Royal Beauty + Birgit’s True Elfins + Podcast: Gruen’s Ageless Passion

María del Rosario Cayetana Fitz-James Stuart y Silva, 18th Duchess of Alba
María del Rosario Cayetana Fitz-James Stuart y Silva, 18th Duchess of Alba
Want to listen to a podcast/audio version of Happiness Between Tails? Click the Spotify podcast link above. And please give it a follow.

You know how it goes when you’re doing research, maybe for something you’re writing? Google one thing, and end up in a totally different place. In my case, since my novel-in-progress is called “Flamenco & the Sitting Cat,” it started with looking up the Spanish iconic painter, Francisco de Goya. Coming across his 1700’s portrait of a prior Duchess of Alba sent me clicking.

Goya’s image, called “The Black Duchess,” portrays a young woman in mostly frilly black portrays a young woman in a mostly frilly black outfit that’s punctuated with a red sash, as well as a gold blouse, shoes, and accessories…

"The Black Duchess" by Francisco de Goya.
“The Black Duchess” by Francisco de Goya

More clicking led to a modern-day Duchess of Alba. María del Rosario Cayetana Fitz-James Stuart y Silva, the eighteenth Duchess of Alba, remains the most titled of aristocrats. Much was made of her socialite “joie de vivre” (here’s a video of her dancing flamenco at her last wedding) and how she married three times. Husbands two and three were “commoners” — gasp! — and the last one was twenty-five years her junior. When her kids fussed about her love interests, she told them that as divorcees, they ought to mind their own business….

Black and white photo, probably from the 1960s or so, of the Duchess dancing with a guitarist.
Ever a flamenco aficionada: María del Rosario Cayetana Fitz-James Stuart y Silva, 18th Duchess of Alba.

It’s no business of mine what others think of their looks, and if they care, I encourage people to do whatever allows them to love themselves more. The reason I’ve brought this present-time duchess to your attention is because I’d love for you to fill me in on anything you might know about her. Her in-your-face boldness is something I’d give anything to pull off. More to her credit, she didn’t seem to take herself too seriously and she had a great sense of humor. At that flamenco wedding, she handed out whimsical party favors that were little sculptures of her face, broad-lips, deep-set eyes, and whirl-wind hairstyle.

Seeing photographs from late in her life, though, compels me to wonder why men don’t change their appearances as frequently and dramatically as women do? Sure, one need look no further than our orange-haired embarrassment of a former U.S. president, but men still lag far behind women when it comes to the extensive remodeling that induces a double-take.

Maybe it has to do with how girls and women are culturally and commercially targeted nonstop about how they appear. There’s a cruel power play that never ends, no matter how old we get. It’s as insignificant as when a yoga classmate gives me lip for favoring a little make-up and heels, and as weighty as when an influential woman is marked as a crackpot because she doesn’t look Wall Street enough.

Today’s guest shows us how ugliness and cuteness can blend together, certainly when it comes to elfins!

Birgit hales from Germany and blogs from Denmark. At her Stella, oh, Stella site, there’s always something uplifting, educational, beautiful, and fun, including videos of her and her gentleman making music…

Before I turn you over to Birgit, here’s my first try at a new bread recipe that I mixed and baked in under two hours, thanks to Jenny Jones! Khashayar confirmed (since my long-term post-Covid probs limit my senses of taste and smell) that…

Love can mean pain… but this time it’s the French definition!

Photo of loaf of bread I baked.
Dinner was home-baked bread with fresh mild herbs, drizzles of extra virgin olive oil, and fancy cheeses.

A True Elfin Story by Birgit

That’s it, I cannot do anything else for now. I will have to continue in spring.

The beginning is done: the fireplace, the ladder, the tiled path, the area for gatherings … the rest will have to wait. A pile of firewood is also ready …

What I am talking about is, of course, the elfin dwelling place in the birch tree stump. I have marked the places for the entrance door and the windows, but it is getting too cold to accomplish artistic wood carvings.

Photo of blogger Birgit.
Blogger/author Birgit in one of her gardens, where she lived near the German border.

The following winter is comparatively mild, but grey, rainy, stormy, in short: not cosy at all! The spring bulbs are slowly coming our with their first green.

At the beginning of May, my husband enters the kitchen and says enthusiastically that the door, which I have carved into the birch stump looks incredibly real, the windows as well. I rush into the garden right away. It is true! Where I have marked the door last winter, is now an intricate carving looking like Yggdrasil, the world tree from the Nordic cosmology. Further up I can see two windows. They do not look real, no, they are real, with frames and panes and everything. This is not my handiwork! I have not hollowed the tree stump and put in windows and a door. I believe my husband is playing a joke on me. 

