what to do?
One professor told me that she had organized a site visit to a factory for her students. When they got to the site, the founder only responded to the junior male faculty who had accompanied her, choosing not to acknowledge her at all.
Similarly, a female architect who was managing a project for her father’s structural engineering firm was not being consulted by the construction team until her father ordered them to talk only to her. She was, after all, the project manager and the only one who could answer their questions.
To someone like me, who’s been raised in the West since the age of nine, it’s surprising that the women’s reaction is not anger (that would have been my response, along with bewilderment and confusion).
Instead, the Indian women laugh it off. “We have already made our mark in our profession,” they say. “We don’t need to hit them over the head with it.”
At the convocation, the female faculty wore Western trouser suits. Not a sari in sight.
There’s more than one way to make a statement.
Are dress codes unbiased where you work?…
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Melodrama, romance, intrigue, mystery, mysticism, pragmatism — oh, wait, not the last one… If you’re looking for inspiration for writing or for reading excitement, check out Greek mythology!
Goddesses and gods, mortals, the blending of both — doesn’t that sound like Stan Lee comicbook territory? Surely he sorted through ancient myths to fashion superheroines and superheroes. Star Trek and Star Wars makers must’ve too.
Admittedly the Greek tales of olden times can be challenging. Every poetically written story is jam-packed with enough intrigue to rival a binge-watch of Days of Lives, a still-running daily soap opera that first aired in 1965 and I once upon a time worked as an extra for… but that’s another story.
South Carolina blogger Dionysius has the same monicker as the multi-cultural god/superhero who oversees everything from wine to fertility and ecstasy to madness. Some argue that Dionysus the god is really Jesus. Our guest, Dionysius, created his New Classical blog “to create a new contemporary literature deeply rooted in classic literary traditions… not to repeat old and dead literary traditions, but to rediscover what is living and vibrant in them today.”
Read on for a peek into how Dionysius sees classic literature…
A brief summary and analysis of Euripedes’s “The Bacchae” by Dionysius
Prior to the events of The Bacchae, Dionysus is born from the love affair of Zeus and the mortal Semele. When he is born, his mortal family denies that he is the son of Zeus and refuses to give him worship. Dionysus then leaves Thebes and journeys to the east, where he gathers his cult of female worshippers, the maenads. The Bacchae opens when he returns to Thebes with his maenads to take vengeance on his family. He starts by luring the Theban women, including his aunts, into the forest around Mt. Cithaeron, where they join the maenads. This angers Pentheus, the king and Agave’s (Semele’s sister) son. After Pentheus fails to arrest and subdue Dionysus and the maenads, he is lured into the forest by Dionysus’s offer to look at them. In order to watch the maenads without being noticed, Dionysus tells him that he must dress as a woman. Pentheus complies and imitates the image and mannerisms of the maenads. When he arrives, his body is torn apart by them and by his own mother. Under the spell of Dionysus, she carries his head through Thebes, parading it, thinking that it is the head of a lion she caught during a hunt. When she is made aware of what she has done and whose head she’s been carrying, she falls into grief. The drama ends with Dionysus casting her and the royal family out of Thebes.
Maenads – The Mystery of Woman
The Bacchae revolves around the mystery of difference. Particularly sexual difference and cultural difference. This is seen clearly by the depiction of Dionysus’s maenads. That they are a cult of women and that Dionysus gathered them in the east is of significance here. In The Bacchae, the feminine, or the idea of Woman, takes on the form of the unknown. Like a woman behind a veil, there is mystery, temptation, and fear associated with the maenads. This is portrayed most clearly by the way Pentheus relates to them. At first, it is with fear, responding to the maenads with force and violence. Then, when it proves that the feminine is impossible to control or subdue, when the captured maenads escape his prison and most definingly when Dionysus(posing as a young mortal priest) himself escapes, Pentheus gives in to temptation at Dionysus’s first request to take him to look at the maenads. He goes as far as to dress as a woman and imitate their dances and appearances.
The temptation that is displayed here is twofold. It is the temptation not only to satiate his desires by seeing the bodies of the women, but also and more fundamentally, to be one of the maenads and experience their enjoyment. While the first temptation fits into a traditional male standpoint of desire, what is significant about the second temptation is that he is not merely taking the maenads as an object of desire, rather his desire is to assume the subjective position of the maenads, of “Woman” and their feminine enjoyment. What is revealed here is that his anger at the maenads was all along based in his own envy of their enjoyment.
