Books + Art = Happiness
Dear readers, that’s why, when I learned of Uzo Njoku through Bust Magazine (a lifestyle/feminist publication started in 1993), I thought of you. Many of you are novelists like me, most of you writers and creatives, and lovers of books.
Her self-published coloring book, “The Bluestocking Society,” launched the statistics-turned-art-major a couple of years ago when she was a 22-year-old college student. It’s filled with images and facts about all sorts of wonderful women throughout history. She also offers free printable coloring pages.
Uzo moved from Lagos, Nigeria, to the United States as a child. Here’s a writeup about her by the University of Virginia, and here’s another by their news magazine.
Along with Uzo’s comments on these paintings, what follows are the answers she kindly emailed back to me…
Question: How does being bi-cultural play out in your day-to-day life and influence your art? And in terms of how you regard your own loveliness and potential?
Answer: Being in the middle of two worlds gives me more content to work with. My work addresses important issues such as identity, duality and spirituality, yet is approached with a particular openness snd beauty. The themes addressed in my work stem directly from my life experience as a female artist living and working between cultures, and yet the aim is to show how a single person’s ‘double vision’ can produce images that possess much wider social effects by collapsing racial and cultural borders.
Question: Many of my readers (myself included) are struggling creatives. How do you juggle making art, marketing, fulfilling orders, and attending university? How did you initially let people know about your amazing coloring book? How do you continue to expose people to your art?
Answer: Everything I have done starts from my friends supporting me. Constantly telling others about my work and word-of-mouth helping to spread the news. A lot of artists don’t have a business mindset, and I believe that is how a lot of them do get exploited initially. I took an arts administration class in college, and that really opened my eyes to what goes on behind the scenes. This helped me understand more what it takes for shows to happen and the right people to reach out to.
I studied Statistics in college before switching over to art, so by nature, I am a very technical person. I see numbers alongside art a lot and understood when it was time to pay a marketing personnel to run ads when I released a new product on my website. I don’t really know exactly what to advise people because everyone is different, but I learned everything from Google and YouTube videos. So a lot of research.
Question: How has the horrific politics of late as well as the pandemic affected you and your work?
Answer: I am not a social artist, so I do not create art based on political events. But in regards to Oluwatoyin passing away, I feel it was my duty to beautify her image because I know a lot of media outlets would try to show her in a negative light. A good amount of the sales during this period I have been able to donate out to small BLM groups and artists struggling during this pandemic.
Question: How do you find and choose your marketing personnel?
Answer: My marketing personnel reached out to me. He had been following me for years and felt that he could reach new customers for me. Basically, anyone who understands how to market on Social Media is an asset.
Question: What are one or more mistakes you see artists making business-wise most often?
Answer: I would say the biggest mistake is forgetting to follow up on business taxes when tax season comes by. It can bite you if you’re not careful. Also, you need to get into the habit of having a second pair of eyes look at contracts with you, whether they are those of a family member, a friend, or a professional.
Dear reader, if you didn’t do what you do now, what would farm oranges…or what?…