I take him to task, but he denies all knowledge of the matter. Very well then, I will let him have his fun!

The same night, around one o’clock in the morning, I take a last stroll in the garden, as I often do. There isn’t any wind for a change. I detect a light at the south end of the house. Has my husband lit the candles? 

On the birch stump I discover a little figure, swathed in bright light. It is dressed in green cloth from top to toe. Furthermore, one can clearly see four wings on its back. Am I going crazy? Is my imagination running wild? No, my husband must be playing a practical joke. Somehow he is projecting pictures. I go back into the house to tell him that he cannot fool me. I discover that he is already in bed and asleep. What am I to think?

I look out of the southern window. The little figure is still standing out there and is looking directly into my eyes. I go outside again and head towards the birch stump. The elfin, and such a one it is, is not moving an inch. 

This first night we only look at each other in silence. I do not remember, how long, but very long. During the following nights we start talking. The elfin understands me and speaks our language. Incredible! What did I expect?

Four elfins have moved into the tree stump, two couples. From my preparations they could see that they would be welcome here. They have embellished everything a lot. The door was too low, the gathering place too small, but then I did not know how tall an elfin was, did I?

It is wonderful to have the small creatures living in the garden. I could watch them for hours. But one day a devil is possessing me. I want to prove to other people that the elfins exist, that they are not purely spawn of my imagination. 

So I take my husband’s camera and secretly take some photos. Only one of them is really sharp. But … what is that? Those are not the creatures that I photographed! The figures on the photo look like brown Goldsmiths; still dressed in green, but looking more like insects and with ugly, wrinkly faces. One says that a camera does not lie. I don’t know what to believe. 

The next evening I confront the elfins with the photo that I have printed out. They are startled, and then sad, letting their shoulders sag. Slowly their appearance changes, until they resemble the creatures on the photo. But then they begin to whisper among each other, and I notice that their sadness turns into rage. They all look at me with very angry eyes. Can the small ones seriously harm me? I ask myself. 

“You know what?” I say. “I will burn the photo. Nobody will ever know anything about this.” I take a match and burn the photo on the spot. The faces are looking friendlier already. They come to me and tell me that the elfin faces I have seen so far are only projections, because they have only experienced rejection with their real appearance. People had thought that they were big insects and had tried to kill them. As they are magical creatures, they had thought up the deception with the projection. They had given themselves the cutest possible appearance, so that they would be generally accepted. “Although it does not really matter so much anymore. Hardly anybody can see us nowadays, not even the children”, I am told. I am glad that peace is restored and the elfins don’t bear a grudge. All four of them have already changed into their cute version again. I wish them good night and go back into the house.

Before I go to bed, I want to delete the electronic original of the photo. My finger hovers a long moment above the delete key. This photo is my only proof of what elfins really look like. But does it really matter? What do those, who do not believe in elfins, care whether they are cute or not? I press the key; the photo is deleted. I will take the secret with me into my grave.

Photo of Birgit's elfish abode under a tree in her garden, replete with small rocks to mark a path, and doll-sized pots, pans, and chairs.
You never know what you’ll find in Birgit’s garden — or at her blog!

Epilog…

Twenty years have gone by now. The elfins are very comfortable in our garden. The furry animals stay away from them. Their only irritation is the clumsy pheasant that upsets everything and often tears the pile of firewood apart. I wonder what he expects to find there?

They do not care so much anymore about their projected image. I don’t care. I have grown fond of them; they are my friends, no matter what they look like. My husband also started seeing them after a while. Sometimes they make themselves invisible and pull his beard to tease him. From one second to the other the “cute little creatures” become an “irritating gang of mosquitos”. When we are alone, to provoke me, he sometimes calls them my “tame goldsmiths”. But it is all in good humour; everybody respects each other.

When the elfins have children, they urge them quite soon to find their own dwelling, so that the birch stump is not over-populated. They are six now; one more couple has moved in. 

From under the roots of the birch stump they have dug a secret tunnel. Not even I was told where it surfaces. I do understand them!

How do you define beauty?

Hair Coloring 4 Men n All + Podcast: What’s Ableism? by Wheelchair Teen

Want to listen to a podcast/audio version of Happiness Between Tails? Click the Spotify podcast link above. And please give it a follow.

Strong + flexible + tough + soft = healthy looking hair.