Pentheus never understood what the condition for this enjoyment was.
The very condition for the sublime bliss that Pentheus sought after is a primordial unity of being. An overflow of life and nature. It is because the maenads abandon their individual identities and place in the Theban social order, that they can participate in this primordial unity. Their individuality is suspended for the tribal enjoyment of dance, ritual, hunt, and fertility. They participate seamlessly with nature and become a part of the overflowing development of life. Beyond the enjoyment that Pentheus sought, the “[…] Sweet streams of honey dripping,” this condition, is also at the same time the condition for an inhuman terror. This is displayed most clearly when he is torn apart by his own mother and the other maenads.
What must be remembered is that what appears as purely negative in tragedy also has a positive dimension. This is the pinnacle of Greek tragic wisdom. Why does Woman present itself as the apocalypse of man in this tragedy? It is because of an original betrayal of the feminine reality committed by the mortal family of Dionysus. By his entire family when they initially rejected him, and by Pentheus when he returned. This is what causes the breakdown of the Theban social order and the revenge of Woman.
In the same way that Woman is a constitutive element of the reality of sex, including the reality of man. The Dionysian rituals that the maenads take part in, that return to a primordial being and oneness, are constitutive of the Theban social order. It is even the root of the Theban social order. The unconscious reality of Thebes exists as the basis for its conscious and institutional realities.
It is precisely because the rituals of Dionysus exist outside of Thebes, in the rituals of the maenads on Mt. Cithaeron, that it is the base of Theban society. It is precisely because the maenads are all women whose rituals are constitutive of the male Theban social order. And it is precisely because the maenads come from the east that they constitute the western social order of Thebes. Dionysus and his cult are the external essences of Theban society. Essence, unlike appearance, is always unseen.
Dionysus of the Night
The place that Dionysus dwells in is the contradiction between appearance and essence.
Dionysus embodies this contradiction. He is returning from the east, and yet he was born in the west. He leads a cult of women, and yet he is a man. He is divine, and yet his mother is mortal. This contradiction is like the black of night, where one thousand stars shine. The failure of his mortal family to respect it, and to respect their own essence, is what leads to the breakdown of Thebes.
I’ve always wanted to put on a cape, stretch out my arms, take a running jump, and whoosh! — feel the wind in my face, inhale the fragrance of treetops as I soar high into the clouds. Picture me Super-da-AL or Winged Victory of Samothrace ready for liftoff at the top of the Louver’s entrance.
What superpower would you want?
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Stories let me soar when I have neither wings nor airfare. Made up or personal, and whether I’m reading or novel-writing, words heal my spirit and body. When I think I’m merely seeking amusement, they teach me. They expand my compassion for others and for myself.
Author/poet Jenny Irene Gunnarsson blogs and tweets and emails from Sweden. There she tends her trees and communes with the gorgeous outdoors. One day she’ll make a living as an author. In the meantime, she’s a teacher who’s done a bit of everything, from working as a guard to caring for all sorts of people. When life overwhelmed her, she self-published Burnout, which she describes as, “a small book about something big, twenty-five poems about burning out and moving on.”
Happiness between tales by Jenny Irene Gunnarsson
Picking the sweet fruits
all the morsels of inspiration
all the lush treasures of fallen words.
My garden will be
filled with endless beauty.
Every story known to man
my sky and sparkling fountain.
on every emerald leaf.
will ring there too.
When I first read this blog, I read the title wrong and thought it said Happiness between tales. Even after I got it right, I couldn’t stop thinking about this. Any person who enjoys reading knows that there is, indeed, such a thing as happiness between tales. This happiness is not only about the enjoyment of having read a good story. Tales open our eyes to details around us and make our imagination bloom like a garden in spring, enhancing the world in the process. Every story that makes any impression on us at all also affects the lives we lead when we are not reading.
For me, the love of tales began before I could even talk properly. As a three-year-old, I was brought along to a house my mother wanted to buy and as she wandered the rooms; I went off to explore on my own. This turned into a panicky situation for her later on, when it was time to go and she could not find me. When she finally thought to check the closets, I was sitting in one of them, in a cardboard box containing fairytale comics, so enthralled that I had not heard her scream my name. Even today, over forty years later, I can still remember how I was caught by the magic of those pages filled with pictures and signs I could not decipher, so different from the books I had previously been shown. It was love, no, obsession, at first sight. My mother had to carry me away from there, kicking and screaming because I could not take my treasure with me.
