Transgender Visibility Day and Valeska Réon’s Multiple Lives

Rachel Crandall started Transgender Day of Visibility as a day of hope, back in 2009. Indeed it is this year! For the first time, a U.S. President, Joe Biden, issued a proclamation on it!

Here Rachel talks about the annual event…

Now is also a good excuse for an update on what Valeska Réon’s been up to since I wrote of her a while ago.

Valeska Réon has wonderful news!
Valeska Réon has wonderful news!

Her book, “Der Bibelkiller/The Bible Killer,” has a favorable opportunity to become a Netflix film. Here’s an interview with Valeska and director/actor/screen writer Nicolai Tegeler who will film it in Maastricht, Netherlands. If you, like me, don’t understand German, Google Translate does a terrific job.

Valeska Réon with director/actor/screen writer Nicolai Tegeler.
Valeska Réon with director/actor/screen writer Nicolai Tegeler.

In addition, her next book is set to published in less than a year. Already, Valeska is working to make it a Netflix miniseries. The historic novel features Anne of Brittany (1477-1514), the only woman who served twice as France’s queen consort (the most powerful sort of queen). Not just that, Anne was queen consort of Naples, and a duchess consort of Milan. All that and she died when she was only 34!

“Der Bibelkiller/The Bible Killer” by Valeska Réon.
“Der Bibelkiller/The Bible Killer” by Valeska Réon.

“The Multiple Lives of Author Valeska Réon” in her own words

When I started writing back in 1997, the world of literature was not like it is today. Self-publishing wasn’t yet invented, so you first had to find a publisher before the book could see the light of day. The Internet was still in its infancy in Germany, so you had to resort to traditional marketing strategies.

In 2012, after three non-fiction books on health and beauty, I took all my courage and wrote my autobiography, “Flowers for a Chameleon.” What happened next — I hadn’t expected that! Perhaps I should tell you that I was not born a woman, but had already worked as a model in Paris before the sex reassignment surgery. Always I was careful that nobody learned of my secret. 1985 was another time, and models like Andrej(a) Pejic and Lea T. did not exist. The reactions to my book were overwhelming, it sold very well, and a filmmaker contacted me to film it.

But above all, I became aware of one thing – as an author, you market yourself best when you are authentic. Due to my life story, I was suddenly in the focus of the German LBGT community, which I first had to deal with. Countless letters from my readers all had the same core message: “Thank you for giving us such courage with your book!”

Today #beyoubetrue is my favorite hashtag, and I use it not only on Instagram but also on my author portraits.

Valeska Réon wears her favorite hashtag.
Valeska Réon wears her favorite hashtag.

After that, I changed my genre to now writing thrillers –- and that’s when I had a new marketing idea. In my book, “Double Sacrifice,” the song, “J’aime tellement,” plays such an essential role that once I wrote the lyrics, I then found a singer/composer to set them to music. Finally, it was remixed and is now available for download –- a great compliment to the book.

My new thriller, “Walking on Sand,” is was rewritten into a stage play that premiered in Düsseldorf, December 2019. Another autobiographical story, this one is about the transsexual children’s book author Lea. After many years, she returns to her hometown to avenge the terrible things her classmates did to her. The children’s book mentioned within it, “Charlotte Inside,” is taken out of the crime plot and made into a book of its own. It is the first children‘s book ever to tell young readers about therapy with the inner child.

Valeska Réon lays on the sand, a watchtower in the background, with her dog.
What new creative adventure is Valeska Réon conjuring?

My greatest wish is for “Charlotte Inside” to appear internationally so it can bring joy and courage to children everywhere.

How many lives have you lived?

22 thoughts on “Transgender Visibility Day and Valeska Réon’s Multiple Lives”

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