A dear friend recently complimented me on my hair and requested I do a blog post on hair coloring for men. I’m not a man and my husband doesn’t die his hair, but hair is hair, right? And after all, any novelist (here’s more about the books I’m working on) worth their salt can imagine, no?

In my late teens, I hated my straight hair so much that I permed it. When my hair turned into something that looked like a cheap wig, I spent the next 10 years trying to fix it with chemical treatments that all looked like hell, hell, and more hell.

Enter color! It took a while to get the hang of, but when at long last I did, my hair became something other than either limp and greasy or fried and broken. Henna in particular gives it body and shine, and nourishes the hair and scalp.

Regardless of the type of hair, the way to avoid breakage and dullness is to steer clear of toxic chemicals (I try not to put anything on my scalp and skin that would kill me if I ate it) and heat. That means keeping to a minimum stuff like hairdryers and products with strong chemicals (the scalp takes in whatever we put on it almost as readily as our mouth membrane), including ammonia, peroxide, and alcohol. Sprays of any kind are iffy because they usually include alcohol. Moreover, they’re not so great for the lungs.

Buyer beware: “natural” doesn’t always mean what it should, so read the ingredients. This beauty site lists a bunch of places where you can analyze beauty products. Products don’t have to be pricey to be healthy.

Scalp and root care are as important as hair care. Our scalps easily absorb whatever we apply. Don’t over-stress follicles with excessive massaging and brushing.

  • Hair is weakest and stretchiest when it’s wet, so gently comb it with a wide-toothed comb. If it’s too tangly to manage, detangling sprays can help.
  • Warm to cool water, not hot, helps immensely. Think fluffy wintry cats and dogs, versus short haired ones that live in hotter climes.

Many men, of course at all, have shorter hair. If one ruins short hair, it grows out relatively quickly. Keep in mind that the longer one’s hair is, the more pummeling it gets when mistreated.

Hair Repair: Olive Oil

Lots of oils and conditioners are out there, but olive oil works wonders for me. Once a week or so, first thing in the morning, I don grubby clothes that I don’t mind getting stained, slather it on, then I go about my business (as long as it’s not the kind of business where I need to look presentable) for a couple of hours. It soaks in while I eat breakfast, write, clean my house, and talk on the phone. Then I shampoo it out.

Conditioner is also great for mending hair and can be used in place of shampoo.

Dyes in General

  • What color to choose if you want to stay close to natural and are only covering grays or roots? To avoid looking artificial, first try a shade slightly lighter than your darkest strands. It’s easier and gentler to hair to darker over a mistakes than it is to go lighter, which is quite involved and can be damaging.

Everything requires gloves. Get any on your fingernails and be prepared to have to grow that tint out. Try to keep as much of them off your hairline so you don’t stain your face (some dyes stain worse than others). Many people apply a thick oil like vaseline to prevent their foreheads from getting marked.

I’ve dabbled with semi-permanent and permanent dyes. Again, read their ingredients or you’ll wind up with awful hair. Application for both is the usually same, always marked on their boxes: in a nutshell, leave it on for roughly 20 minutes, then wash it out.

Coloring: Root Touchups

These are meant more for covering what shows, i.e. temples and where you part your hair. They wash out immediately and come in many forms: sprays, crayons, powders, and mascaras. Check customer reviews so you don’t wind up one that rubs off onto hands and pillow cases.

Spray: A dear one recently mentioned they were wearing a spray. Even after they showed me, I couldn’t tell at all!

Semi-Permanent Dye

These are less likely to include harsh ingredients like ammonia, though read the ingredients. Depending on brand, color, and frequency used, they wash out in anywhere from a week to a couple of months. As a result, it’s easier to go back to natural, if that’s what you want. They fade gradually, as opposed to needing to be grown out, and the contrast between dyed hair and undyed roots is lessened.

By the way, semi-permanent tints also come as “coloring shampoos.” For the sake of this post, I tried two. Neither deposited any color I could see, though maybe it was just the type of hair I have? Worse, though, the one supposedly for men and with added conditioner made my scalp burn. When I shampooed the following day, after doing my best the following morning to make up for the abuse by applying olive oil and letting it sink in for several hours, there were quite a few more hairs than usual in my drain.

** NOTE: anything that results in hair loss and/or the sensation of burning and/or itching are to be avoided at all costs. Remember, scalp health is paramount.

Permanent Dyes

These last longer, but depending on the brand (read the ingredients), they’re harder on the hair. Also, growing them out involves sporting the zebra look.