I spent the next year pestering everyone in my environment to teach me how to read. They all said that I was too young, which only made me pester them more until they finally relented. When I was four, I finally got to crack the mystery of letters and every bookcase I saw became my treasury, quickly looted of its contents by my hungry mind. The world has never been the same after that, especially since I have always had the ability to open any book and fall right into it and, on top of that, have a very vivid imagination. All at once, the world became so much more exciting than it had ever been before and I was its explorer, its Neil Armstrong and its Sherlock Holmes. When I was not reading, I wandered the woods around our house, searching for fairies, trolls and Baba Yaga among pines and blue anemones I was sure hid some vital clues to their whereabouts. I and my friends were Batman, Lucky Luke and Supergirl, taking turns to be fearless heroes and every old man I met was a wizard, either good or evil, depending on how he looked. I also kept opening and closing every door at home, trying to make them let me into other worlds and was equally disappointed every time it didn’t work. Do not get me started on the wardrobes. You all know where those lead.
There was an age-rule at the library, so I had to keep to the children’s section until I was twelve-much to my own and the librarians’ frustration. I came in at least three times per week, asking if there was anything new and they almost always had to tell me no. One time, when I was ten, one of them took pity on me and sent me into the adult section to find something to read. I was in absolute Heaven! There were hundreds of books-and they were thick enough to last me for days. After having wandered around for an hour and almost kissing the shelves, I picked the thickest book I could find and triumphantly returned to the loan desk. The librarian looked at the book, looked at me, looked at the book again and then sent me back to the children’s section in humiliation and close to tears. I borrowed Stephen King’s It from a friend that summer instead. It gave me nightmares for weeks, but it is still my favourite book-my first, thick love.
When I grew up, there was no Internet and no smartphones and the libraries had a limited selection for my tastes. I have always been a fast reader and my brain was constantly screaming for more, more and more, so after having borrowed every book that interested me at least three times, I went to town on the rest of them-including Classics and English literature. This had the unexpected benefit of my grades suddenly sky-rocketing, which mystified me greatly until I understood the reason for it. Despite my forays into more serious literature, however, I never let go of my love of tales about things belonging to other worlds than my own. My mother told me at fifteen I was too old to read fairytales and comics and fantasy books. I told her those were the reason why I was getting A’s in Spelling, Literature and English and she never mentioned it again after that. Yes, I told a fib. They might have added to my grades, but they were not solely responsible for them. I just loved them so much I could not bear to give them up, even if it meant I had to lie a little to get out of hearing about how they did not ‘suit me’ since I was getting older. Even now, I think they suit me just fine.
As children, we have that golden period of time when magic is real and fairytales can be considered truth. This time is eventually left behind and often mourned, as we feel magic has become a part of the past, never to return. A precious few keep their belief in magic, but growing up, the tales of our childhoods is seen through different eyes. This all sounds kind of depressing, but reading tales is a gift that keeps giving, despite life trading our starry-eyed gazes and scrubbed knees for reading glasses and paying bills and we go on to read a lot of tales that have no happy endings.
Even if we no longer believe in fairies and other realms, there is still magic in every tale we encounter-and this magic is always with us. So, if everything is so magical, why do we not all glow with happiness every time we read a book? I think it is because we have to dig a little deeper and think a little harder.
To a child, the golden nuggets of stories are left out in the open thanks to its willingness to believe the impossible. He or she has only to go out and look around to find that gold and get rich. Adults, on the other hand, have both minds and lives that are more complex and are a lot less likely to believe in things outside of normalcy. They also read more complex stories, often written by complex people who may, or may not, have something they want to say.
If you think this sounds like mumbo-jumbo, try taking a course in literature and poetry.
You would be amazed by how much meaning is to be found in anything from where the story takes place when it is written, what language is used and which objects are most often described. Events described can be metaphors for things happening in society, existential truths, human nature and anything else there is, or ever has been, between Heaven and Earth. This meaning, these metaphors, whether we understand them or not, we bring with us as we look at the world and it changes our understanding of both ourselves and others-no belief in the impossible required.
Nowadays, I behave like the almost middle-aged woman I am.
