Edinburgh Art: U.S. + Notorious Lesbian Book + U.K. Landform

Tourists 1970, by Duane Hanson 1925-1996, constructed of polyester resin, fiberglass, and mixed media.

“A thousand roads lead men forever to Rome.” (Believed by some to have been penned by Alain de Lille in 1175.)

Bunches writers of stacks novels borrow and twist that proverb. The way it relates to this dilemma is — have you ever returned home from a trip and waited so long to sort your photos that you no longer remember where you saw what? Worse, did a pandemic come along and toss your blog posting plans to the winds? Those, my friend, are my excuses for this post.

Do you, like me, find yourself measuring time as ‘pre-pandemic,’ ‘early pandemic,’ etc.?

Not all that very long ago, in pre-pandemic Scotland, I was pleasantly reacquainted with a couple of fellow Americans, both of them artists. Remember Cabbage Patch Kids (o-m-g!!! I just Googled them — they’re still manufactured!?)? The dolls, IMHO vomitous as they are, remind me of Duane Hanson’s art, who respect tremendously. He started as overtly political. Later he segued into depictions of sorely neglects folks and subjects, this way and this way. His life-casts here are portrayed as a couple, yet in real life they never met. Incorrigibly Floridian, they stand out in Edinburgh…

Tourists 1970, by Duane Hanson 1925-1996, constructed of polyester resin, fiberglass, and mixed media.
Tourists 1970, by Duane Hanson 1925-1996, constructed of polyester resin, fiberglass, and mixed media.

“The subject matter that I like best deals with the familiar lower and middle-class American types of today. To me, the resignation, emptiness, and loneliness of their existence capture the true reality of life.” (Artist Duane Hanson)

Rain and more rain; that’s what we got in Scotland. Wetness and all, it was marvelous! The people were kind and down-to-earth, the food was good… a welcome change from the So Cal droughts! There was so much to see that I’m forced to must split Scotland into more than one post. We’d landed in London and had fun at the British Museum here and here and here. Then we drove to Bath, then admired Avebury and a bit of Wales on the route to Stokesay Castle. Later, the Kelpies of Scotland were amazing! Scotland alone had so much wonderfulness that I’m forced to split it into more than one post!

Now this same Edinburgh gallery (or maybe it was at another place, perhaps in Glasgow?) also featured work by my fave modern artist, he of the Campbell’s soup cans and he who may or may not have said that thing about everyone getting fifteen minutes of fame, Andy Warhol

Shoe and Handbag, 1960, by Andy Warhol (1928-1987) Graphite and gouache on paper. In the 1950s, before Andy became a pop art icon, he was a mega-successful commercial artist. By the note on the bottom right, even he had probs with picky bosses like this one who hated this purse.
Shoe and Handbag, 1960, by Andy Warhol (1928-1987) Graphite and gouache on paper. In the 1950s, before Andy became a pop art icon, he was a mega-successful commercial artist. By the note on the bottom right, even he had probs with picky bosses like this one who hated this purse.

 

A Field of Blue Children, 1951-52, by Andy Warhol (1928-1987) Ink and dye on paper. Andy and I agree that Truman Capote was an amazing writer. This is the only surviving piece from Andy's solo exhibition of fifteen drawings based on Truman's work.
A Field of Blue Children, 1951-52, by Andy Warhol (1928-1987) Ink and dye on paper. Andy and I agree that Truman Capote was an amazing writer. This is the only surviving piece from Andy’s solo exhibition of fifteen drawings based on Truman’s work.

 

Here Lies the Heart, 1957, by Andy Warhol (1928-1987) Ink and graphite (a.k.a. pencil) on paper. Only later was this used for the autobiography of Mercedes de Acosta (1893-1968). Of Spanish/Cuban descent, she was known for her poems, plays, and novels. And also for romancing the likes of Great Garbo, Isadora Duncan, and Marlene Dietrich, to name but a few!
Here Lies the Heart, 1957, by Andy Warhol (1928-1987) Ink and graphite (a.k.a. pencil) on paper. Only later was this used for the autobiography of Mercedes de Acosta (1893-1968). Of Spanish/Cuban descent, she was known for her poems, plays, and novels. And also for romancing the likes of Great Garbo, Isadora Duncan, and Marlene Dietrich, to name but a few!

 

Foot with Cat, 1955-57, by Andy Warhol (1928-1987) Ink on paper. A page from one of many books Andy made, some for himself, some to showcase his talent to clients.
Foot with Cat, 1955-57, by Andy Warhol (1928-1987) Ink on paper. A page from one of many books Andy made, some for himself, some to showcase his talent to clients.

Here’s Landform by Charles Jencks beyond rainy windows (rain-less view here) of the Scottish National Gallery of Modern Art in Edinburgh…

Landform, 2002, by Charles Jencks (b. 1939)
Landform, 2002, by Charles Jencks (b. 1939)

Have you ever mixed up vacation pix? Or completely lost them? Ulp, I have… And do you, like me, find yourself measuring time as ‘pre-pandemic,’ ‘early pandemic,’ etc.?

47 thoughts on “Edinburgh Art: U.S. + Notorious Lesbian Book + U.K. Landform”

    1. lol it is always so fun when you visit, Jonatha 🙂 the “Notorious Lesbian Book” in the post title refers to Warhol’s cover for “Here Lies the Heart” by Meredes de Acosta — there’s a link to her within the photo caption for the cover…

      Liked by 2 people

  1. I have lost vacation pictures, or at least misplaced them. I used to save them to a disc (such old technology). Now I have to find them and purchase a thingy to view them and resave them…. Sigh. Great pictures. I especially enjoyed the Florida tourists. Lol. So lifelike!

    Liked by 2 people

  2. I download my photographs in order so I always know where they were taken. I can’t always remember exactly what the picture is about though, sometimes I have to go to Instagram and see what I wrote when I posted a picture. I does rain in Scotland, it rained most of the time we were there too.

    Liked by 2 people

      1. Oh yes, Robbie! Me too. At first i realized the first time what a big impact his virus had broght. But we should not give up. Its only one of a billion of viruses, had enjoyed visiting humans. Nothing more as a part of our history. Michael

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