Natural Dyes: What I Use

Basic henna is what I use. Henna, a.k.a. lawsonia inermis, is powdered tree leaves. It’s cheap and I have yet to find that one brand is superior to another, so don’t be fooled by the expensive varieties. You can buy it by the box at most Indian and International grocery stores, or online in bigger bags, like I do.

If the package of henna doesn’t say only “natural henna” and lists a variety of colors, it has other stuff added to it. Beware that often those are as chemical-laden as commercial dyes.

Bulk packages of cream of tartar, indigo, and henna can save you a lot of money.

Basic henna (which Wiki defines here) is a greenish powder that dyes coppery and translucent, meaning it shows the color of the hair beneath it, same as water colors reveal the color of papers they’re applied to. They stain coppery orange, as you can see at this site. The lighter the hair, the brighter the result. To tone down the orangy red, I continually experiment with adding stuff to it, which I’ll get to later.

It helps to keep dying powders in recycled jars.

The more frequently henna is applied, the richer and more permanent the color deepens. Hairdressers often warn against using it, because it can’t be bleached out if you don’t like it, though you can apply a darker dye over it.

Photo of henna powder.
Henna powder is green but dyes reddish orange.

The night before, I mix henna powder with olive oil (or inexpensive natural conditioner) and water. For my length of hair, I use four ounces of henna, one cup of cool (not hot) water, and roughly 2 tablespoons of olive oil. (From what I’ve read, unrefrigerated henna keeps its dying strength up to 12 hours.)

The trick is to stir in whatever liquid incrementally, so you can add enough that it’s not overly thick and stop before it’s too runny. You’ll be leaving it on your hair for a couple of hours, so you don’t want it driving you crazy by running down your neck and spilling into your eyes. Conversely, you don’t want it so pasty that you can’t spread it down to your roots.

Cover it and let it sit overnight. The dye is said to be “released,” when it turns extra dark in places. The next morning, scrape the sides of whatever container you use and give everything an extra stir.

Henna paste in an iron pot.
Henna gets darker in an iron pot.

Using an iron pot darkens henna, which is why I use this one intended for Korean cookery. The plastic shower cap I later use on my head protects the charming wooden lid, even though I use this pot only for henna.

Photo of reused gloves, plastic wrap, clothes pins.
Reusable gloves, plastic wrap, clothes pins, and tape come in handy.

Henna Add-Ins

To help it take better hold, I stir in a bit of acid, like lemon juice vinegar, or cream of tartar, which I buy in bulk at a fraction of the cost of small grocery store shakers.

Photo of cream of tartar powder.
Cream of tartar added into henna helps the color to grab into hair.

Eucalyptus oil is said to stimulate hair growth. So are rosemary and thyme.

To offset the orange color, sometimes I add a couple tablespoons of cheap instant coffee granules (no need to waste the good stuff).

I haven’t tried it, but some people dye their hair simply by mixing instant coffee granules with conditioner, no henna, and letting that sink in.

Indigo

This greenish powder from indigo, that Wiki defines here, leaves dyes blue-black. It was used to color the first jeans. It’s great for dampening the reddish hue of henna.

Photo of indigo powder.
Indigo powder dyes blue-black.

Indigo requires 10-20 minutes to get wet, but if you wait a lot longer, it loses its coloring ability.

First thing the following morning, I heap a couple of mounded tablespoons of indigo into a separate container. Sometimes I just stir it directly into the henna, but I think it stains better with this extra step. Dyes stain, so using plastic containers, like clean empties from yogurt, is a great way to recycle.

Photo of indigo paste.
Indigo paste mixed with olive oil takes 10-20 minutes to set.

Applying the Henna Treatment

Wear something dark enough to not show stains and grubby enough to not bother you if it does stain.

In the bathroom, where I have enough mirrors to see the back of my head, I clothespin old bedsheets that I use as drop-cloths to prevent staining walls and floors. (Any messes that happen anyway are easily removed with a couple of drops of bleach.)

Photo of old sheets pinned around bathroom as drop cloths.
Old sheets make great drop cloths.

Dampening hair beforehand (I spray mine with a conditioning detangler) enables the henna to slide on easier and more thoroughly down the the roots.

Gloves on, I massage the henna into my scalp and through my hair. Then I cover it with the cheapest shower cap I can purchase in bulk. Wrapping keeps the henna moist and prevents brown smears on every wall I pass. For good measure, I tightly wrap a length of plastic wrap around my hairline and tape down the end to keep it from unraveling. With the protective film on, I continue to press the henna down to ensure it nourishes my scalp as it works.