At forty-four, I cannot run around and look for Russian witches or fight evil minions on my lunch break.
I am oh so calm and adult-but if you took one look into my mind, you would be surprised. It is always, at least partly, up in the sky somewhere, chasing as many witches and other fantasies as it pleases. Other, more serious, parts are constantly debating tales I have read and how they can be applied to my everyday life, hopefully also making me a little wiser. I have never read a story that has not taught me something about humanity or life, whether it is in the story itself or in how it is written, and I do my best to take advantage of what I learn. Then, there is one part; my favourite part, the part making up much of my heart, the part feeding my life much of its meaning-that is spinning tales of its own. Anything can be turned into a story I can tell myself or others, bringing me joy and sharing the magic. My car is an aeroplane, flying me through the sky on a secret mission while Spotify is thundering my personalized soundtrack through its interior-making my heart beat faster and life feel more exciting. As I ride my bicycle, I imagine it to be a noble steed, carrying me in a rush of freedom across open plains to deliver me to an exotic destination I have never visited. The small figurines of Buddha and an elephant on my window sill, beneath an inside rainbow who must have lost its way, are actually a story about friendship and meeting on a mountain to relight the lamp of the sun and bring daylight back. There are thousands of more tales strewn around me. Some, I write down, others I only tell in my head. There are tales never finished and tales forever rewritten. Tales have affected and always will affect my life in many different ways. They have made it so much richer and given it so many more nuances than I believe I would ever have found without them. This would not have been possible if there had not been people there to write the tales in the first place. Writers, myself included, are forever reminding me that the magic and the joy is still there if we only look for it. I firmly believe that there is happiness in and between tales as long as there are tales, no matter the age of the reader.
How do reading and writing help you?
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Do you think I’m crazy for taking heart whenever I see books of fiction — novels, mainly — make it big even when, in my opinion, they stink? That goes ditto for just about anything, but before you call me a nut, let me explain.
Persistence goes a very long way when it comes to success. So does obtuseness about failure and criticism. Throwing heaps of money at an endeavor is another way to lead readers/buyers/voters/whatever to prefer style over content.
For us novelists who want people to purchase our books, there are myriad “experts,” aka “vultures” galore. As I research how to eventually have that happen for the novels I’ll eventually serialize into podcasts and then sell as books, Flamenco & the Sitting Cat and Tango & the Sitting Cat, it’s impossible to avoid avalanches of Youtubers parroting each other’s basic “secrets” about marketing/platforms/etcetera. Each concludes with the same pitch, which is that, in return for our dough, they’ll fulfill our ambitions. Indeed, some may be legit. My jaded ears, however, remind me, “A fool and their money are soon parted.”
That’s why — and here’s what this post is all about, my friend — it’s like finding gold when someone with real experience shares their knowledge without charging us money.
Without further ado, here I present David Gittlin, who blogs from Florida and who is exactly that man. He’s authored three feature-length screenplays, produced two short films, and published three novels, each in a different genre! (Links for them are within his post.) Before that, he worked for over thirty years in all sorts of capacities related to marketing and the internet.
Read on for his hands-on wisdom that he’s kindly letting us in on. Lucky for us too, he’s not charging us a red cent…
How do I Cost-Effectively Market My Book Online? by David Gittlin
Comparatively speaking, writing a novel is the fun, easy, first step of the self-publishing process. The second step, creating an attention-getting book cover, offers its own unique set of challenges. However, the most intimidating and difficult undertaking, to most authors, is the third step—Online Marketing.
These words strike terror in many authors’ sensitive little hearts because they want as little to do with the outside world as possible.
The most intimidating marketing question is: “Where do I begin?” In this blog, I’ll let you in on some of the advertising methods I’ve tried and the results I’ve had. I’ll save you time and money. I’ll guide you through the marketing process from the completion of your manuscript to the final strokes of your marketing plan.
Before we begin, bear in mind that more than a million books are published every year. Therefore, we have to be good at marketing. Damn good!
After completing your final rewrite and the inevitable tweaks that come afterwards, it’s finally time to upload your book to online retailers. Next, you announce it on your blog, your author website, your Facebook page, and your YouTube channel (optional).
Now what? Gulp…
This is the seriously hard part—driving people to these outposts in cyberspace.
Let’s take a look at what has worked for me and what hasn’t.
