A long time activist, he’s a self-described visual historian and storyteller.
“Death of Rubén Salazar,” 1986, depicts the night the Los Angeles Times’ first Chicano journalist was killed.
I say he’s also a journalist and a feminist.
A woman shaman by Frank Romero.
The fabulous museum opened in the mid-90s. Up until a few years ago, it only displayed art by Central American and South American artists. No North American art.
Los Angeles’ car culture is another of Romero’s frequent subjects.
After decades of community pressure, a few years ago it let Latin North American art in.
Romero’s reworking of artist Edward Kienholz’s installation, “Back Seat Dodge ’38.”Romero’s depictions of old and present Los Angeles have helped define it.
Only now has it gotten around to featuring a Chicano in a solo show. Romero is a great choice.
A more recent depiction of Los Angeles shows how Romero’s style is changing. These days, he even paints in France.
Great things are alway going on at MOLAA. Sundays are free admission.
Just one of the many Frida Kahlo photos in MOLAA’s latest ode to her.
Right now, in addition to Romero’s art, hurry over to enjoy a wonderful Frida Kahlo collection of photos and correspondence.