Two hours or more later (I hear some people keep on henna overnight, though I haven’t tried it), after I’ve eaten breakfast, cleaned the house, done some writing, texted friends, etc., I’m ready to wash it out.

Rather than shampoo, I use conditioner, working it in and rinsing it twice, similar to how I use shampoo. For the sake of conditioning, though, I let the second application soak for several minutes. Then I rinse it in cool water until the water runs clear.

Use a darker towel to dry your hair, so you don’t have to worry about stains.

If you can help it, don’t shampoo for at least a couple of days, for the color to intensify over time.

Comment or leave a question and I’ll use it to update this blog post.

Wash instead of throw away by Stella, oh, Stella

Facial dabbers with a holder for them are easy to make!

Making beautiful, useful things out of stuff that would otherwise get tossed does everyone a favor! Birgit, originally from Germany, blogs in both English and German from Denmark about everything from nature and cooking to gardening and books. On her Youtube channel, she plays music with her husband and shows us beautiful outdoor sights like this one (watch to the end to get a glimpse of her lovely smile). Read on for how to turn old towels into new makeup removers — and even how to crochet a holder that can be used to machine-wash them…

Stella, oh, Stella

Diese Idee habe ich von Youtube, ich weiss leider nicht mehr, von welchem Kanal. Es ging darum, dass man als Frau oft viel Watte benutzt zum Abschminken, Gesichtswasser auftragen etc.

… This idea I found on Youtube. I don’t remember on which channel, unfortunately. It was about all the little cotton-wool balls that women often use to remove makeup or to put on facial tonic.

Anstatt nun Watte zu benutzen, die man hinterher wegwirft, hatte jemand die grossartige Idee, runde Pads aus Baumwollgarn zu häkeln, die man waschen kann.

… Instead of using cotton-wool, which one throws away after use, somebody had the great idea, to crochet little dabbers of cotton-wool yarn.

Da ich aber welche hier und jetzt benötige, habe ich ein altes Handtuch, das ich nicht mehr benutze, von dem ich mich aber nicht trennen kann, weil es von so guter Qualität ist, auch wenn es jetzt einige…

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Art, Paradise, Fantasy, Productive: Hamilton Gardens, New Zealand

Chinoise Garden at Hamilton Gardens, NZ: How non-Chinese people think of Chinese design is not altogether authentic.

Without Vicky Apps’ (more about her here) recommendation that we visit New Zealand’s Hamilton Gardens and had we not followed it, I’d have missed what’s my new fascination: Chinoiserie, namely the idea of it. The term has to do with European imitation of Chinese design during the 1600s and 1700s, and then again in the 1930s.

Replication isn’t what fascinates me, however — it’s the revelation that I’m so accustomed to seeing European-ized versions of Chinese art — that the non-real stuff looks more real than what’s authentic!

In addition, thanks to the park’s Katherine Mansfield garden, I’ve discovered that she was a pivotal New Zealand short story writer, feminist, and activist for Māori rights.

Khashayar at Katherine Mansfield’s garden.

Vacationing from Auckland to Rotorua, from New Zealand’s Redwoods to Huka Falls, from Craters of the Moon and Waitomo Glowworms Caves to Taupo, my husband and I had the good fortune of meeting kind and wise Vicky in Pirongia. (Later in Australia’s Gold Coast, we visited family and birds of Australia Part 1 of 2 plus Part 2 of 2, we marveled at the Spectacular Views in and Around Gold Coast, enjoyed a delicious meal on the beach, saw some wild things and cute things at Currumbin Wildlife Sanctuary, had fun with Rita Rigby, met the beasts of Brisbane and the beauty there, and enjoyed Sydney this much and that much, as well as the purring there!

Created in the 1960s on an old rubbish dump, 1.1 million people a year visit Hamilton Gardens! The ongoing mission of the park is to tell the International Story of Gardens as it relates to the evolution of culture. The result is an expanding collection of gardens inspired by various nations, arts including story-telling, and our use of plants on a day-to-day basis…

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What comes to mind when you think of gardens?

3. Ever been told…?

Flamenco woman with text over that reads: Ever been told that 'all Middle Eastern women are sexy,' that they have 'hypnotic eyes,' & that 'you know what goes on under those burqas'?

Ever been told that ‘all Middle Eastern women are sexy,’ that they have ‘hypnotic eyes,’ and that ‘you know what goes on under those burqas’ as if they’re an exotic species?