The first step in marketing your book online or ANYWHERE is to create a relatable, attention-getting cover. We’re taught not to judge a book by its cover. Ironically, this principle doesn’t apply to actual books.
I’ve read that the cover of a book needs to be genre specific. By this I mean your reader can quickly identify the subject matter inside, whether it be Romance, Action/Suspense/Adventure/ Thriller, Espionage, Science Fiction, Fantasy, and so on.
The trick is to make your book genre specific without making it look like every other book in the space. The idea is to stand out from the crowd, not get lost in it.
If you are an accomplished graphic artist, go ahead and do it yourself. Just be sure that you follow the specifications of your print on demand supplier. If you are not a great graphic artist, like me, go ahead and shop for an artist who can turn your cover vision into a commercially viable package.
Please choose an artist with a specialization in book cover design. This person can have other specialties, but they must also be fully versed in the art of book cover design. If you are creating the book cover, make sure to research the subject. There are many pitfalls, just as there are with writing a book.
I used three different artists to create the covers for the three novels I published. Besides the fact that I get bored easily, there may have been a method to my madness. Each of my novels is in a different genre. Some artists have genre preferences and do better work in those genres. There is no set rule.
Some artists are good in any genre. They may be more talented and expensive than others, but you won’t have to go through the angst of breaking in new ones. And you may get a better overall result. Or not. Choose carefully.
If you have an idea of what you want in your book cover, great. If you don’t, that’s okay. Just be sure you choose a capable artist who you can communicate with. Don’t be guided solely by cost. Choose someone who knows what they are doing; who inspires your confidence, and “gets you.”
Blogging is a great way to get yourself and your work “out there.” It’s not hard to create a blog, even for graphically challenged people like me. WordPress and Wix are two of the most popular sites now. You don’t have to be an expert at coding to make a nice looking blog. You can also choose an upgrade plan that will give you more customizing options. I believe the upgrade plans are worth it. WordPress has a premium plan for only $99 per year.
Once your blog is created, don’t let it just sit in Cyberspace. Take a little time each day to read and comment on blogs by folks who write about subjects that interest you. Those people will then read and follow your blog if your content is good.
Take note of how other people promote their work on their blogs. I’ve found that the subtle approach is the best way to do it. Keep in mind that content is king. What you have to say and how you express it will ultimately determine your degree of success. And, make sure the template you use to create your blog is Smart Phone Friendly. I finally woke up to the fact that most people read blogs on their phones. Duh. I dumped my old templates and replaced them with new, easy to read, phone-friendly ones. Now, I’m attracting more followers than ever before, and I’m making many new friends.
I’ve experimented with ads on Facebook. I’ve racked up tons of likes and very few sales. In my humble opinion, paying for ads on Facebook is a total waste of time and money for self-published authors. I have an author friend who is running great ads on Facebook, but he’s not selling any books. I’m not saying ads in general don’t work on Facebook. They do. But you are an up-and-coming author struggling to find an audience. You aren’t Macy’s. You aren’t selling specialty items currently in demand like face masks. See what I mean?
A Facebook page isn’t essential, but I strongly suggest that you put some time and effort into making a good one. If nothing else, FB pages add credibility and overall impact to your marketing campaign. And they are FREE. You might even sell some books from your page using the SHOP NOW button. Pick a glowing book review and pin it at the top of your posts column. This little maneuver has increased views and engagements on all three of my Facebook pages.
Upload a JPEG of your book cover with a link to your Facebook page. If you have lots of friends who spend half of their lives on Instagram, you might get lucky. I don’t use Instagram. Don’t ask me why.
I’ve created and distributed press releases on PR Web with a target audience of 30,000 journalists and bloggers. The idea is to drive traffic to your websites and generate publicity on major news sites and search engines. You can participate at various cost levels starting at $99. The more you spend, the bigger the audience. I participated at the second highest level at a cost of $289 per release. (The highest level currently costs $389). To add interest to the releases, I created a book trailer video. (A simple book trailer without actors will cost anywhere from $250 to $300 from a reputable company).
Bottom line: I could not relate any book sales to my press release adventures. So, save your money.
