Good writing takes more than merely a great idea. It takes time to edit and re-edit, yet it can vault mediocre writing into stellar writing. Here UK author and blogger David Jarrett shares how he simplifies the process…
Hi there, after months of editing and updating here are some tried and tested tips for how to edit your draft book. I found this needed multiple passes, constructive feedback and dispassionate discipline. I also needed to re-learn key parts of grammar to understand what ‘good’ looks like.
1. Get the structure right first with feedback from others, check for consistency.
By this I mean – the plot, characterisation, events, scenes, order of events, plausibility of events, story arc for each character, etc.
Consistency of proper nouns, places, character names, etc. is also a key check. Word spellchecker can assist by highlighting those variants which are yet to be accepted into your dictionary. A Find and Replace can bring things back under control.
2. Screen your own writing for overuse of words and phrases.
I recommend running Wordcounter and the Hemmingway app on chapters of your work and noting the…
I admit it. I’m a terrible friend to you. I’m sharing the following sample of London-based blogger Jean-Paul so that you’ll be snared like I am. Experience the same one-two-punch love-hate I have with his site. #1) I love that he’s so talented!!! (though I am jealous!), and #2) I hate that every time I visit, I can’t resist spending way more time there than I plan for — even his friends who comment are clever!! Read on, my forewarned friend…
“Who are you calling stupid?” by Jean-Paul
When it comes to math, I’ll admit I’m a complete dummy. At school, I understood a lot, but arithmetic? It was all mental to me. My husband, on the other hand, has a brain like a push button calculator.
“You’re not stupid,” said Guido after dinner last night, “you just need some math practice with imagination. I have an idea,” he said, “sit back right this second and imagine yourself in a farmyard.”
As you can see, we really do need to get out more.
This was worrying. I had a sneaking feeling I was going to be asked to talk algebra to a chicken. I’ve only ever visited a farm once in my entire life, and I seem to recall a pungent odour. It was strong enough to make me squeeze my nostrils all day long.
“Okay,” I said involuntarily pinching my nose, “what’s next?”
There was a pause.
“What are you doing?” Guido asked, eyebrow raised.
“I just think it’s important that I embrace this part of the exercise before we move on to any complex multiplications or differential equations. Though I’ll admit, I’m becoming anxious about whether I should go put on rubber boots?”
Take it from me, this was a totally bona fide concern. If you’ve ever walked around a farmyard, then you’ll know there are some big brown stinky things you really don’t want to stand in. Did I mention the flies?
“Don’t worry about that. This is the cleanest farm ever.”
This was reassuring, but I held onto my nostrils just in case of an unexpected whiff of ammonia. I couldn’t see any flies though. Which was even more re-assuring on account of my limited one arm swatting abilities.
“Now imagine there are 13 animal heads and 40 legs in front of you,” said Guido.
One moment I’m in a loft apartment eating a perfectly adequate mid-week lasagna and the next I’ve suddenly been put out to pasture herding a bunch of unidentifiable livestock. As you can tell, I like to take my visualisation pretty seriously. Which is more than I can say about the math. I mean, where was the straw?
“Now tell me,” said Guido, “how many sheep and how many ducks can you count?”
I closed my eyes. I could actually see the sheep just standing there staring at me. They seemed pretty friendly with only the occasional baa. The ducks, on the other hand, were all over the place quack quack quacking and waving their wings about. Anyone would think they’d just been told the hunting season had started.
There was another short pause.
“Well?” asked Guido.
“Hang on,” I said, “I’ve counted the sheep, but the ducks are proving problematic. Have you got any stale bread I could feed them?”
It was, I think, at that point, Guido began to understand the challenges my teachers had all those years ago.
“Hmm, I think we’ll leave this lesson for now,” said Guido wisely pouring me a glass of wine.
Back from the country, safely at our kitchen table, I let go of my nose. In the end, I couldn’t teach Guido that much about the sheep but what I did tell him was if something walks like a duck and talks like a duck then it’s usually a duck. And there’s nothing stupid about that.