Book trailers are nice to have but they aren’t essential to your marketing campaign. When I first started marketing my books twelve years ago, the pundits all said that you were dead in the water if you didn’t have a book trailer. As it turns out, this is baloney. Book trailers are a nice addition to your marketing package, but they aren’t powerful generators of sales. I made trailers for my first novel, ThreeDays to Darkness, and my second one, Scarlet Ambrosia–Blood is the Nectar of Life. I had fun making them and they didn’t cost too much. Recently, I used the first trailer I made as the cover photo on my Facebook page. (Note: The video has to be two minutes or less to be uploaded to the cover section). To my amazement it worked. More than a thousand people visited myThree Days to Darkness page in the span of two weeks. I made some book sales at the rate of two percent of the visits. I’m still getting views. But here’s the thing: if you have a limited budget, use it where it will do the most good. I’m getting to that. Stay with me.
If you can swing the cost, make an audio version of your book. As you are no doubt aware, people don’t read as many books as they used to. Audio books are getting more popular every day. I used ACX to make the audio book for my third novel, Micromium:Clean Energy from Mars. I liked using ACX and they are part of Amazon. I signed an exclusive agreement with them, which means I get a bigger royalty (70%) on each audio book sale. With this agreement, your book is automatically uploaded to Amazon, Audible, and iTunes. The downside is, you don’t get exposure on sites like Hoopla, Overdrive, and Bibliotheca, which serve libraries. If you don’t go exclusive, ACX offers a non-exclusive agreement wherein you can distribute to any platform and get a 25% royalty.
If you hire a narrator for your audio book, which you can do through ACX, a good one will probably cost you between $100 and $150 per finished hour. Your narrator does the narration and all of the production work. You direct them and approve the finished product. I had a great time making my audio book with an amazing woman who did a fabulous job. I’ve done reasonably well with my audio book. I’ve noticed that having an audio version available has increased my overall book sales.
When you launch your book, you want to have a sufficient number of positive reader and editorial reviews available on retail sites and Goodreads to convert browsers into buyers. Unless you have twenty friends and a handful of book critics ready, willing, and able to post glowing reviews, it makes sense to purchase a few of these.
There are a number of sites available for these services. I have found the best and most reliable site for reader and editorial reviews to be indiereader.com. Check out their website. I bought reader reviews and an editorial review from them. I’m 100% satisfied with their service, reliability, and results. I’ve also used midwestbookreview.com for fair, reliable, and less expensive editorial reviews. Readers Favorite is an excellent site for FREE reviews. Check it out.
Sponsored ads on Amazon.com are the most effective marketing tool I’ve used so far. If you have a limited budget, this is where to spend it. The ads are easy to create. You set your daily budget, write your copy, set your campaign dates, and off you go. If the ad doesn’t work, you can scrap it and try different keywords. You can see which keywords are working and which are not and adjust accordingly. Best of all, you can see how many books you’ve sold and how much it has cost you to sell those books. There’s no baloney and no guesswork. And, let’s face it, most of the books people buy are sold on Amazon. To create a campaign, sign in to your KDP account, select the book you want to advertise, click on the three dots to the far right of the book, and select promote and advertise.
I hope you will find these tips helpful. I wish you all the success in the world, and keep writing.
Do you have first-hand publishing and marketing knowledge to share with us?
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In high school, a classmate who was as passionate about reading as I was sat near me. Best friendship was in our stars!
Her preferred reading was historical fiction, the ancient sort with mythology and astrology mixed in. Thanks to her, I read a bunch by Mary Renault, an English author who lived much of her life in South Africa. Those books depicted lots of buff gay guys from olden days. Ironically, a) in South Africa Renault could live more peacefully than in the U.K. with her life partner who was also a woman, b) she often portrayed women harshly, and c) she criticized the gay rights movement.
My friend also introduced me to “Linda Goodman’s Sun Signs.” (Here’s a rare video interview with Goodman.) For me, Goodman was worthy of extra esteem as she was Aries, the same as me. When it came to Aries, all compliments were correct and unflattering attributes were incorrect. Until, that is, at some point in my so-called maturity when I tossed astrology into the same bundle as my Catholic upbringing. Both harbored too many confounding and disturbing aspects, so best not to fret about either.
Not so much later, though, a new friend entered who was into astrology. Charts, she explained, are how astrology becomes scientific. She introduced me to Angela Louise Gallo, a master at charting the stars. Gallo read and taught from her home in Van Nuys, which is just above Hollywood, hence she garnered a sizable entertainment biz crowd of followers.