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“44 Local Artists Open Their Studios for the 9th Biennial Mid-City Studio Public Art Tour” by Gail Werner
On Saturday, June 1 and Sunday, June 2 from 11 AM to 4 PM Long Beach artists will open their studios to the public during the 9th Biennial Mid-City Studio Tour. The free, self-guided tour is made possible in part through a micro-grant from Arts Council for Long Beach and a grant from the Port of Long Beach.
The Mid-City Art Studio Tour is a unique look into the lives of 44 professional artists with a wide range of artistic sensibilities. It allows the public to see working studios and to learn from artists about their inspiration and process. Mixed media artist Annie Stromquist says, “The Mid-City Studio Tour is a special weekend for me. I love having such a wide array of visitors to my normally very quiet workspace. People ask interesting questions that often prompt me to think in new ways, and the interactive weekend charges me up for new work after the tour is over.”
A small group of friends, mostly working from studios connected to their homes, started the Mid-City Studio Tour in 2003. Since then the group has expanded and become more diverse. This year, aside from individual studios, there will be an artist co-op and two galleries, Chez Shaw and Greenly Art Space, on the tour route. Art mediums include painting, works on paper, mixed media constructions, handmade artist books, photography, printmaking, jewelry, silk painting, weaving, ceramics, sculpture, installation, and glass/neon.
Images and artists’ bios can be previewed, and a tour map of the event is available at http://www.midcitystudiotour.com. Artwork will be available for purchase at studio prices. Sponsors include Arts Council for Long Beach, Partners of Parks, Port of Long Beach, Krishna/Copy Pro, Ralphs, Socal Modern Group, and Trader Joe’s.
Listening requires attention and openness. Poet Ana Daksina reminds us how silence allows us to hear the beating of our own hearts…
** DEAR READERS, PLEASE NOTE ** I pay WordPress not to display advertising on my site. In the case of guest bloggers, if you click forward to their websites, be aware that I am neither directly associated with them, nor the ads there. ** ALSO ** When you see ‘amazing’ offers on the internet, rest assured that they are scams. For instance, of late I’ve encountered a quite slick one that purports that one has randomly won money from Google. Don’t allow yourself to be enticed into revealing information to strangers.
Each year before the holidays I go on a search for eclectic holiday stories that will delight and surprise me. This year I was fortunate to receive Bettye Collier Thomas’ book, A Treasury fo African American Christmas Stories.
IT’S ONLY ELEVEN WEEKS UNTIL CHRISTMAS
This is a compilation of the best stories from Thomas’s previous two books by the same name, Vol.1 and 2. What I discovered as I was really, simply was amazing! These are stories written by African American authors and activists that reflect their life and times. Some of the authors are unknown to most, others – like Langston Hughes – will be familiar to many. A few of the stories are retellings of familiar holiday tales but with an African American theme rather than the anglicized, white-washed version that many of us have heard or read. However, what I found most interesting were those stories that…
Writers and readers alike, for times we’d like to look into our histories, author Margaret Lossi offers tips for how to get started. My two novels are works-in-progresses! Lossi says that when it comes to looking up one’s family background, be prepared for surprises…
Warning: family history can lead to emotional discoveries.
It may seem counter-intuitive, but you begin at the end! That is, you begin with you.
Check your birth certificate, verify your parents. It may seem like a given, but just sometimes people find they are adopted, or their mum is really their grandma. It pays to check.
Check your parents birth certificates, to verify your grandparents. Then work your way back through the generations, verifying birth certificates.
These first steps build the strong foundation of your family tree, so worth doing well.
It is not a case of how far back you can go, but the quality of your data
You may wish to answer a family question. I knew my parents were second cousins, so wanted to find out about this link. Set yourself a goal to work towards. Whatever your motivation, make sure you verify each…
Does the threat of a book being banned ensure that it’s among the finest books written? Check out the fantastic examples cited by the smart folks in this 29-second video (and pat yourself on the back if you smile when “To Kill a Mockingbird” by Harper Lee is discussed — *see end of this post for why)…