Gallo’s monthly talks culminated with “hororary” readings, as in “hour-related” since those forecasts tied her psychic powers to the time of night when she would take questions. From slips of paper handed to her, she’d give quickie predictions. I’d parted ways with my parents as soon as I graduated high school with no plan other than survival. By the time I met Gallo those few years later, I’d collected myself enough to realize that I needed to do better. I asked Gallo whether I should sign up for college. She answered, “Wait a couple of semesters. Soon you’ll be taking a long trip.”
That month my grandmother sent me an airplane-paid invitation to visit her in Argentina! During childhood, my grandmothers and I exchanged many letters. They were fantastic in all the ways that mattered to me: they didn’t sugar-coat life, they wanted the best for me, and they helped foster the writer in me who will eventually publish Flamenco & the Sitting Cat and Tango & the Sitting Cat. I loved them dearly, sight unseen. The one in Spain I first met when I was nine. It wasn’t until my early twenties that I got to hug my Abuela in Buenos Aires.
After that trip, I hired Gallo to do a detailed chart, yet I can’t remember anything about it, including what happened to it. These days, I’d rather not presuppose anyone based on their birthday, and I prefer to bumble along as best I can when it comes to my future.
Yet I still adore stories about astrology!
In this admittedly roundabout way, I present to you, dear reader, today’s poet/novelist guest, Nina Romano, who writes from Florida and Utah. Originally from New York, she’s a world traveler who’s earned degrees and writing awards galore, plus she’s published a slew of books.
Here she generously recounts the way that Chinese astrology figured into her The Secret Language of Women, the first of her Wayfarer Trilogy. Read to the end for an excerpt from it in addition to links for Nina and her writings.
How Chinese Horoscopes Helped Me Develop a Realistic Protagonist by Nina Romano
For The Secret Language of Women, the first book of my Wayfarer Trilogy, I decided my main character Lian’s horoscope would be the Year of the Dog. Knowing her horoscope facilitated my understanding of the protagonist’s psyche for this novel. Since the book is set in China, I used Lian’s Chinese Zodiac sign to learn about her qualities and personality traits intimately so that she appeared genuine yet flawed. She is a warm and caring being, a healer, courageous and intelligent. When a person born under this sign falls in love, they do not ever change.
Loyalty and honesty are two of this horoscope sign’s characteristics. Lian falls in love with Giacomo, an Italian sailor, and remains faithful to that love, despite the fact that she is forced into a loveless marriage. Her quest is a difficult one, but she chooses to follow her path despite menaces, oppositions, troubles, risks, and dangers. She is fierce in her love and faithful to everything she believes concerning it.
Having visited China several times afforded me unique experiences that enabled me to see in person Hong Kong, Beijing, and its fabulous Forbidden City and Tiananmen Square, and Lian’s enchanting city of Guilin. I was able to envision Lian’s travels and travails in war-torn China, an era suffused in superstition, intrigue, culture, and history. I incorporated the themes and things I care about, such as love, family, food and recipes, art, dragons and horses. Why? Simply because it’s straightforward to write what I know and have feelings for, and all of these ideas translated well even to a novel set in China during the Boxer Rebellion. My own horoscope is the Year of the Horse, so I made sure I had an important role for a horse in this novel, and I’m positive that my horoscope had an incredible influence on my stars being aligned because I signed a contract for a three-book deal for my Wayfarer Trilogy with Turner Publishing during the Year of the Horse.
While writing this novel, I pictured what happens during the Chinese New Year: careful cleaning of the house, the distributing of red envelopes, Lian cooking on a wok, and serving rice to her beloved.
Since this story takes place in China where live fish, most especially carp, are good Fengshui, which according to Wikipedia, is a “philosophical system of harmonizing everyone with the surrounding environment.” For this reason, I describe a pool with carp in the Summer Palace in Chapter 1, where Lian meets the love of her life. Do I believe in the influence of horoscopes and how they can help round out a character? Of that, there is little doubt.
Excerpt from The Secret Language of Women by Nina Romano
The things that test you and are vanquished bring everlasting joy. The differences between traditional written Chinese and Nüshu, the secret language of women, made it difficult for me to learn it. My mother and grandmother could not write Chinese and learned Nüshu when they were young and wanted me to grasp it too. I cannot say they harped on me or were tyrannical, but I will say they were insistent, and for this I am eternally indebted.
My mother said it challenged me because I wrote like a man and didn’t have to rely solely on Nüshu, the way they did to communicate with other women. The ideograms of Chinese correspond to a word or part of one, whereas each of the seven hundred characters of Nüshu represent a syllable— women’s language is phonetic, in Chéngguān dialect 城关土话, adaptable and pliant for singing, poetry and writing with such delicate strokes they appear as lines of feathers.
Though learning was problematical, I mastered it, like I do all things I set my mind to
conquer. At the time, I resented the study of it, yet I knew innately one day I would be grateful to possess the knowledge and skill of this secret language, which would offer me strength and solace for a lifetime. And although I was writing in Nüshu, for some reason, I signed with flourish in Chinese: Wǒ Lián. I am Lian.我连
We novelists are an eclectic bunch, but you already know that. The best ones are avid readers, and they know that rewriting is when writing magic is truly unloosed.
Many authors I’ve encountered have great respect for their kind. Also, writers can be pretty darned modest when it comes to discussing their own work. Goodness knows that I’m not the greatest about discussing my books in progress, Flamenco & the Sitting Cat, and Tango & the Sitting Cat. Some scribes I know will go so far as to refuse to call themselves writers, yet everyone around them knows that they definitely are.
Kathryn Bashaar, a historical fiction author who operates her blog from Pittsburgh, knows she’s a writer. In addition, she’s a retired bank vice-president, a dancer, a traveler, and a grandmother. Her first novel is The Saint’s Mistress and her upcoming novel is tentatively titled Righteous.
Here are her thoughts on a book she really likes. What did I tell you about writers liking writers?…
Kathryn Bashaar’s thoughts on Grace by Paul Lynch
I’m in love with historical fiction. I am a writer of historical fiction and an avid reader of the genre. The lessons of the past speak most clearly to me in the form of fiction. I’d like to recommend to da-AL’s readers the wonderful book Grace by Paul Lynch. It’s about the Irish Potato Famine in the 1840s, but, more deeply, it’s the story of everybody’s life.
14-year-old Grace is wakened by her mother in the wee hours one morning. Mam cuts off Grace’s hair, dresses her in boy’s clothes, and sends her out on the road to fend for herself. Mam can no longer manage to feed all of her children, and she doesn’t like the way Grace’s step-father has started looking at her.
The horrors that Grace endures, and her stubborn spirit, make for a story that is hard to put down. Just as the fields have been corrupted by the potato rot, Grace is corrupted by her experiences. The Irish people as a community are also corrupted, as the veneer of civilized behavior is worn away by privation and an every-man-for-himself ethos prevails.
Grace’s salvation comes at the hands of a very flawed group of human beings. Giving a clever double meaning to the book’s title, Grace is the beneficiary of grace, in an unexpected way.
It occurred to me, as I neared the end of the book, that Grace’s basic story is everybody’s life story.
Everyone is ruined in some way. This life is a beautiful miracle, but it can also be brutal–in big, tragic ways or in slow, small ways that accumulate like a weight on your back. Some of us had addicted parents or other traumatic childhood experiences. Your heart is broken by someone you loved. A career setback proves to be unrecoverable. Someone you love dies far too young. You are disabled or stricken with a chronic illness, raped or mugged, or your house burns down. And then there are the everyday injuries of having to make a living: tedious work for 40 years, unreasonable bosses, back-stabbing co-workers, long, miserable commutes, the sheer weariness of getting up at 6 a.m. day after day after day. “Life has a way of breaking everyone,” Hemingway said. We are all broken. Most of us are more tired than we like to admit.
And, like Grace, we are saved by other imperfect human beings. I’m a Christian, so I believe that our salvation is in Jesus–ultimately. But, day by living, breathing day, our salvation is in each other. You are ill or disabled, but your spouse sticks around and takes care of you. Your work is tedious, but your co-workers make you laugh. You are hungry and think you are alone, and a local church group delivers food to your door. A friend betrays you, and the next day a neighbor you barely know shovels your walk, and you invite him in for coffee. That is what happens to my main character, Leona, in my novel The Saint’s Mistress. Leona suffers an unbearable loss and is only healed when an old friend re-enters her life and gives her a glimpse of grace and a reason to go on. In a hard world, we are granted the grace of each other.
Every single person you meet is broken in some way. This week, be the grace in someone’s life.
Do you feel comfortable calling yourself a writer? Do you write?
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